South Korean Film: Critical and Primary Sources, Hyon Joo Yoo
Автор: Deborah Cartmell, Imelda Whelehan Название: Adaptations: Critical and Primary Sources ISBN: 1501315404 ISBN-13(EAN): 9781501315404 Издательство: Bloomsbury Academic Рейтинг: Цена: 528000.00 T Наличие на складе: Невозможна поставка. Описание:
Adaptations: Critical and Primary Sources is a three-volume reference resource that brings together over 80 landmark texts in adaptation studies. Volume One covers the history of adaptation studies, by plotting the 'prehistory' of the field, beginning with Vachel Lindsay's classic Art of the Moving Picture (1915), through Virginia Woolf's classic essay on 'The Cinema' through to some of the most important critical and theoretical interventions up until the 1990s when the area really emerges as a critical force in the academy. Volume Two collects essays from the last 25 years, showing how the scholarly legacy laid out in Volume One still has a profound impact on adaptation studies today, while charting the process of critical and theoretical maturation. This volume shows how adaptations studies has outgrown its contested place 'in the gap' of film and literary studies and how its interventions transcend disciplinary perspectives across the arts and humanities. Volume Three covers key case studies, such as Christine Geraghty's take on adapting Westerns, Ian Inglis' understanding of the transformation of music into movies, and Eckart Voigts' concept on Jane Austen and participatory culture.
With topics ranging from the limitations of the novel to adapting stage to screen, contributions from a wide range of international scholars, film critics and novelists combine to make Adaptations: Critical and Primary Sources an original overview of critical debates today. Cartmell and Whelehan introduce each excerpt and offer a critical overview of the collected work, the rationale for its inclusion and suggestions for further reading.
Автор: Peter H.Lee, Wm. Theodore de Bary Название: Sources of Korean Tradition, Vol. 2: From the Sixteenth to the Twentieth Centuries ISBN: 0231120311 ISBN-13(EAN): 9780231120319 Издательство: Wiley Рейтинг: Цена: 40130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This collection of seminal primary readings in the social, intellectual, and religious traditions of Korea from the sixteenth century to the present day lays the groundwork for understanding Korean civilization and demonstrates how leading intellectuals and public figures in Korea have looked at life, the traditions of their ancestors, and the world they lived in.
Автор: Peter H.Lee, Wm. Theodore de Bary Название: Sources of Korean Tradition, Vol. 1: From Early Times Through the 16th Century ISBN: 0231105673 ISBN-13(EAN): 9780231105675 Издательство: Wiley Рейтинг: Цена: 40130.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Drawn from Peter H. Lee`s Sourcebook of Korean Civilization, Volume One, this abridged introductory collection offers students and general readers primary readings in the social, intellectual, and religious traditions of Korean from ancient times through the sixteenth century.
Автор: Matthew Tinkcom Название: Queer Theory and Brokeback Mountain ISBN: 1501318829 ISBN-13(EAN): 9781501318825 Издательство: Bloomsbury Academic Рейтинг: Цена: 21110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualities-both normative and non-normative-in the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions. The second part examines Ang Lee's 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the film's adaptation by screenwriter Larry McMurtry of Annie Proulx's 1997 short story of the same title, this portion of the book examines the film's narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades.
Автор: Jason Mittell Название: Narrative Theory and Adaptation. ISBN: 1501308408 ISBN-13(EAN): 9781501308406 Издательство: Bloomsbury Academic Рейтинг: Цена: 21110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation.
Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.
Автор: Jason Mittell Название: Narrative Theory and Adaptation. ISBN: 1501308386 ISBN-13(EAN): 9781501308383 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Narrative Theory and Adaptation offers a concise introduction to narrative theory in jargon-free language and shows how this theory can be deployed to interpret Spike Jonze's critically acclaimed 2002 film Adaptation.
Understanding narrative theory is crucial to make sense of the award-winning film Adaptation. The book explicates, in clear prose for beginners, four key facets important to the narrative theory of film: the distinction between practical vs. critical theory, the role of adaptation, the process of narrative comprehension, and notions of authorship. It then works to unlock Adaptation using these four keys in succession, considering how the film demands a theoretical understanding of the storytelling process. In using this unusual case study of a film, the author makes the case for the importance of narrative theory as a general perspective for filmmakers, critics, and viewers alike.
Автор: Matthew Flisfeder Название: Postmodern Theory and Blade Runner ISBN: 1501311794 ISBN-13(EAN): 9781501311796 Издательство: Bloomsbury Academic Рейтинг: Цена: 21110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years. The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
Автор: Ian Brookes Название: Film Noir: A Critical Introduction ISBN: 1780933266 ISBN-13(EAN): 9781780933269 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.
Автор: Murray Leeder Название: Horror Film: A Critical Introduction ISBN: 1501314424 ISBN-13(EAN): 9781501314421 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which has the flexibility to bend to needs of different cultural contexts. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, is designed to balance the discussions of horror’s history, theory, and aesthetics as no introductory book ever has. As a straightforward and convenient critical introduction to the history and key academic approaches, this book gives concerted attention to the idea that horror has unusually strong reflexive or metafictional tendencies. The emphasis here is on American and UK horror traditions, with other national traditions (German Expressionism, J-Horror, etc.) coming into focus as they circulate within the Anglophone world and exert influences of their own. It is designed to be accessible to the beginner, while also responding to and furthering the research into the horror film that has been undertaken in the last few decades. In particular, it avoids the predominance that "the monster” has traditionally held in research on the horror film. This is not to deny the importance of the monster as a conceptual figure, but to open consideration to branches of horror less amenable to being discussed through the monster, such as haunted house films. Murray Leeder successfully eschews the crisis rhetoric around contemporary horror that hampers much recent writing on cinematic horror.
Автор: Matthew Flisfeder Название: Postmodern Theory and Blade Runner ISBN: 1501311808 ISBN-13(EAN): 9781501311802 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years. The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
Автор: Rayna Denison Название: Anime: A Critical Introduction ISBN: 1847884806 ISBN-13(EAN): 9781847884800 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli's dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime's local and global genres: from the less-considered niches like nichijo-kei (everyday style anime) through to the global popularity of science fiction anime, this book tackles the tensions between the markets and audiences for anime texts.
Anime is consequently understood in this book as a complex cultural phenomenon: not simply a "genre," but as an always shifting and changing set of texts. Its inherent changeability makes anime an ideal contender for global dissemination, as it can be easily re-edited, translated and then newly understood as it moves through the world's animation markets. As such, Anime: A Critical Introduction explores anime through a range of debates that have emerged around its key film texts, through discussions of animation and violence, through debates about the cyborg and through the differences between local and global understandings of anime products. Anime: A Critical Introduction uses these debates to frame a different kind of understanding of anime, one rooted in contexts, rather than just texts. In this way, Anime: A Critical Introduction works to create a space in which we can rethink the meanings of anime as it travels around the world.
Автор: Mari Ruti Название: Feminist Film Theory and Pretty Woman ISBN: 1501319426 ISBN-13(EAN): 9781501319426 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of "girly+? femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial "feminine+? concerns such as love and shopping. The book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy.
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