Aaron Copland and the American Legacy of Gustav Mahler, Matthew Mugmon

Автор: Fauser Annegret
Название: Aaron Copland`s Appalachian Spring
ISBN: 019064687X ISBN-13(EAN): 9780190646875
Издательство: Oxford Academ
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Цена: 18470.00 T
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Описание: Das Taschenbuch, das jeder lesen muss, der etwas ueber Scrum wissen moechte.Es umfasst alle Rollen, Regeln und die grundlegenden Prinzipien von Scrum, basierend auf dem Scrum Guide von 2016. Durch die Beschreibung der Vergangenheit und Zukunft von Scrum wird darueber hinaus ein weitergehender Kontext aufgespannt.Der Autor Gunther Verheyen hat eine praezise, vollstaendige und leidenschaftliche Referenz zu Scrum geschrieben. Dabei vermittelt das Buch seine Einschaetzung von Scrum als Weg der Entdeckungen und Freude. Durch seinen Aufbau eignet es sich als hilfreicher Wegweiser auf diesem Weg.Nach Aussage von Ken Schwaber, dem Mitgestalter von Scrum, ist dieses Buch momentan die beste Beschreibung von Scrum. Das Buch verbindet einige seltene Merkmale:¢ Es beschreibt Scrum als Ganzes, bettet es aber in den weiteren Kontext aus Vergangenheit und Zukunft ein.¢ Der Autor fokussiert darauf, Scrum auf eine Weise zu erklaeren, die den Leser unterstuetzt: Die Sprache und der Stil des Buchs entsprechen der Philosophie von Scrum.¢ Das Buch zeigt die Freude am Scrum-Spiel.David Starr und Ralph Jocham, Professional Scrum Trainer und langjaehrige Experten agiler Arbeitsweisen, halten es fuer das ultimative Buch, das sie den Teilnehmern ihrer Scrum Kurse, aber auch Teams und Fuehrungskraeften in den Organisationen, die sie im Umgang mit Scrum coachen, empfehlen.

Автор: Ellis
Название: A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler
ISBN: 1138250937 ISBN-13(EAN): 9781138250932
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial character - its tonal ambivalence - symbolizes the 'distortion of reality' induced by the Magic Potion. As Schoenberg wrote, the chord of the augmented sixth stands 'on the fringes of tonality'. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author includes a straightforward introduction to the augmented sixth and its theoretical background.

Автор: Ellis Mark
Название: A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler
ISBN: 075466385X ISBN-13(EAN): 9780754663850
Издательство: Taylor&Francis
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Цена: 153120.00 T
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Описание: For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. This work presents a series of musical examples illustrating the `evolution` of the augmented sixth and the changing contexts in which it can be found.

Автор: Barham Jeremy
Название: Rethinking Mahler
ISBN: 0199316090 ISBN-13(EAN): 9780199316090
Издательство: Oxford Academ
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Цена: 68640.00 T
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Описание: In symphony and song, meaning and legacy, Mahler continues to present contradictory challenges. Rethinking Mahler locates the composer`s music in a rich, multi-layered historical network in order to address these challenges, offering a fresh assessment of the debt he owed to his own musical and cultural past, and exploring new avenues in his posthumous reception and understanding.

Автор: Peattie Thomas
Название: Gustav Mahler`s Symphonic Landscapes
ISBN: 1108456545 ISBN-13(EAN): 9781108456548
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler`s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siecle.

Автор: Hopkins Robert G.
Название: Closure and Mahler`s Music
ISBN: 0812282159 ISBN-13(EAN): 9780812282153
Издательство: Marston Book Services
Цена: 93060.00 T
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Описание:

Through scrupulous and perceptive analyses, Hopkins shows how parameters other than melody, harmony, and rhythm compensate for the weakening of tonal syntax in Mahler's music.

Closure and Mahler's Music provides a conceptual framework that can enhance understanding of the stylistic changes that took place during the first part of the twentieth century.