Martine Beugnet, Marion Schmid Proust at the Movies 9781138258617

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Автор: Martine Beugnet, Marion Schmid
Название: Proust at the Movies
ISBN: 9781138258617
Издательство: Taylor&Francis
Классификация:

Кино, кинематография

Литературоведение: с 1800 до 1900 г.

Литературоведение: с 1900 г.

Литературоведение: художественная литература, романисты и прозаики

ISBN-10: 113825861X
Обложка/Формат: Paperback
Страницы: 282
Вес: 0.52 кг.
Дата издания: 16.05.2017
Серия: Studies in european cultural transition
Язык: English
Размер: 234 x 156
Читательская аудитория: Undergraduate
Ключевые слова: Literary studies: c 1800 to c 1900 , LITERARY CRITICISM / Comparative Literature
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Поставляется из: Европейский союз
Описание: Film established itself as an artistic form of expression at the same time that Proust started work on his masterpiece, A la recherche du temps perdu. If Proust apparently took little interest in what he described as a poor avatar of reductive, mimetic representation, the resonances between his own radical reworking of writing styles and the novelistic forms, and cinema as the art of time are undeniable. Proust at the Movies is the first study in English to consider these rich interconnections. Its introductory chapter charts the missed encounter between Proust and the cinema and addresses the problems inherent in adapting his novel to the screen. The following chapters examine the various cinematic responses to A la recherche du temps perdu attempted to date: Luchino Visconti and Joseph Loseys failed attempts at adapting the whole of the novel in the 1970s, Volker SchlA¶ndorffs Un Amour de Swann (1984), Raoul Ruizs Le Temps retrouve (1999), Chantal Akermans La Prisonniere in La Captive (2000), and Fabio Carpis Quartetto Basileus (1982) and Le Intermittenze del cuore (2003). The last chapter tracks the echoes of Prousts writing in the work of various directors, from Abel Grace to Jean-Luc Godard. The approach is multidisciplinary, combining literary criticism with film theory and elements of philosophy of art. Special attention is given to the modernist legacy in literature and film with its distinctive aesthetic and narrative features. An outline of the history and recent evolution of contemporary art cinema thus emerges: a cinema where the themes at the heart of Prousts work - memory, time, perception - are ceaselessly explored.

Proust at the Movies, Martine Beugnet, Marion Schmid