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Cinema and Ontology, Maurizio Ferraris, Enrico Terrone


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Автор: Maurizio Ferraris, Enrico Terrone
Название:  Cinema and Ontology
ISBN: 9788869771606
Издательство: Marston Book Services
Классификация:
ISBN-10: 8869771601
Обложка/Формат: Paperback
Страницы: 200
Вес: 0.25 кг.
Дата издания: 30.06.2019
Серия: Philosophy
Язык: English
Размер: 142 x 209 x 12
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism
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Поставляется из: Англии
Описание: The essays presented in this volume investigate the relationship between cinema and ontology. This investigation unfolds, on the one hand, through an ontological understanding of cinema, that is, an understanding of the specificity of if its being. On the other hand, it highlights the ways in which cinema can help us to shed some light on the domain of ontology, namely, what exists. The five sections of this volume, each containing a pair of complementary essays, analyse the following topics: the place of cinema in the system of the arts, the connection between cinematic realism and philosophical realism, the transition from analog to digital cinema, the specificity of films made through cell phones, and the representation of non-human animals in films.

From Fictionalism to Realism

Автор: Carola Barbero, Maurizio Ferraris and Alberto Volt
Название: From Fictionalism to Realism
ISBN: 1443842206 ISBN-13(EAN): 9781443842204
Издательство: Cambridge Scholars
Цена: 33790.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In ontology, realism and anti-realism may be taken as opposite attitudes towards entities of different kinds, so that one may turn out to be a realist with respect to certain entities, and an anti-realist with respect to others.

Documentality

Автор: Maurizio Ferraris & Richard Davies
Название: Documentality
ISBN: 0823249697 ISBN-13(EAN): 9780823249695
Издательство: Wiley EDC
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Цена: 36610.00 T
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Описание:

This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription—the leaving of a trace to be called up later—is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris’s
predecessors—most notably Derrida, in his project of a positive grammatology—left in an impressionistic state.
Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as “inscribed acts.” He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle.
Moving into considerations of the present technological revolution, Ferraris develops a “symptomatology of the document” that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act.
Written in an easy, often witty style, Documentality revises Foucault’s late concept of the “ontology of actuality” into the project of an “ontological laboratory,” thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.


Documentality: Why It Is Necessary to Leave Traces

Автор: Ferraris Maurizio
Название: Documentality: Why It Is Necessary to Leave Traces
ISBN: 0823249689 ISBN-13(EAN): 9780823249688
Издательство: Wiley EDC
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Цена: 123550.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription—the leaving of a trace to be called up later—is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris’s
predecessors—most notably Derrida, in his project of a positive grammatology—left in an impressionistic state.
Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as “inscribed acts.” He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle.
Moving into considerations of the present technological revolution, Ferraris develops a “symptomatology of the document” that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act.
Written in an easy, often witty style, Documentality revises Foucault’s late concept of the “ontology of actuality” into the project of an “ontological laboratory,” thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.


Introduction to New Realism

Автор: Maurizio Ferraris
Название: Introduction to New Realism
ISBN: 1472590643 ISBN-13(EAN): 9781472590640
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: Introduction to New Realism provides an overview of the movement of contemporary thought named New Realism, by its creator and most celebrated practitioner, Maurizio Ferraris. Sharing significant concerns and features with Speculative Realism and Object Oriented Ontology, New Realism can be said to be one of the most prescient philosophical positions today. Its desire to overcome the postmodern antirealism of Kantian origin, and to reassert the importance of truth and objectivity in the name of a new Enlightenment, has had an enormous resonance both in Europe and in the US. Introduction to New Realism is the first volume dedicated to exposing this continental movement to an anglophone audience. Featuring a foreword by the eminent contemporary philosopher and leading exponent of Speculative Realism, Iain Hamilton Grant, the book begins by tracing the genesis of New Realism, and outlining its central theoretical tenets, before opening onto three distinct sections. The first, 'Negativity', is a critique of the postmodern idea that the world is constructed by our conceptual schemas, all the more so as we have entered the age of digitality and virtuality. The second thesis, 'positivity', proposes the fundamental ontological assertion of New Realism, namely that not only are there parts of reality that are independent of thought, but these parts are also able to act causally over thought and the human world. The third thesis, 'normativity,' applies New Realism to the sphere of the social world. Finally, an afterword written by two young scholars explains in more detail the relationship between New Realism and other forms of contemporary realism.


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