Pieter Bruegel the Elder and Religion, 

Автор: Koerner Joseph Leo
Название: Bosch and Bruegel: From Enemy Painting to Everyday Life
ISBN: 0691172285 ISBN-13(EAN): 9780691172286
Издательство: Wiley
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Цена: 63360.00 T
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Описание:

A bold new interpretation of two northern Renaissance masters

In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.

Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.

An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Автор: Mohlenbrock, Robert H.
Название: Pieter Bruegel & The Art Of Laughter
ISBN: 0520245210 ISBN-13(EAN): 9780520245211
Издательство: Wiley
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Цена: 74970.00 T
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Описание: Pieter Bruegel (1525-1569), generally considered the greatest Flemish painter of the sixteenth century, was described as a supremely comic artist. This book explores the function and production of laughter in the sixteenth century, and also examines the ways in which Bruegel exploited the comic potential of Hieronymus Bosch.

Автор: Barbara A. Kaminska
Название: Pieter Bruegel the Elder: Religious Art for the Urban Community
ISBN: 9004400397 ISBN-13(EAN): 9789004400399
Издательство: Brill
Цена: 160720.00 T
Наличие на складе: Нет в наличии.
Описание: Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.

Автор: Goldstein
Название: Pieter Bruegel and the Culture of the Early Modern Dinner Party
ISBN: 113824600X ISBN-13(EAN): 9781138246003
Издательство: Taylor&Francis
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Цена: 58170.00 T
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Описание: Claudia Goldstein mines a rich, interdisciplinary mix of sources to shed new light on the cultural history of sixteenth-century Antwerp. Recontextualizing some of Bruegel`s work within the cultural nexus of the dining room, she offers a critical and entirely original examination of the function of early modern images for the people who owned and viewed them.