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Going Public: The Art of Participatory Practice, Elizabeth Miller, Edward Little, Steven High


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Автор: Elizabeth Miller, Edward Little, Steven High
Название:  Going Public: The Art of Participatory Practice
ISBN: 9780774836630
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0774836636
Обложка/Формат: Paperback
Страницы: 372
Вес: 0.52 кг.
Дата издания: 01.07.2018
Серия: Shared: oral and public history
Язык: English
Иллюстрации: 109 b&w photos
Размер: 226 x 150 x 23
Ключевые слова: Social research & statistics, HISTORY / General,PERFORMING ARTS / General,SOCIAL SCIENCE / Methodology
Подзаголовок: The art of participatory practice
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Поставляется из: Англии
Описание: Going Public responds to the urgent need to expand current thinking on what it means to co-create and to actively involve the public in research activities. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. It offers insights into concerns related to voice, appropriation, privilege, and the ethics of participation, and it reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people’s stories are used.
Дополнительное описание:

Introduction

Part 1: Field Notes

1 Rethinking Engagement

In Conversation with jesikah maria ross

2 It’s Complicated

In Conversation with Lisa Ndejuru

3 Going beyond the “Juicy Quote


Going Public: The Art of Participatory Practice

Автор: Elizabeth Miller, Edward Little, Steven High
Название: Going Public: The Art of Participatory Practice
ISBN: 0774836628 ISBN-13(EAN): 9780774836623
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 79420.00 T
Наличие на складе: Невозможна поставка.
Описание: Going Public responds to the urgent need to expand current thinking on what it means to co-create and to actively involve the public in research activities. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. It offers insights into concerns related to voice, appropriation, privilege, and the ethics of participation, and it reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people’s stories are used.


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