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Showing Off, Showing Up: Studies of Hype, Heightened Performance, and Cultural Power, Laurie Frederik, Kimberley Bell Marra, Catherine A. Schuler


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Автор: Laurie Frederik, Kimberley Bell Marra, Catherine A. Schuler
Название:  Showing Off, Showing Up: Studies of Hype, Heightened Performance, and Cultural Power
ISBN: 9780472073467
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 047207346X
Обложка/Формат: Hardcover
Страницы: 336
Вес: 0.68 кг.
Дата издания: 30.05.2017
Серия: Arts
Язык: English
Иллюстрации: 58 black & white images
Размер: 231 x 155 x 31
Читательская аудитория: Professional and scholarly
Ключевые слова: Dance & other performing arts,Anthologies (non-poetry),Literary studies: plays & playwrights, DRAMA / Anthologies (multiple authors),LITERARY CRITICISM / Drama
Подзаголовок: Studies of hype, heightened performance, and cultural power
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Поставляется из: Англии
Описание: Examines acts of showing, a particular species of performance that relies on competition and judgment, active spectatorship, embodied excess, and exposure of core values and hidden truths. The book`s theoretical introduction and essays reveal how diverse, particularly efficacious genres of showing are theoretically connected and why they merit more concerted attention.

Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power

Автор: Frode Helland
Название: Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power
ISBN: 1408184974 ISBN-13(EAN): 9781408184974
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The volume reveals an astonishing richness in the theatrical approaches to Ibsen across the world: it considers political theatre, institutional ‘high art’, theatre for development, queer and transgender theatre, Brechtian techniques, puppetry, post-dramatic theatre, rural village performance and avant-garde touring companies. Investigating varied renegotiations of his drama, including the work of Thomas Ostermeier in Germany and other parts of the world, versions of A Doll’s House from Chile and China, The Wild Duck in Iran and productions of Peer Gynt in Zimbabwe and Egypt, Frode Helland provides a deeper understanding of a cross-cultural Ibsen. The volume gives an in-depth analysis of the practice of Ibsen in relation to political, social, ideological and economic forces within and outside of the performances themselves, and demonstrates the incredible diversity of his work in local situations.


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