Jenny Anger Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme 9781517903213

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Автор: Jenny Anger
Название: Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme
ISBN: 9781517903213
Издательство: Mare Nostrum (Eurospan)
Классификация:

Общие вопросы искусства

Теория искусства

История художественных и оформительских стилей: с 1900 по 1960 г.

Художественные и оформительские стили: Модернистский дизайн и Баухаус

ISBN-10: 1517903211
Обложка/Формат: Hardcover
Страницы: 320
Вес: 0.86 кг.
Дата издания: 20.02.2018
Язык: English
Иллюстрации: 99
Размер: 254 x 178 x 38
Ключевые слова: The arts: general issues,Art & design styles: Modernist design & Bauhaus, ART / General,ART / American / General,ART / European,ART / History / Modern (late 19th Century to 1945)
Подзаголовок: From der sturm to the societe anonyme
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Поставляется из: Англии
Описание: Exploring the significance of metaphor in modern art “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm-the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)-has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche-forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Soci?t? Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
Дополнительное описание: History of art

Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme, Jenny Anger