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South Korean Film: Critical and Primary Sources, Hyon Joo Yoo


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Автор: Hyon Joo Yoo
Название:  South Korean Film: Critical and Primary Sources
ISBN: 9781501322617
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1501322613
Обложка/Формат: Multiple copy pack
Вес: 2.42 кг.
Дата издания: 09.09.2021
Серия: Critical and primary sources
Язык: English
Размер: 229 x 152 x 18
Читательская аудитория: College/higher education
Ключевые слова: Asian history,Film theory & criticism, ART / Asian,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: Critical and primary sources
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Поставляется из: Англии
Описание:

South Korean Film: Critical and Primary Sources is an essential three-volume reference collection representing three distinct phases in the development of South Korean national cinema, foregrounding how epochal characteristics inform the way in which the national cinema represents the penetrating thematic concern of auteur-ship, genre, spectatorship, gender, and nation, as well as the way in which these themes find expression in distinct visual styles and forms.

Volume I covers the Golden Age, referring to the cinematic era that covers the post-Korean War period from 1955 to 1972, and represents the first phase of creative, popular and commercially successful national filmmaking and consumption in South Korea. Contemporary South Korean filmmakers often cite the influence that films from this era have had on them. Volume II comprises the phase that produced what critics sum up as New Korean Cinema produced since the 1990s, and which has led to the commercial and critical success of recent South Korean cinema. Volume III, while continuing the thematic and stylistic development distinct in New Korean Cinema, calls for a new epochal conceptualization that emphasizes South Korean films global location. Extrapolating from the widely-accepted term Hallyu (Korean Wave), referring to the expansion of Korean cultural artifacts across global markets, the third volume deals with the trajectory in which South Korean cinema has taken shape as part of the global enterprises of Hallyu which also refers to the South Korean culture industrys reformation of the local artifacts into global commodities. The volumes point of analysis for this phase will specifically be on auteurs, whose auteur-ship is itself a global Hallyu product, who have strong international presence. The essays in this volume will emphasize the formal and conceptual innovations of these auteurs that have a lasting global impact.

This collection reveals the emphasis in current research on the central themes of gender and nation and on the stylistic and representational strategies that articulate those paired themes in South Korean national cinema. This is an essential addition to libraries and a major scholarly resource for researchers involved in the study of South Korean film.



Adaptations: Critical and Primary Sources

Автор: Deborah Cartmell, Imelda Whelehan
Название: Adaptations: Critical and Primary Sources
ISBN: 1501315404 ISBN-13(EAN): 9781501315404
Издательство: Bloomsbury Academic
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Цена: 528000.00 T
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Adaptations: Critical and Primary Sources is a three-volume reference resource that brings together over 80 landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by plotting the 'prehistory' of the field, beginning with Vachel Lindsay's classic Art of the Moving Picture (1915), through Virginia Woolf's classic essay on 'The Cinema' through to some of the most important critical and theoretical interventions up until the 1990s when the area really emerges as a critical force in the academy. Volume Two collects essays from the last 25 years, showing how the scholarly legacy laid out in Volume One still has a profound impact on adaptation studies today, while charting the process of critical and theoretical maturation. This volume shows how adaptations studies has outgrown its contested place 'in the gap' of film and literary studies and how its interventions transcend disciplinary perspectives across the arts and humanities. Volume Three covers key case studies, such as Christine Geraghty's take on adapting Westerns, Ian Inglis' understanding of the transformation of music into movies, and Eckart Voigts' concept on Jane Austen and participatory culture.

With topics ranging from the limitations of the novel to adapting stage to screen, contributions from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. Cartmell and Whelehan introduce each excerpt and offer a critical overview of the collected work, the rationale for its inclusion and suggestions for further reading.


Animation. Critical and Primary Sources v. 1-4

Автор: Chris Pallant
Название: Animation. Critical and Primary Sources v. 1-4
ISBN: 1501305751 ISBN-13(EAN): 9781501305757
Издательство: Bloomsbury Academic
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Цена: 733920.00 T
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Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically traces animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on'Authorship', 'Genre', 'Identity Politics', and 'Spectatorship', thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes.

Volume One directly addresses the question 'what is animation'? Volume Two brings together scholarly contributions that focus on the institutional nature of animation production. Volume Three seeks to expand the margins of traditional animation studies by including essays that consider animation that has, historically, been pushed to the margins in a scholarly and/or popular sense. Volume Four functions more as a conventional 'reader', bringing the series to a close with what could be considered a critical toolkit.


Sources of Korean Tradition, Vol. 2: From the Sixteenth to the Twentieth Centuries

Автор: Peter H.Lee, Wm. Theodore de Bary
Название: Sources of Korean Tradition, Vol. 2: From the Sixteenth to the Twentieth Centuries
ISBN: 0231120311 ISBN-13(EAN): 9780231120319
Издательство: Wiley
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Цена: 40130.00 T
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Описание: This collection of seminal primary readings in the social, intellectual, and religious traditions of Korea from the sixteenth century to the present day lays the groundwork for understanding Korean civilization and demonstrates how leading intellectuals and public figures in Korea have looked at life, the traditions of their ancestors, and the world they lived in.

Sources of Korean Tradition, Vol. 1: From Early Times Through the 16th Century

Автор: Peter H.Lee, Wm. Theodore de Bary
Название: Sources of Korean Tradition, Vol. 1: From Early Times Through the 16th Century
ISBN: 0231105673 ISBN-13(EAN): 9780231105675
Издательство: Wiley
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Цена: 40130.00 T
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Описание: Drawn from Peter H. Lee`s Sourcebook of Korean Civilization, Volume One, this abridged introductory collection offers students and general readers primary readings in the social, intellectual, and religious traditions of Korean from ancient times through the sixteenth century.

Queer Theory and Brokeback Mountain

Автор: Matthew Tinkcom
Название: Queer Theory and Brokeback Mountain
ISBN: 1501318829 ISBN-13(EAN): 9781501318825
Издательство: Bloomsbury Academic
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Цена: 21110.00 T
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Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualities-both normative and non-normative-in the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions.
The second part examines Ang Lee's 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the film's adaptation by screenwriter Larry McMurtry of Annie Proulx's 1997 short story of the same title, this portion of the book examines the film's narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades.


Narrative Theory and Adaptation.

Автор: Jason Mittell
Название: Narrative Theory and Adaptation.
ISBN: 1501308408 ISBN-13(EAN): 9781501308406
Издательство: Bloomsbury Academic
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Цена: 21110.00 T
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Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation.

Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.


Narrative Theory and Adaptation.

Автор: Jason Mittell
Название: Narrative Theory and Adaptation.
ISBN: 1501308386 ISBN-13(EAN): 9781501308383
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 79200.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation.

Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.


Postmodern Theory and Blade Runner

Автор: Matthew Flisfeder
Название: Postmodern Theory and Blade Runner
ISBN: 1501311794 ISBN-13(EAN): 9781501311796
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 21110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.


Horror Film: A Critical Introduction

Автор: Murray Leeder
Название: Horror Film: A Critical Introduction
ISBN: 1501314424 ISBN-13(EAN): 9781501314421
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which has the flexibility to bend to needs of different cultural contexts. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, is designed to balance the discussions of horror’s history, theory, and aesthetics as no introductory book ever has. As a straightforward and convenient critical introduction to the history and key academic approaches, this book gives concerted attention to the idea that horror has unusually strong reflexive or metafictional tendencies. The emphasis here is on American and UK horror traditions, with other national traditions (German Expressionism, J-Horror, etc.) coming into focus as they circulate within the Anglophone world and exert influences of their own. It is designed to be accessible to the beginner, while also responding to and furthering the research into the horror film that has been undertaken in the last few decades. In particular, it avoids the predominance that "the monster” has traditionally held in research on the horror film. This is not to deny the importance of the monster as a conceptual figure, but to open consideration to branches of horror less amenable to being discussed through the monster, such as haunted house films. Murray Leeder successfully eschews the crisis rhetoric around contemporary horror that hampers much recent writing on cinematic horror.

Postmodern Theory and Blade Runner

Автор: Matthew Flisfeder
Название: Postmodern Theory and Blade Runner
ISBN: 1501311808 ISBN-13(EAN): 9781501311802
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 79200.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.


Film Noir: A Critical Introduction

Автор: Ian Brookes
Название: Film Noir: A Critical Introduction
ISBN: 1780933266 ISBN-13(EAN): 9781780933269
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.

Feminist Film Theory and Cl?o from 5 to 7

Автор: Hilary Neroni
Название: Feminist Film Theory and Cl?o from 5 to 7
ISBN: 1501313681 ISBN-13(EAN): 9781501313684
Издательство: Bloomsbury Academic
Цена: 63360.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cleo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cleo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts—identification, framing the woman’s body, and the female auteur—Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.


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