Название: Horror Cinema (Bibliotheca Universalis) ISBN: 3836561859 ISBN-13(EAN): 9783836561853 Издательство: Taschen Рейтинг: Цена: 17710.00 T Наличие на складе: Ожидается поступление. Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.
Автор: Gauch Suzanne Название: Maghrebs in Motion: North African Cinema in Nine Movements ISBN: 0190262583 ISBN-13(EAN): 9780190262587 Издательство: Oxford Academ Рейтинг: Цена: 33250.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Maghrebs in Motion illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring.
Автор: Bisschoff Название: Women in African Cinema ISBN: 0415425689 ISBN-13(EAN): 9780415425681 Издательство: Taylor&Francis Рейтинг: Цена: 39800.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera.
Автор: Grant Название: Post-Soul Black Cinema ISBN: 0415651018 ISBN-13(EAN): 9780415651011 Издательство: Taylor&Francis Рейтинг: Цена: 42870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This work examines and analyzes how the cinematic image of African Americans became a fixed image with strict rules of depiction both written and unwritten. And, how those very limited and under-informed images would not and could not be challenged or transformed until the power relations in the American film industry began to change and afforded blacks the opportunity at the very least to tell stories from an informed position.
Автор: Genova James E. Название: Cinema and Development in West Africa: Film as a Vehicle for Liberation ISBN: 0253010020 ISBN-13(EAN): 9780253010025 Издательство: Wiley EDC Рейтинг: Цена: 66350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.
Автор: Bisschoff Название: Women in African Cinema ISBN: 0415425662 ISBN-13(EAN): 9780415425667 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera.
Автор: Jeffrey Couchman Название: The African Queen and The Night of the Hunter: First and Final Screenplays ISBN: 1621902358 ISBN-13(EAN): 9781621902355 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 98870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In a writing career that branched into drama, poetry, fiction, and journalism, film was a constant for James Agee. Volume four in The Works of James Agee series presents the writer`s two most famous screenplays: for The African Queen, his collaboration with John Huston, and for The Night of the Hunter, the only film ever directed by actor Charles Laughton.
Автор: Roland Leander Williams Jr. Название: Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003 ISBN: 0815630050 ISBN-13(EAN): 9780815630050 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 17550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel". Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters.
Автор: Keyan Tomaselli Название: The Cinema of Apartheid: Race and Class in South African Film ISBN: 0415726743 ISBN-13(EAN): 9780415726740 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study analyses the historical development of South African cinema up to he book's original publication in 1988. It describes the films and comments on their relationship to South African realities, addressing all aspects of the industry, focusing on domestic production, but also discussing international film companies who use South Africa as a location. It explores tensions between English-language and Afrikaans-language films, and between films made for blacks and films made for whites. Going behind the scenes the author looks at the financial infrastructure, the marketing strategies, and the works habits of the film industry. He concludes with a discussion of independent filmmaking, the obstacles facing South Africans who want to make films with artistic and political integrity, and the possibilities of progress in the future. Includes comprehensive bibliography and filmography listing all feature films made in South Africa between 1910 and 1985 together with documentary films by South Africans, non-South Africans, and exiles about the country.
Автор: Mark A. Reid Название: African American Cinema through Black Lives Consciousness ISBN: 0814345484 ISBN-13(EAN): 9780814345481 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post–World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a ""Black Lives Consciousness,"" which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.The volume includes essays such as Gerald R. Butters’s, ""Blaxploitation Film,"" which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's ""African-American Film Noir"" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, ""Who's that Nigga on that Nag"": Django Unchained and the Return of the Blaxploitation Hero"", argues that the film provides cultural and historical insight, ""signifi es"" on blackface stereotypes and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality.The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.
Reel Pleasures brings the world of African moviehouses and the publics they engendered to life, revealing how local fans creatively reworked global media—from Indian melodrama to Italian westerns, kung fu, and blaxploitation films—to speak to local dreams and desires. In it, Laura Fair zeroes in on Tanzanians’ extraordinarily dynamic media cultures to demonstrate how the public and private worlds of film reception brought communities together and contributed to the construction of genders, generations, and urban citizenship over time.
Radically reframing the literatures on media exhibition, distribution, and reception, Reel Pleasures demonstrates how local entrepreneurs and fans worked together to forge the most successful cinema industry in colonial sub-Saharan Africa. The result is a major contribution to the literature on transnational commodity cultures.
Автор: Valerie K. Orlando Название: New African Cinema ISBN: 0813589959 ISBN-13(EAN): 9780813589954 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60150.00 T Наличие на складе: Невозможна поставка. Описание: New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Val rie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Semb ne's Ceddo (Senegal, 1977), Sarah Maldoror's Sambizanga (Angola, 1972), Assia Djebar's La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Z z Gamboa's The Hero (Angola, 2004) and Abderrahmane Sissako's Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
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