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Archaeology and Photography: Time, Objectivity and Archive, Lesley McFadyen, Dan Hicks


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Автор: Lesley McFadyen, Dan Hicks
Название:  Archaeology and Photography: Time, Objectivity and Archive
ISBN: 9781350029682
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1350029688
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.67 кг.
Дата издания: 28.11.2019
Язык: English
Размер: 161 x 240 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Photographs: collections,Archaeological science, methodology & techniques,Anthropology,Museology & heritage studies, PHOTOGRAPHY / Subjects & Themes / Historical,SOCIAL SCIENCE / Archaeology,SOCIAL SCIENCE / Anthropology / Cultural
Подзаголовок: Time, objectivity and archive
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Поставляется из: Европейский союз
Описание: Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the 21st century, do new digital and social forms change the status of photography as archival or objective - or are they revealing something more fundamental about photography`s longstanding relationships with time and knowledge?

Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive

Автор: Riggs Christina
Название: Photographing Tutankhamun: Archaeology, Ancient Egypt, and the Archive
ISBN: 1350038512 ISBN-13(EAN): 9781350038516
Издательство: Taylor&Francis
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Цена: 25510.00 T
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Описание: They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago

Image Matters: Archive, Photography, and the African Diaspora in Europe

Автор: Tina M. Campt
Название: Image Matters: Archive, Photography, and the African Diaspora in Europe
ISBN: 0822350564 ISBN-13(EAN): 9780822350569
Издательство: Wiley EDC
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Цена: 97240.00 T
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In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.


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