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Art, Allegory and the Rise of Shi`ism in Iran, 1487-1565, Chad Kia


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Автор: Chad Kia
Название:  Art, Allegory and the Rise of Shi`ism in Iran, 1487-1565
ISBN: 9781474450386
Издательство: Bloomsbury Academic
Классификация:




ISBN-10: 1474450385
Обложка/Формат: Hardback
Страницы: 304
Вес: 0.63 кг.
Дата издания: 14.06.2019
Серия: Edinburgh studies in classical islamic history and culture
Язык: English
Иллюстрации: 12 colour illustrations
Размер: 236 x 158 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: History of art & design styles: c 1400 to c 1600,Middle Eastern history,Early modern history: c 1450/1500 to c 1700,Sufism & Islamic mysticism
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Поставляется из: Англии
Описание: Explores the ways in which esoteric religion shaped the masterpieces of classical Persian painting

Transforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the worlds most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figures and scenes that have puzzled modern scholars, focusing on five miniature paintings. Chad Kia shows how the cryptic elements in these works of art from Timurid Persia conveyed the mystical teachings of Sufi poets like Rumi, Attar and Jami, and heralded one of the most significant events in the history of Islam: the takeover by the Safavids in 1501 and the conversion of Iran to Shiism.

Key features
  • Interprets celebrated but enigmatic paintings from collections in the Metropolitan Museum, the British Library and the Freer Gallery
  • Brings poetry and art together in a transformative reading of Persian illustrated manuscripts
  • Bridges art history, literature and religion to reconsider Shia and Safavid cultural and intellectual history
  • Connects Persian figural painting to the rise of the Safavids and Shiism in Iran


Allegory in Iranian Cinema

Автор: Langford Michelle
Название: Allegory in Iranian Cinema
ISBN: 1780762984 ISBN-13(EAN): 9781780762982
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание: Iranian filmmakers have long been recognised for creating a vibrant, aesthetically rich cinema whilst working under strict state censorship regulations. As Michelle Langford reveals, many have found indirect, allegorical ways of expressing forbidden topics and issues in their films. But for many, allegory is much more than a foil against haphazardly applied censorship rules. Drawing on a long history of allegorical expression in Persian poetry and the arts, allegory has become an integral part of the poetics of Iranian cinema. Allegory in Iranian Cinema explores the allegorical aesthetics of Iranian cinema, explaining how it has emerged from deep cultural traditions and how it functions as a strategy for both supporting and resisting dominant ideology. As well as tracing the roots of allegory in Iranian cinema before and after the 1979 revolution, Langford also theorizes this cinematic mode. She draws on a range of cinematic, philosophical and cultural concepts - developed by thinkers such as Walter Benjamin, Gilles Deleuze, Pier Paolo Pasolini, Christian Metz and Vivian Sobchack - to provide a theoretical framework for detailed analyses of films by renowned directors of the pre-and post-revolutionary eras including Masoud Kimiai, Dariush Mehrjui, Ebrahim Golestan, Kamran Shirdel, Majid Majidi, Jafar Panahi, Marziyeh Meshkini, Mohsen Makhmalbaf, Rakhshan Bani-Etemad and Asghar Farhadi.Allegory in Iranian Cinema explains how a centuries-old means of expression, interpretation, encoding and decoding becomes, in the hands of Iran’s most skilled cineastes, a powerful tool with which to critique and challenge social and cultural norms.

Gender, Politics, and Allegory in the Art of Rubens

Автор: Lisa Rosenthal
Название: Gender, Politics, and Allegory in the Art of Rubens
ISBN: 0521842441 ISBN-13(EAN): 9780521842440
Издательство: Cambridge Academ
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Цена: 70750.00 T
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Описание: Gender, Politics, and Allegory in the Art of Peter Paul Rubens examines the intertwined relationship between paintings of family and marriage, and of war, peace, and statehood by the Flemish master. Drawing extensively upon recent critical and gender theory, Lisa Rosenthal reshapes our view of Rubens' works and of the interpretive practices through which we engage them. Close readings offer new interpretations of canonical images, while bringing into view other powerful works which are less familiar.

The focus on gender serves as a catalyst that enables an original way of reading visual allegory, giving it a dynamic multivalence undiscovered by traditional iconographic methods.


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