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Gender, Orientalism and the Jewish Nation at the German Fin de Siecle: Women in the Work of Ephraim Moses Lilien, Lynne M. Swarts


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Автор: Lynne M. Swarts
Название:  Gender, Orientalism and the Jewish Nation at the German Fin de Siecle: Women in the Work of Ephraim Moses Lilien
ISBN: 9781501336140
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1501336142
Обложка/Формат: Hardback
Страницы: 368
Вес: 0.98 кг.
Дата издания: 23.01.2020
Серия: Criminal practice series
Язык: English
Иллюстрации: 32 color and 125 bw illus
Размер: 159 x 237 x 30
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art & design styles: from c 1900 -,Judaism,Religious aspects of sexuality, gender & relationships, ART / Criticism & Theory,ART / European,ART / Individual Artists / Monographs,RELIGION / Sexuality & Gender Studies
Подзаголовок: Women in the work of ephraim moses lilien at the german fin de siecle
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Поставляется из: Англии
Описание: Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien’s work available in English, making this book an important contribution to historical and art-historical scholarship.Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien’s groundbreaking male iconography in Zionist art, but is the first to examine Lilien’s complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien’s female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siecle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.

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