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Hong Kong Horror Cinema, Gary Bettinson, Daniel Martin


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Автор: Gary Bettinson, Daniel Martin
Название:  Hong Kong Horror Cinema
ISBN: 9781474452229
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474452221
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.37 кг.
Дата издания: 07.08.2019
Серия: Arts
Язык: English
Иллюстрации: 12 b/w illustrations
Размер: 156 x 235 x 18
Читательская аудитория: Professional and scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers,Film: styles & genres
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Поставляется из: Англии
Описание: Hong Kong Horror Cinemaoffers new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market.

Wkw: The Cinema of Wong Kar Wai

Автор: Wong Kar-Wai, Powers John
Название: Wkw: The Cinema of Wong Kar Wai
ISBN: 0847846172 ISBN-13(EAN): 9780847846177
Издательство: Rizzoli
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Цена: 52250.00 T
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Описание: The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films.

Horror Cinema (Bibliotheca Universalis)

Название: Horror Cinema (Bibliotheca Universalis)
ISBN: 3836561859 ISBN-13(EAN): 9783836561853
Издательство: Taschen
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Цена: 17710.00 T
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Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.

The Art of Horror Movies: An Illustrated History

Автор: Jones Stephen
Название: The Art of Horror Movies: An Illustrated History
ISBN: 1495064840 ISBN-13(EAN): 9781495064845
Издательство: Неизвестно
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Цена: 31680.00 T
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Описание: THE ART OF HORROR MOVIES: AN ILLUSTRATED HISTORY

Euro Horror: Classic European Horror Cinema in Contemporary American Culture

Автор: Olney Ian
Название: Euro Horror: Classic European Horror Cinema in Contemporary American Culture
ISBN: 025300652X ISBN-13(EAN): 9780253006523
Издательство: Wiley EDC
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Цена: 24010.00 T
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Описание: Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.

Vampira and Her Daughters: Women Horror Movie Hosts from the 1950s Into the Internet Era

Автор: Cotter Robert Michael
Название: Vampira and Her Daughters: Women Horror Movie Hosts from the 1950s Into the Internet Era
ISBN: 147666434X ISBN-13(EAN): 9781476664347
Издательство: Mare Nostrum (Eurospan)
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Цена: 33270.00 T
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Описание: From Vampira to Elvira, Mistress of the Dark, female horror movie hosts have long been a staple of late-night television. Despite a near total lack of local programming today, the tradition continues on the Internet. Featuring exclusive interviews and rare photographs, this book covers dozens of "dream ghouls" with alphabetical entries from Aunt Gertie to Veronique Von Venom.

Hong Kong Dark Cinema

Автор: Kim-Mui E. Elaine Chan
Название: Hong Kong Dark Cinema
ISBN: 3030282929 ISBN-13(EAN): 9783030282929
Издательство: Springer
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Цена: 65210.00 T
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Описание:

This book is a scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a discussion of the cinematic portrayals of gender, romance, identities and power relations. Nuancing the prototypical cinematic form and tragic sense of classical film noir, the recent Hong Kong cinema turns around the classical generic role of film noir at the turn of the century to convey very different messages—joy, hope or love. This book examines how the mainstream cinema, or pre-and-post-Hong Kong cinema in particular, applies a peculiar strategy that makes rooms for the audience to enjoy a pleasure-giving process of reflexivity and also critique the mainstream ideology. With new analytical approaches and angles, this book breaks new ground in offering transcultural and cross-genre analyses on the cinema and its impact in local and international markets.This book is the first major scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a refreshing discussion of the cinematic portrayals of gender, romance, identities and power relations. This book also revisits conceptual categories developed by Foucault, Lacan, Derrida and Butler.

Legacies of the Drunken Master: Politics of the Body in Hong Kong Kung Fu Comedy Films

Автор: Luke White
Название: Legacies of the Drunken Master: Politics of the Body in Hong Kong Kung Fu Comedy Films
ISBN: 0824881575 ISBN-13(EAN): 9780824881573
Издательство: Mare Nostrum (Eurospan)
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Цена: 66880.00 T
Наличие на складе: Невозможна поставка.
Описание: In 1978 the films Snake in the Eagle's Shadow and Drunken Master, both starring a young Jackie Chan, caused a stir in the Hong Kong cinema industry and changed the landscape of martial arts cinema. Mixing virtuoso displays of acrobatic kung fu with knockabout humor to huge box office success, they broke the mold of the tragic and heroic martial arts film and sparked not only a wave of imitations, but also a much longer trend for kung fu comedies that continues to the present day. Legacies of the Drunken Master - the first book-length analysis of kung fu comedy - interrogates the politics of the films and their representations of the performing body. It draws on an interdisciplinary engagement with popular culture and an interrogation of the critical literature on Hong Kong and martial arts cinema to offer original readings of key films. These readings pursue the genre in terms of its carnival aesthetic, the utopias of the body it envisions, its highly stylized depictions of violence, its images of masculinity, and the registers of its "hysterical" laughter. The book's analyses are carried out amidst kung fu comedy's shifting historical contexts, including the aftermath of the 1960s radical youth movements, the rapidly globalizing colonial enclave of Hong Kong and the emerging consciousness of its 1997 handover to China, and the transnationalization of cinema audiences. It argues that through kung fu comedy's images of the body, the genre articulated in complex and often contradictory ways political realities relevant to late twentieth-century Hong Kong and the wider conditions of globalized capitalism. The kung fu comedy entwines us in a popular cultural history that stretches into the folk past and forward into utopian and dystopian possibilities.Theoretically rich and critical, Legacies of the Drunken Master aims to be at the forefront of scholarship on martial arts cinema. It also addresses readers with a broader interest in Hong Kong culture and politics during the 1970s and 1980s, postcolonialism in East Asia, and action and comedy films in a global context - as well as those fascinated with the performing body in the martial arts.

Автор: Vivian P.Y. Lee
Название: The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond
ISBN: 1474424627 ISBN-13(EAN): 9781474424622
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание:

Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong.

The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the ‘cultural Cold War’ between the KMT and the CCP as it materialised in the so-called ‘left–right divide’ in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing’s institutional character and corporate strategies in the making of a ‘popular left-wing cinema’ are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.


Italian Gothic Horror Films, 1980-1989

Автор: Curti Roberto
Название: Italian Gothic Horror Films, 1980-1989
ISBN: 1476672431 ISBN-13(EAN): 9781476672434
Издательство: Mare Nostrum (Eurospan)
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Цена: 49890.00 T
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Описание: Examines the Italian Gothic films of the 1980s. The book includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include a complete cast and crew list, plot summary, production history and analysis.

New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-Century East Asia

Автор: Cheung Ruby
Название: New Hong Kong Cinema: Transitions to Becoming Chinese in 21st-Century East Asia
ISBN: 1785337610 ISBN-13(EAN): 9781785337611
Издательство: Berghahn
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Цена: 31970.00 T
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Описание:

The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.


New hong kong cinema

Автор: Cheung, Ruby
Название: New hong kong cinema
ISBN: 178238703X ISBN-13(EAN): 9781782387039
Издательство: Berghahn
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Цена: 113250.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.


Extraterritoriality: Locating Hong Kong Cinema and Media

Автор: Victor Fan
Название: Extraterritoriality: Locating Hong Kong Cinema and Media
ISBN: 1474440428 ISBN-13(EAN): 9781474440424
Издательство: Bloomsbury Academic
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Цена: 105600.00 T
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Описание: Actively rewrites and reconfigures how Hong Kong cinema and media are to be defined and located

Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces.

Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.

Key features
  • Proposes extraterritoriality as a key theoretical concept
  • Forms a dialogue with Postcolonial Studies and Sinophone Studies
  • Offers in-depth archival studies of the Hong Kong film industry, television and video arts, as well as major political crises in Hong Kong, including the 1967 Riots, the Sino-British negotiation of Hong Kong's 'future', the Closer Economic Partnership Arrangement and the Umbrella Movement


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