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From Scenarios to Networks: Performing the Intercultural in Colonial Mexico, Leo Cabranes-Grant


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Автор: Leo Cabranes-Grant
Название:  From Scenarios to Networks: Performing the Intercultural in Colonial Mexico
ISBN: 9780810133921
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 081013392X
Обложка/Формат: Hardcover
Страницы: 184
Вес: 0.43 кг.
Дата издания: 30.03.2017
Серия: Performance works
Язык: English
Размер: 231 x 155 x 18
Читательская аудитория: Professional and scholarly
Ключевые слова: Theatre direction & production,Literary studies: c 1500 to c 1800,Social & cultural history
Подзаголовок: Performing the intercultural in colonial mexico
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Поставляется из: Англии
Описание: In this innovative study, Leo Cabranes-Grant analyzes four intercultural events in the Viceroyalty of New Spain that took place between 1566 and 1690. Rather than relying on racial labels to describe alterations of identity, Cabranes-Grant focuses on experimentation, rehearsal, and the interaction between bodiesand objects. His analysis shows how scenarios are invested with affective qualities, which in turn enable cultural and semiotic change. Central to his argument is Bruno Latour’s Actor-Network Theory, which figures society as a constantly evolving web of relationships among objects, people, and spaces. In examiningthese scenarios, Cabranes-Grant attempts to discern the reasons why the conditions of an intensified moment within this ceaseless flow take on a particular value and inspire their re-creation. Cabranes-Grant offers a fresh perspective on Latour’s theory and reorients debates concerning history and historiography in the field of performance studies.
Дополнительное описание: Theatre direction and production|Social and cultural history|Literary studies: general


Wandering: Philosophical Performances of Racial and Sexual Freedom

Автор: Cervenak Sarah Jane
Название: Wandering: Philosophical Performances of Racial and Sexual Freedom
ISBN: 0822357151 ISBN-13(EAN): 9780822357155
Издательство: Wiley EDC
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Цена: 97240.00 T
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Combining black feminist theory, philosophy, and performance studies, Sarah Jane Cervenak ruminates on the significance of physical and mental roaming for black freedom. She is particularly interested in the power of wandering or daydreaming for those whose mobility has been under severe constraint, from the slave era to the present. Since the Enlightenment, wandering has been considered dangerous and even criminal when associated with people of color. Cervenak engages artist-philosophers who focus on wayward movement and daydreaming, or mental travel, that transcend state-imposed limitations on physical, geographic movement. From Sojourner Truth's spiritual and physical roaming to the rambling protagonist of Gayl Jones's novel Mosquito, Cervenak highlights modes of wandering that subvert Enlightenment-based protocols of rationality, composure, and upstanding comportment. Turning to the artists Pope.L (William Pope.L), Adrian Piper, and Carrie Mae Weems, Cervenak argues that their work produces an otherworldly movement, an errant kinesis that exceeds locomotive constraints, resisting the straightening-out processes of post-Enlightenment, white-supremacist, capitalist, sexist, and heteronormative modernity. Their roaming animates another terrain, one where free, black movement is not necessarily connected to that which can be seen, touched, known, and materially valued.

Dream Machine: Realism and Fantasy in Hindi Cinema

Автор: Samir Dayal
Название: Dream Machine: Realism and Fantasy in Hindi Cinema
ISBN: 1439910634 ISBN-13(EAN): 9781439910634
Издательство: Mare Nostrum (Eurospan)
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Цена: 79840.00 T
Наличие на складе: Невозможна поставка.
Описание:

Popular Hindi films offer varied cinematic representations ranging from realistic portraits of patriotic heroes to complex fantasies that go beyond escapism. In Dream Machine, Samir Dayal provides a history of Hindi cinema starting with films made after India’s independence in 1947. He constructs a decade-by-decade consideration of Hindi cinema’s role as a site for the construction of “Indianness.” 

Dayal suggests that Hindi cinema functions as both mirror and lamp, reflecting and illuminating new and possible representations of national and personal identity, beginning with early postcolonial films including Awaara and Mother India, a classic of the Golden Age. More recent films address critical social issues, such as My Name is Khan and Fire, which concern terrorism and sexuality, respectively. Dayalalso chronicles changes in the industry and in audience reception, and the influence of globalization, considering such films as Slumdog Millionaire.  

Dream Machine analyzes the social and aesthetic realism of these films concerning poverty and work, the emergence of the middle class, crime, violence, and the law while arguing for their sustained and critical attention to forms of fantasy.


Dream Machine: Realism and Fantasy in Hindi Cinema

Автор: Dayal Samir
Название: Dream Machine: Realism and Fantasy in Hindi Cinema
ISBN: 1439910642 ISBN-13(EAN): 9781439910641
Издательство: Mare Nostrum (Eurospan)
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Цена: 28380.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Popular Hindi films offer varied cinematic representations ranging from realistic portraits of patriotic heroes to complex fantasies that go beyond escapism. In Dream Machine, Samir Dayal provides a history of Hindi cinema starting with films made after India’s independence in 1947. He constructs a decade-by-decade consideration of Hindi cinema’s role as a site for the construction of “Indianness.” 

Dayal suggests that Hindi cinema functions as both mirror and lamp, reflecting and illuminating new and possible representations of national and personal identity, beginning with early postcolonial films including Awaara and Mother India, a classic of the Golden Age. More recent films address critical social issues, such as My Name is Khan and Fire, which concern terrorism and sexuality, respectively. Dayalalso chronicles changes in the industry and in audience reception, and the influence of globalization, considering such films as Slumdog Millionaire.  

Dream Machine analyzes the social and aesthetic realism of these films concerning poverty and work, the emergence of the middle class, crime, violence, and the law while arguing for their sustained and critical attention to forms of fantasy.


Breathless Days, 1959-1960

Автор: Guilbaut Serge, O`Brian John
Название: Breathless Days, 1959-1960
ISBN: 0822360411 ISBN-13(EAN): 9780822360414
Издательство: Mare Nostrum (Eurospan)
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Цена: 24200.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Taking 1959–1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp’s With My Tongue in My Cheek, Brazilian abstraction, postrevolutionary Cuban art, Jean Tinguely’s self-destroying machines, or Burroughs’s Naked Lunch, the contributors show this brief period to be a key to the cultural and political development of Western Europe and the Americas during the Cold War.
 
Contributors. Carla Benzan, Clint Burnham, Jill Carrick, Eric de Chassey, Mari Dumett, Serge Guilbaut, Luc Lang, Hadrien Laroche, Aleca Le Blanc, Richard Leeman, Tom McDonough, Regis Michel, John O'Brian, Kjetil Rodje, Ludovic Tournès, Antonio Eligio (Tonel)

Wandering: Philosophical Performances of Racial and Sexual Freedom

Автор: Cervenak Sarah Jane
Название: Wandering: Philosophical Performances of Racial and Sexual Freedom
ISBN: 0822357275 ISBN-13(EAN): 9780822357278
Издательство: Wiley EDC
Рейтинг:
Цена: 27450.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Combining black feminist theory, philosophy, and performance studies, Sarah Jane Cervenak ruminates on the significance of physical and mental roaming for black freedom. She is particularly interested in the power of wandering or daydreaming for those whose mobility has been under severe constraint, from the slave era to the present. Since the Enlightenment, wandering has been considered dangerous and even criminal when associated with people of color. Cervenak engages artist-philosophers who focus on wayward movement and daydreaming, or mental travel, that transcend state-imposed limitations on physical, geographic movement. From Sojourner Truth's spiritual and physical roaming to the rambling protagonist of Gayl Jones's novel Mosquito, Cervenak highlights modes of wandering that subvert Enlightenment-based protocols of rationality, composure, and upstanding comportment. Turning to the artists Pope.L (William Pope.L), Adrian Piper, and Carrie Mae Weems, Cervenak argues that their work produces an otherworldly movement, an errant kinesis that exceeds locomotive constraints, resisting the straightening-out processes of post-Enlightenment, white-supremacist, capitalist, sexist, and heteronormative modernity. Their roaming animates another terrain, one where free, black movement is not necessarily connected to that which can be seen, touched, known, and materially valued.

Faithful Bodies: Performing Religion and Race in the Puritan Atlantic

Автор: Heather Miyano Kopelson
Название: Faithful Bodies: Performing Religion and Race in the Puritan Atlantic
ISBN: 147986028X ISBN-13(EAN): 9781479860289
Издательство: Mare Nostrum (Eurospan)
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Цена: 30090.00 T
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Описание:

In
the seventeenth-century English Atlantic, religious beliefs and practices
played a central role in creating racial identity. English Protestantism
provided a vocabulary and structure to describe and maintain boundaries between
insider and outsider. In this path-breaking study, Heather Miyano
Kopelson peels back the layers of
conflicting definitions of bodies and competing practices of faith in the
puritan Atlantic, demonstrating how the categories of "white,"
"black," and "Indian" developed alongside religious boundaries between
"Christian" and "heathen" and between "Catholic" and "Protestant."

Faithful Bodies focuses on three
communities of Protestant dissent in the Atlantic World: Bermuda,
Massachusetts, and Rhode Island. In this "puritan Atlantic," religion
determined insider and outsider status: at times Africans and Natives could
belong as long as they embraced the Protestant faith, while Irish Catholics and
English Quakers remained suspect. Colonists'
interactions with indigenous peoples of the Americas and with West Central
Africans shaped their understandings of human difference and its acceptable
boundaries. Prayer, religious instruction, sexual behavior, and
other public and private acts became markers of whether or not blacks and
Indians were sinning Christians or godless heathens. As slavery became
law, transgressing people of color counted less and less as sinners in English
puritans' eyes, even as some of them made Christianity an integral part of
their communities. As Kopelson shows, this transformation proceeded
unevenly but inexorably during the long seventeenth century.



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