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Superman: The Persistence of an American Icon, Ian Gordon


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Автор: Ian Gordon
Название:  Superman: The Persistence of an American Icon
ISBN: 9780813587523
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 0813587522
Обложка/Формат: Hardcover
Страницы: 200
Вес: 0.45 кг.
Дата издания: 28.02.2017
Серия: Comics culture
Язык: English
Иллюстрации: 30 color illustrations
Размер: 230 x 151 x 21
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Anthologies (non-poetry),Literary companions, book reviews & guides,Fiction & related items,Modern & contemporary fiction (post c 1945),Graphic novels,Popular culture,Gender studies: men, COMICS & GRAPHIC NOVELS / Nonfiction,LITERA
Подзаголовок: The persistence of an american icon
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Поставляется из: Англии
Описание: After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change?

Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Supermans iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors.

Armed with an encyclopedic knowledge of Supermans appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Supermans iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.


Дополнительное описание: Film history, theory or criticism|Literature: history and criticism|Literary studies: fiction, novelists and prose writers|Popular culture|Gender studies: men and boys|Graphic novel / Comic book / Manga: styles / traditions|Graphic novel / Comic book / Ma


The Persistence of Modernism

Автор: Detloff
Название: The Persistence of Modernism
ISBN: 0521182468 ISBN-13(EAN): 9780521182461
Издательство: Cambridge Academ
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Цена: 43290.00 T
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Описание: This book examines the continued relevance of modernism in the early twenty first century, a time of escalating loss, retribution and desire. Some of the social formations that inspired modernism are still with us, and Detloff argues that the resilient writing of modernist figures offers us insight into our own contemporary traumas.

Late Westerns: The Persistence of a Genre

Автор: Lee Clark Mitchell
Название: Late Westerns: The Persistence of a Genre
ISBN: 1496201965 ISBN-13(EAN): 9781496201966
Издательство: Mare Nostrum (Eurospan)
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Цена: 45980.00 T
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Описание:

For more than a century the cinematic western has been America’s most familiar genre, always teetering on the verge of exhaustion and yet regularly revived in new forms. Why does this outmoded vehicle—with the most narrowly based historical setting of any popular genre—maintain its appeal? In Late Westerns Lee Clark Mitchell takes a position against those critics looking to attach “post” to the all-too-familiar genre. For though the frontier disappeared long ago, though men on horseback have become commonplace, and though films of all sorts have always, necessarily, defied generic patterns, the western continues to enthrall audiences. It does so by engaging narrative expectations stamped on our collective consciousness so firmly as to integrate materials that might not seem obviously “western” at all.

Through plot cues, narrative reminders, and even cinematic frameworks, recent films shape interpretive understanding by triggering a long-standing familiarity audiences have with the genre. Mitchell’s critical analysis reveals how these films engage a thematic and cinematic border-crossing in which their formal innovations and odd plots succeed deconstructively, encouraging by allusion, implication, and citation the evocation of generic meaning from ingredients that otherwise might be interpreted quite differently. Applying genre theory with close cinematic readings, Mitchell posits that the western has essentially been “post” all along.
 


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