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Latin Blackness in Parisian Visual Culture, 1852-1932, Lyneise E. Williams


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Автор: Lyneise E. Williams
Название:  Latin Blackness in Parisian Visual Culture, 1852-1932
ISBN: 9781501332357
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 150133235X
Обложка/Формат: Hardback
Страницы: 232
Вес: 0.65 кг.
Дата издания: 21.02.2019
Серия: Arts
Язык: English
Иллюстрации: 8 colour and 52 bw illus
Размер: 159 x 237 x 21
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art & design styles: c 1800 to c 1900,Human figures depicted in art, ART / History / Modern (late 19th Century to 1945)
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Поставляется из: Англии
Описание:

Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term Latinize is introduced to connect Frances early 19th-century endeavors to create Latin America, an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population.

Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans.

After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933.



Ontological Terror: Blackness, Nihilism, and Emancipation

Автор: Warren Calvin L.
Название: Ontological Terror: Blackness, Nihilism, and Emancipation
ISBN: 0822370875 ISBN-13(EAN): 9780822370871
Издательство: Mare Nostrum (Eurospan)
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Цена: 22530.00 T
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In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.

Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis

Автор: Jodi Rios
Название: Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis
ISBN: 150175047X ISBN-13(EAN): 9781501750472
Издательство: Mare Nostrum (Eurospan)
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Цена: 25870.00 T
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Black Lives and Spatial Matters is a call to reconsider the epistemic violence that is committed when scholars, policymakers, and the general public continue to frame Black precarity as just another racial, cultural, or ethnic conflict that can be solved solely through legal, political, or economic means. Jodi Rios argues that the historical and material production of blackness-as-risk is foundational to the historical and material construction of our society and certainly foundational to the construction and experience of metropolitan space. She also considers how an ethics of lived blackness--living fully and visibly in the face of forces intended to dehumanize and erase--can create a powerful counter point to blackness-as-risk.

Using a transdisciplinary methodology, Black Lives and Spatial Matters studies cultural, institutional, and spatial politics of race in North St. Louis County, Missouri, as a set of practices that are intimately connected to each other and to global histories of race and race-making. As such, the book adds important insight into the racialization of metropolitan space and people in the United States. The arguments presented in this book draw from fifteen years of engaged research in North St. Louis County and rely on multiple disciplinary perspectives and local knowledge in order to study relationships between interconnected practices and phenomena.

--Aimee Meredith Cox, Yale University, author of Shapeshifters


Land of the Cosmic Race: Race Mixture, Racism, and Blackness in Mexico

Автор: Sue Christina A.
Название: Land of the Cosmic Race: Race Mixture, Racism, and Blackness in Mexico
ISBN: 019992550X ISBN-13(EAN): 9780199925506
Издательство: Oxford Academ
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Цена: 31670.00 T
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Описание: Land of the Cosmic Race is a richly-detailed ethnographic account of the powerful role that race and color play in organizing the lives and thoughts of ordinary Mexicans. It presents a previously untold story of how individuals in contemporary urban Mexico construct their identities,
attitudes, and practices in the context of a dominant national belief system. The book centers around Mexicans' engagement with three racialized pillars of Mexican national ideology - the promotion of race mixture, the assertion of an absence of racism in the country, and the marginalization of
blackness in Mexico.

The subjects of this book are mestizos - the mixed-race people of Mexico who are of Indigenous, African, and European ancestry and the intended consumers of this national ideology. Land of the Cosmic Race illustrates how Mexican mestizos navigate the sea of contradictions that arise when their
everyday lived experiences conflict with the national stance and how they manage these paradoxes in a way that upholds, protects, and reproduces the national ideology. Drawing on a year of participant observation, over 110 interviews, and focus-groups from Veracruz, Mexico, Christina A. Sue offers
rich insight into the relationship between race-based national ideology and the attitudes and behaviors of mixed-race Mexicans. Most importantly, she theorizes as to why elite-based ideology not only survives but actually thrives within the popular understandings and discourse of those over whom it
is designed to govern.


None Like Us: Blackness, Belonging, Aesthetic Life

Автор: Stephen Best
Название: None Like Us: Blackness, Belonging, Aesthetic Life
ISBN: 1478001151 ISBN-13(EAN): 9781478001157
Издательство: Mare Nostrum (Eurospan)
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Цена: 83560.00 T
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It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls “melancholy historicism”—a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a “we” at the point of “our” violent origin. Best argues that there is and can be no “we” following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker’s prayer that “none like us may ever live again until time shall be no more.” Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.

Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis

Автор: Jodi Rios
Название: Black Lives and Spatial Matters: Policing Blackness and Practicing Freedom in Suburban St. Louis
ISBN: 1501750461 ISBN-13(EAN): 9781501750465
Издательство: Mare Nostrum (Eurospan)
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Цена: 108680.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Black Lives and Spatial Matters is a call to reconsider the epistemic violence that is committed when scholars, policymakers, and the general public continue to frame Black precarity as just another racial, cultural, or ethnic conflict that can be solved solely through legal, political, or economic means. Jodi Rios argues that the historical and material production of blackness-as-risk is foundational to the historical and material construction of our society and certainly foundational to the construction and experience of metropolitan space. She also considers how an ethics of lived blackness—living fully and visibly in the face of forces intended to dehumanize and erase—can create a powerful counter point to blackness-as-risk.

Using a transdisciplinary methodology, Black Lives and Spatial Matters studies cultural, institutional, and spatial politics of race in North St. Louis County, Missouri, as a set of practices that are intimately connected to each other and to global histories of race and race-making. As such, the book adds important insight into the racialization of metropolitan space and people in the United States. The arguments presented in this book draw from fifteen years of engaged research in North St. Louis County and rely on multiple disciplinary perspectives and local knowledge in order to study relationships between interconnected practices and phenomena.


God and Blackness

Автор: Abrams Andrea C.
Название: God and Blackness
ISBN: 0814705235 ISBN-13(EAN): 9780814705230
Издательство: Wiley EDC
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Цена: 80080.00 T
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Blackness, as a concept, is extremely fluid: it can refer to cultural and ethnic identity, socio-political status, an aesthetic and embodied way of being, a social and political consciousness, or a diasporic kinship. It is used as a description of skin color ranging from the palest cream to the richest chocolate; as a marker of enslavement, marginalization, criminality, filth, or evil; or as a symbol of pride, beauty, elegance, strength, and depth. Despite the fact that it is elusive and difficult to define, blackness serves as one of the most potent and unifying domains of identity.
God and Blackness offers an ethnographic study of blackness as it is understood within a specific community—that of the First Afrikan Church, a middle-class Afrocentric congregation in Atlanta, Georgia. Drawing on nearly two years of participant observation and in?depth interviews, Andrea C. Abrams examines how this community has employed Afrocentrism and Black theology as a means of negotiating the unreconciled natures of thoughts and ideals that are part of being both black and American. Specifically, Abrams examines the ways in which First Afrikan’s construction of community is influenced by shared understandings of blackness, and probes the means through which individuals negotiate the tensions created by competing constructions of their black identity. Although Afrocentrism operates as the focal point of this discussion, the book examines questions of political identity, religious expression and gender dynamics through the lens of a unique black church.


Fictions of Land and Flesh: Blackness, Indigeneity, Speculation

Автор: Mark Rifkin
Название: Fictions of Land and Flesh: Blackness, Indigeneity, Speculation
ISBN: 1478004258 ISBN-13(EAN): 9781478004257
Издательство: Mare Nostrum (Eurospan)
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Цена: 117000.00 T
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Описание: In Fictions of Land and Flesh Mark Rifkin explores the impasses that arise in seeking to connect Black and Indigenous movements, turning to speculative fiction to understand those difficulties and envision productive ways of addressing them. Against efforts to subsume varied forms of resistance into a single framework in the name of solidarity, Rifkin argues that Black and Indigenous political struggles are oriented in distinct ways, following their own lines of development and contestation. Rifkin suggests how movement between the two can be approached as something of a speculative leap in which the terms and dynamics of one are disoriented in the encounter with the other. Futurist fiction provides a compelling site for exploring such disjunctions. Through analyses of works by Octavia Butler, Walter Mosley, Nalo Hopkinson, Melissa Tantaquidgeon Zobel, and others, the book illustrates how ideas about fungibility, fugitivity, carcerality, marronage, sovereignty, placemaking, and governance shape the ways Black and Indigenous intellectuals narrate the past, present, and future. In turning to speculative fiction, Rifkin illustrates how speculation as a process provides conceptual and ethical resources for recognizing difference while engaging across it.

Afrofuturism in Black Panther: Gender, Identity, and the Re-Making of Blackness

Автор: White Renйe T., Ritzenhoff Karen A.
Название: Afrofuturism in Black Panther: Gender, Identity, and the Re-Making of Blackness
ISBN: 1793623570 ISBN-13(EAN): 9781793623577
Издательство: Bloomsbury
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Цена: 105930.00 T
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Описание: This book examines Black Panther not only as a film grounded in Afro-futurism, but also as an invitation for viewers to think about relevant real-world social questions about identity, liberation, and racial justice, ultimately posing the question of how Black Panther invites a reimagining of Blackness.

Film Blackness: American Cinema and the Idea of Black Film

Автор: Gillespie Michael Boyce
Название: Film Blackness: American Cinema and the Idea of Black Film
ISBN: 0822362260 ISBN-13(EAN): 9780822362265
Издательство: Mare Nostrum (Eurospan)
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Цена: 22530.00 T
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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Black France / France Noire: The History and Politics of Blackness

Автор: Trica Danielle Keaton, T. Denean Sharpley-Whiting, Tyler Stovall
Название: Black France / France Noire: The History and Politics of Blackness
ISBN: 0822352478 ISBN-13(EAN): 9780822352471
Издательство: Wiley EDC
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Цена: 101810.00 T
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In Black France / France Noire, scholars, activists, and novelists from France and the United States address the untenable paradox at the heart of French society. France's constitutional and legal discourses do not recognize race as a meaningful category. Yet the lived realities of race and racism are ever-present in the nation's supposedly race-blind society. The vaunted universalist principles of the French Republic are far from realized. Any claim of color-blindness is belied by experiences of anti-black racism, which render blackness a real and consequential historical, social, and political formation. Contributors to this collection of essays demonstrate that blackness in France is less an identity than a response to and rejection of anti-black racism. Black France / France Noire is a distinctive and important contribution to the increasingly public debates on diversity, race, racialization, and multicultural intolerance in French society and beyond.

Contributors.
Rémy Bazenguissa-Ganga, Allison Blakely, Jennifer Anne Boittin, Marcus Bruce, Fred Constant, Mamadou Diouf, Arlette Frund, Michel Giraud, Bennetta Jules-Rosette, Trica Danielle Keaton, Jake Lamar, Patrick Lozès, Alain Mabanckou, Elisabeth Mudimbe-Boyi, T. Denean Sharpley-Whiting, Tyler Stovall, Christiane Taubira, Dominic Thomas, Gary Wilder


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