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Cinematic Nihilism: Encounters, Confrontations, Overcomings, John Marmysz


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Автор: John Marmysz
Название:  Cinematic Nihilism: Encounters, Confrontations, Overcomings
Перевод названия: Джон Мармиш: Кинематографический нигилизм. Столкновения, конфронтации, преодоление трудностей
ISBN: 9781474431712
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1474431712
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.35 кг.
Дата издания: 07.08.2019
Серия: Arts
Язык: English
Иллюстрации: 18 b/w illustrations
Размер: 156 x 234 x 28
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Individual film directors, film-makers,Film: styles & genres
Подзаголовок: Encounters, confrontations, overcomings
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Поставляется из: Англии
Описание: Exposing and illustrating how an ongoing engagement with nihilistic alienation may contribute to, rather than detract from, the value of life, Cinematic Nihilism both challenges and builds upon past scholarship that has scrutinised nihilism in the media, but which has generally over-emphasised its negative and destructive aspects. Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centiped e, and with chapters on Scotland’s cinematic portrayal as both a site of ‘nihilistic sacrifice’ and as ‘nowhere in particular’, this book presents a necessary corrective, re-emphasising the constructive potential of cinematic nihilism and casting it as a phenomenon that need not be overcome.

The Politics of Insects: David Cronenberg`s Cinema of Confrontation

Автор: Scott Wilson
Название: The Politics of Insects: David Cronenberg`s Cinema of Confrontation
ISBN: 1623563399 ISBN-13(EAN): 9781623563394
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Canadian film director David Cronenberg has long been a figure of artistic acclaim and public controversy. Bursting into view with a trio of shocking horror films in the 1970s, Cronenberg's work has become increasingly complex in its sensibilities and inward-looking in its concerns and themes. This trajectory culminates in the multiplex successes of his most recent films, which appear to conclude a straightforward evolutionary arc that begins in the cold outside of shock-horror and arrives in the warm embrace of commercial and critical success. Scott Wilson argues persuasively that Cronenberg's career can be divided into broad thematic stages and instead offers a complex examination of the relationship between three inter-related terms: the director as auteur; the industry that support or denies commercial opportunity; and the audience who receive, interpret and support (or decry) the vision represented on screen. The Politics of Insects provides an opportunity to explore Cronenberg's films in relation to each other in terms of their thematic continuity, and in terms of their relationship to industrial concerns and audience responses.

Screening Twilight: Critical Approaches to a Cinematic Phenomenon

Автор: Wickham Clayton, Sarah Harman
Название: Screening Twilight: Critical Approaches to a Cinematic Phenomenon
ISBN: 1780766653 ISBN-13(EAN): 9781780766652
Издательство: Bloomsbury Academic
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Цена: 105600.00 T
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Описание: Screening Twilight unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages.

Cinematic Chronotopes: Here, Now, Me

Автор: Pepita Hesselberth
Название: Cinematic Chronotopes: Here, Now, Me
ISBN: 1623567661 ISBN-13(EAN): 9781623567668
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
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Описание: The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.

Cinematic Nihilism

Автор: Marmyysz John
Название: Cinematic Nihilism
ISBN: 1474424562 ISBN-13(EAN): 9781474424561
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede, this book re-emphasises the constructive potential of cinematic nihilism.

Cinematic Storytelling

Автор: Van Sijll
Название: Cinematic Storytelling
ISBN: 193290705X ISBN-13(EAN): 9781932907056
Издательство: Elsevier Science
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Цена: 27450.00 T
Наличие на складе: Невозможна поставка.
Описание: The 100 most powerful film conventions every filmmaker must know.

Coming Together: The Cinematic Elaboration of Gay Male Life, 1945-1979

Автор: Powell Ryan
Название: Coming Together: The Cinematic Elaboration of Gay Male Life, 1945-1979
ISBN: 022663437X ISBN-13(EAN): 9780226634371
Издательство: Wiley
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Цена: 32730.00 T
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Описание: In Coming Together, Ryan Powell captures the social and political vitality of the first wave of movies made by, for, and about male-desiring men in the United States between World War II and the 1980s. From the underground films of Kenneth Anger and the Gay Girls Riding Club to the gay liberation-era hardcore films and domestic dramas of Joe Gage and James Bidgood, Powell illuminates how central filmmaking and exhibition were to gay socializing and worldmaking. Unearthing scores of films and a trove of film-related ephemera, Coming Together persuasively unsettles popular histories that center Stonewall as a ground zero for gay liberation and visibility. Powell asks how this generation of movie-making--which defiantly challenged legal and cultural norms around sexuality and gender--provided, and may still provide, meaningful models for living.

Fritz Lang`s Metropolis: Cinematic Visions of Technology and Fear ( Studies in German Literature, Linguistics, and Culture )

Автор: Minden, Michael (Editor), Bachmann, Holger (Editor)
Название: Fritz Lang`s Metropolis: Cinematic Visions of Technology and Fear ( Studies in German Literature, Linguistics, and Culture )
ISBN: 1571131469 ISBN-13(EAN): 9781571131461
Издательство: Wiley
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Цена: 34840.00 T
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Описание: A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.

Cinematic Encounters 2: Portraits and Polemics

Автор: Jonathan Rosenbaum
Название: Cinematic Encounters 2: Portraits and Polemics
ISBN: 0252042557 ISBN-13(EAN): 9780252042553
Издательство: Mare Nostrum (Eurospan)
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Цена: 91960.00 T
Наличие на складе: Невозможна поставка.
Описание: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.

Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and B?la Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray.


Cinematic Encounters: Interviews and Dialogues

Автор: Jonathan Rosenbaum
Название: Cinematic Encounters: Interviews and Dialogues
ISBN: 0252042166 ISBN-13(EAN): 9780252042164
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 91960.00 T
Наличие на складе: Невозможна поставка.
Описание: Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our time.

Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum's vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles on a journey back to Heart of Darkness, the unmade film meant to be Welles's Hollywood debut. Jacques Tati addresses the primacy of décor and soundtrack in his comedic masterpiece PlayTime, while Jim Jarmusch explains the influence of real and Hollywoodized Native Americans in Dead Man. By arranging the chapters chronologically, Rosenbaum invites readers to pursue thematic threads as if the discussions were dialogues between separate interviews. The result is a rare gathering of filmmakers trading thoughts on art and process, on great works and false starts, and on actors and intimate moments.


Cinematic Encounters 2: Portraits and Polemics

Автор: Rosenbaum Jonathan
Название: Cinematic Encounters 2: Portraits and Polemics
ISBN: 0252084381 ISBN-13(EAN): 9780252084386
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 20860.00 T
Наличие на складе: Невозможна поставка.
Описание: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.

Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and B?la Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray.


Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime

Автор: Philip J. Skerry
Название: Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime
ISBN: 1441184015 ISBN-13(EAN): 9781441184016
Издательство: Bloomsbury Academic
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Цена: 126720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first ‘official’ film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock’s films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry’s book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock’s technological genius and camera aesthetics, helping to explain the concept of ‘pure cinema’ and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock’s art.

Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime

Автор: Philip J. Skerry
Название: Dark Energy: Hitchcock`s Absolute Camera and the Physics of Cinematic Spacetime
ISBN: 1441189459 ISBN-13(EAN): 9781441189455
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 30610.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first ‘official’ film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock’s films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry’s book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock’s technological genius and camera aesthetics, helping to explain the concept of ‘pure cinema’ and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock’s art.


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