Eris vs. Aemulatio: Valuing Competition in Classical Antiquity, Cynthia Damon, Christoph Pieper
Автор: Eric Dodson-Robinson Название: Revenge, Agency, and Identity from European Drama to Asian Film: Agents of Vengeance ISBN: 900440127X ISBN-13(EAN): 9789004401273 Издательство: Brill Цена: 146110.00 T Наличие на складе: Невозможна поставка. Описание: Eric Dodson-Robinson's Revenge, Agency, and Identity from European Drama to Asian Film challenges critical readings of drama, film, and literature that downplay agency. From Attic tragedy, through Seneca and Shakespeare, and into Japanese and Korean film, the book pursues the agent of vengeance in her fury to reconstruct an identity shattered by trauma. Tragic revenge is an imaginary theater only partly encompassed by disciplines, institutions, and discourses. In this theater, violence becomes contagious and potentially transformative as performance gives birth to the agent of vengeance: a complex, emergent agent who is more than the sum of the actors, auteur, tradition, and audience, all of whom infiltrate, and strive to control, her will. The agent of vengeance, determined to outdo past exemplars, exacts traumatic excess, not equivalence.
Автор: Eric Moormann Название: Pompeii`s Ashes: The Reception of the Cities Buried by Vesuvius in Literature, Music, and Drama ISBN: 1501515837 ISBN-13(EAN): 9781501515835 Издательство: Walter de Gruyter Рейтинг: Цена: 37130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Pompeii`s Ashes focuses on the many ways Pompeii and Herculaneum feature in fiction, drama, music, and cinema and shows how interest in the oldest running archaeological projects in the world continue until now.
Автор: Erika Manders Название: Coining Images of Power: Patterns in the Representation of Roman Emperors on Imperial Coinage, A.D. 193-284 ISBN: 900418970X ISBN-13(EAN): 9789004189706 Издательство: Brill Цена: 187280.00 T Наличие на складе: Невозможна поставка. Описание: Current scholarship on Roman imperial representation addresses both the ways in which individual rulers presented themselves to their subjects and how particular aspects of imperial representation developed over time. This book combines these two approaches. It examines the diachronic development of the representation of Roman imperial power as a whole in one medium over a longer period of time. Through a quantitative and qualitative analysis of coin types issued between A.D. 193 and 284, patterns in the representation of third-century Roman emperors on imperial coinage are made visible. The result is a new perspective on the development of imperial ideology in times of crisis.
Автор: Tua Korhonen, Erika Ruonakoski Название: Human and Animal in Ancient Greece: Empathy and Encounter in Classical Literature ISBN: 1784537616 ISBN-13(EAN): 9781784537616 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Animals were omnipresent in the everyday life of classical Greece, and its culture was not merely anthropocentric.
Автор: Erin K. Moodie Название: Plautus` Poenulus: A Student Commentary ISBN: 0472119702 ISBN-13(EAN): 9780472119707 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 66530.00 T Наличие на складе: Невозможна поставка. Описание: Erin K. Moodie presents a rigorous yet accessible guide to Plautus' satirical play Poenulus for use in the contemporary classroom. Likely written and staged in the years following the Second Punic War between Rome and Carthage, Poenulus tells the tale of a young Carthaginian, the adopted son and heir of the man who purchased him as a slave when he was a child, who is in love with a female Carthaginian slave and prostitute. The comedy, especially Plautus' portrayal of his main character, compels the reader to consider Rome's relationship with Carthage, its former enemy; Plautus' role in choosing and adapting plays for the Roman stage; and the constraints of the palliata genre. A detailed introduction, map, and comprehensive notes approach the text from several angles, enabling the advanced undergraduate or graduate student to grapple directly with the issues the Poenulus raises. The Latin text is based primarily on that of Friedrich Leo, while Moodie's introduction and commentary provide assistance with early Latin grammar and syntax, Plautine meter, Roman history, and the influences on and performance contexts of Roman comedy. The commentary also introduces students to modern scholarship on the genre, including metatheatrical interpretations and performance criticism.
Автор: Eric Moormann Название: Pompeii`s Ashes: The Reception of the Cities Buried by Vesuvius in Literature, Music, and Drama ISBN: 1614518858 ISBN-13(EAN): 9781614518853 Издательство: Walter de Gruyter Цена: 99110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Although there are many works dealing with Pompeii and Herculaneum, none of them try to encompass the entire spectrum of material related to its reception in popular imagination. Pompeii’s Ashes surveys a broad variety of such works, ranging from travelogues between ca. 1740 and 2010 to 250 years of fiction, including stage works, music, and films. The first two chapters provide an in-depth analysis of the excavation history and an overview of the reflections of travelers. The six remaining chapters discuss several clearly-defined genres: historical novels with pagan tendencies, and those with Christians and Jews as protagonists, contemporary adventures, time traveling, mock manuscripts, and works dedicated to Vesuvius. “Pompeii’s Ashes” demonstrates how the eternal fascination with the oldest still-running archaeological projects in the world began, developed, and continue until now.
For too long, the study of religious life in Late Antiquity has relied on the premise that Jews, pagans, and Christians were largely discrete groups divided by clear markers of belief, ritual, and social practice. More recently, however, a growing body of scholarship is revealing the degree to which identities in the late Roman world were fluid, blurred by ethnic, social, and gender differences. Christianness, for example, was only one of a plurality of identities available to Christians in this period.
In Christians and Their Many Identities in Late Antiquity, North Africa, 200–450 CE, ?ric Rebillard explores how Christians in North Africa between the age of Tertullian and the age of Augustine were selective in identifying as Christian, giving salience to their religious identity only intermittently. By shifting the focus from groups to individuals, Rebillard more broadly questions the existence of bounded, stable, and homogeneous groups based on Christianness. In emphasizing that the intermittency of Christianness is structurally consistent in the everyday life of Christians from the end of the second to the middle of the fifth century, this book opens a whole range of new questions for the understanding of a crucial period in the history of Christianity.
Автор: Eric Csapo, Hans Rupprecht Goette, J. Richard Gree Название: Greek Theatre in the Fourth Century BC ISBN: 3110337487 ISBN-13(EAN): 9783110337488 Издательство: Walter de Gruyter Рейтинг: Цена: 111510.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
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