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Migration and Asylum in Malta and the European Union: Rights and Realities 2002-2011, Peter Xuereb


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Автор: Peter Xuereb
Название:  Migration and Asylum in Malta and the European Union: Rights and Realities 2002-2011
ISBN: 9789990945652
Издательство: Marston Book Services
Классификация:




ISBN-10: 9990945659
Обложка/Формат: Paperback
Страницы: 340
Вес: 0.80 кг.
Дата издания: 31.05.2018
Серия: Sociology
Язык: English
Размер: 241 x 178 x 28
Читательская аудитория: Professional and scholarly
Ключевые слова: Social mobility,Migration, immigration & emigration
Подзаголовок: Rights and realities 2002-2011
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Поставляется из: Англии
Описание: This book is the end result of a research project and two seminars held between January 2010 and January 2011 with the assistance of the European Commission’s Jean Monnet Programme. The aim of the project was to document the legal, policy, political, and social issues relating to migration into the EU, and especially into Malta, and to trace the experience of the irregular immigrant through his or her journey “to Europe” from his or her country of origin, to his or her landing in Malta and then his or her subsequent experience and status. The primary aim of the publication of this collection of papers is to make available as a matter of record and analysis the difficulties faced by the immigrant, but also in the context of those faced by Malta as a small peripheral island State in addressing the phenomenon of irregular migration (often ‘illegal’ immigration from a national law perspective).

Francesco Noletti: The Grand Roman Baroque Still-life

Автор: Gianluca Bocchi, Lisa Xuereb
Название: Francesco Noletti: The Grand Roman Baroque Still-life
ISBN: 9993276154 ISBN-13(EAN): 9789993276159
Издательство: Marston Book Services
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Цена: 79200.00 T
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Описание: This is the first monograph and proper study on Francesco Noletti (c.1611–54), called il Maltese (and popularly known as Francesco Fieravino). He is one of the most significant yet enigmatic artists in the study of still-life painting of the Roman seicento. His work encapsulates the spirit of the ‘baroque still-life’, primarily through a typology of ‘carpet paintings’ that he popularized in Rome during the 1640s and early 1650s. Francesco Noletti is credited to have significantly imprinted theatrically-placed heavy folded carpets as the primary focus of his impressive still-life compositions, with such folds animating and dominating the painting rather than being merely tactile covers of tables or ledges on which the objects were placed. The thick impasto and monumental folds of Noletti’s carpets imbued his works with a forceful movement, tactile richness and theatricality that responded perfectly to the baroque manner of the ‘main-stream’ artists.

Curtain Up!: Theatre in Malta (1963-2015)

Автор: Paul Xuereb
Название: Curtain Up!: Theatre in Malta (1963-2015)
ISBN: 9993276189 ISBN-13(EAN): 9789993276180
Издательство: Marston Book Services
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Цена: 46200.00 T
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Описание: This volume brings together for the first time a selection of Paul Xuereb`s theatre reviews, originally published in `The Sunday Times of Malta` from 1963 to 2015.

The Manoel Theatre: A Short History

Автор: Paul Xuereb
Название: The Manoel Theatre: A Short History
ISBN: 9993273775 ISBN-13(EAN): 9789993273776
Издательство: Marston Book Services
Цена: 13200.00 T
Наличие на складе: Невозможна поставка.
Описание: The Manoel Theatre is the only theatre building still extant and still regularly used in Malta that dates back to the period when Malta was ruled by the Order of St John. It was founded by the Portuguese Grand master Antonio Manoel de Vilhena in 1732 and was used regularly by the Knights for their amateur performances of plays and even operas, and also by visiting professional companies. Although meant for the honest enetrtainment of the public, it was the young Knights who dominated it either as performers or as members of the audience. During the siege of the French occupiers during 1798-1800, the theatre was managed by the Maltese opera composer Nicolo Isouard and provided the besieged soldiers with their main entertainment. The passing of Malta to Britain meant that the theatre, now known as Theatre Royal, remained of importance to the substantial British garrison and the many British civil servants and businessmen who spent years in Malta, but the rise of an educated Maltese middle class also meant that productions in Italian and then also in Maltese were produced by talented Maltese amateurs. A good many Maltese authors produced mainly farcical plays in Maltese or adapted foreign comedies for performance, and the end of the century saw the birth of the first important Maltese drama group, directed for many years by M.A. Borg. The Manoel, however, functioned mostly as an opera theatre, managed by entrepreneurs who imported singers and dancers to appear in operas by people like Rossini, Cimarosa, Bellini and Donizetti, and Verdi. The building of a new opera house that opened its doors in 1866 meant that the theatre was no longer Theatre Royal and was now renamed Manoel Theatre. Except for four seasons when it temporarily assumed its old functions while the new theatre, destroyed by fire, was being rebuilt, the Manoel went through hard times until it began to present seasons of the new musical genre, operetta, and of the also new British-American musical theatre. During the 19th century the auditorium was enlarged and refurbished. During the twentieth century the Manoel was known largely for its productions of plays in English, mostly presented by the MADC, founded in 1910 and still active today, but its private owners used it mostly as a cinema, and after World War II, when the Royal Opera House was destroyed by bombing, it presented a number of opera seasons. In the late 1950s the Labour government decided to bring the theatre back into state ownership and it opened as a state theatre in December 1960. Since then its programmes have included many classical music events, a smattering of opera, dance and much drama, including the major plays of Maltas great dramatist, Francis Ebejer.


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