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Allegories of America: Narratives, Metaphysics, Politics, Frederick M. Dolan


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Автор: Frederick M. Dolan
Название:  Allegories of America: Narratives, Metaphysics, Politics
ISBN: 9781501727801
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 150172780X
Обложка/Формат: Paperback
Страницы: 248
Вес: 0.37 кг.
Дата издания: 15.08.2018
Серия: Contestations
Язык: English
Размер: 229 x 152 x 14
Ключевые слова: Political science & theory, HISTORY / United States / General,POLITICAL SCIENCE / Civics & Citizenship,POLITICAL SCIENCE / History & Theory
Подзаголовок: Narratives, metaphysics, politics
Рейтинг:
Поставляется из: Англии
Описание:

Allegories of America offers a bold idea of what, in terms of political theory, it means to be American. Beginning with the question What do we want from a theory of politics? Dolan explores the metaphysics of American-ness and stops along the way to reflect on John Winthrop, the Constitution, 1950s behavioralist social science, James Merrill, and William Burroughs.

The pressing problem, in Dolans view, is how to find a vocabulary for politics in the absence of European metaphysics. American political thinkers, he suggests, might respond by approaching their own theories as allegories. The postmodern dilemma of the loss of traditional absolutes would thus assume the status of a national mythology—Americas perennial identity crisis in the absence of a tradition establishing the legitimacy of its founding.

After examining the mid-Atlantic sermons of John Winthrop, the spiritual founding father, Dolan reflects on the authority of the Constitution and the Federalist. He then takes on questions of representation in Cold War ideology, focusing on the language of David Easton and other liberal political behaviorists, as well as on cold War cinema and the coverage of international affairs by American journalists. Additional discussions are inspired by Hannah Arendts recasting of political theory in a narrative framework. here Dolan considers two starkly contrasting postwar literary figures—William S. Burroughs and James Merrill—both of whom have a troubled relationship to politics but nonetheless register an urgent need to articulate its dangers and opportunities. Alongside Merrills unraveling of the distinction between the serious and the fictive, Dolan assesses the attempt in Arendts On Revolution to reclaim fictional devices for political reflection.



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