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Unwriting Maya Literature: Ts`iib as Recorded Knowledge, Paul M. Worley, Rita M. Palacios


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Автор: Paul M. Worley, Rita M. Palacios
Название:  Unwriting Maya Literature: Ts`iib as Recorded Knowledge
ISBN: 9780816534272
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0816534276
Обложка/Формат: Hardback
Страницы: 232
Вес: 0.48 кг.
Дата издания: 30.05.2019
Серия: Literature/Literary Studies
Язык: English
Иллюстрации: 10 black & white illustrations
Размер: 231 x 158 x 23
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: general, LITERARY CRITICISM / Caribbean & Latin American,LITERARY CRITICISM / Comparative Literature
Подзаголовок: Ts`iib as recorded knowledge
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Поставляется из: Англии
Описание: Unwriting Maya Literature provides an important decolonial framework for reading Maya texts that builds on the work of Maya authors and intellectuals such as Qanjobal Gaspar Pedro González and Kaqchikel Irma Otzoy. Paul M. Worley and Rita M. Palacios privilege the Maya category tsíib over constructions of the literary in order to reveal how Maya peoples themselves conceive of artistic creation. This offers a decolonial departure from theoretical approaches that remain situated within alphabetic Maya linguistic and literary creation. As tsíib refers to a broad range of artistic production from painted codices and textiles to works composed in Latin script, as well as plastic arts, the authors argue that texts by contemporary Maya writers must be read as dialoguing with a multimodal Indigenous understanding of text. In other words, tsíib is an alternative to understanding “writing” that does not stand in opposition to but rather fully encompasses alphabetic writing, placing it alongside and in dialogue with a number of other forms of recorded knowledge. This shift in focus allows for a critical reexamination of the role that weaving and bodily performance play in these literatures, as well as for a nuanced understanding of how Maya writers articulate decolonial Maya aesthetics in their works. Unwriting Maya Literature places contemporary Maya literatures within a context that is situated in Indigenous ways of knowing and being. Through tsíib, the authors propose an alternative to traditional analysis of Maya cultural production that allows critics, students, and admirers to respectfully interact with the texts and their authors. Unwriting Maya Literature offers critical praxis for understanding Mesoamerican works that encompass non-Western ways of reading and creating texts.
Дополнительное описание: Literary studies: general|Literary companions, book reviews and guides


Unwriting Maya Literature: Ts`iib As Recorded Knowledge

Автор: Paul M. Worley, Rita M. Palacios
Название: Unwriting Maya Literature: Ts`iib As Recorded Knowledge
ISBN: 081654848X ISBN-13(EAN): 9780816548484
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 36960.00 T
Наличие на складе: Нет в наличии.
Описание:

Unwriting Maya Literature provides an important decolonial framework for reading Maya texts that builds on the work of Maya authors and intellectuals such as Q’anjob’al Gaspar Pedro GonzÁlez and Kaqchikel Irma Otzoy. Paul M. Worley and Rita M. Palacios privilege the Maya category ts’Íib over constructions of the literary in order to reveal how Maya peoples themselves conceive of artistic creation. This offers a decolonial departure from theoretical approaches that remain situated within alphabetic Maya linguistic and literary creation.

As ts’Íib refers to a broad range of artistic production from painted codices and textiles to works composed in Latin script as well as plastic arts, the authors argue that texts by contemporary Maya writers must be read as dialoguing with a multimodal Indigenous understanding of text. In other words, ts’Íib is an alternative to understanding “writing” that does not stand in opposition to but rather fully encompasses alphabetic writing, placing it alongside and in dialogue with a number of other forms of recorded knowledge. This shift in focus allows for a critical reexamination of the role that weaving and bodily performance play in these literatures, as well as for a nuanced understanding of how Maya writers articulate decolonial Maya aesthetics in their works.

Unwriting Maya Literature places contemporary Maya literatures within a context situated in Indigenous ways of knowing and being. Through ts’Íib, the authors propose an alternative to traditional analysis of Maya cultural production that allows critics, students, and admirers to respectfully interact with the texts and their authors. Unwriting Maya Literature offers critical praxis for understanding Mesoamerican works that encompass non-Western ways of reading and creating texts.
 

The Voyage of Nicholas Downton to the East Indies,1614-15

Автор: Foster, Sir William
Название: The Voyage of Nicholas Downton to the East Indies,1614-15
ISBN: 1409414493 ISBN-13(EAN): 9781409414490
Издательство: Taylor&Francis
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Цена: 137810.00 T
Наличие на складе: Нет в наличии.

Henry Hudson the Navigator

Автор: Asher, G.M.
Название: Henry Hudson the Navigator
ISBN: 1409412938 ISBN-13(EAN): 9781409412939
Издательство: Taylor&Francis
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Цена: 137810.00 T
Наличие на складе: Нет в наличии.

Poetic Theory and Practice in Early Modern Verse: Unwritten Arts

Автор: Zenon Luis-Martinez
Название: Poetic Theory and Practice in Early Modern Verse: Unwritten Arts
ISBN: 1399507826 ISBN-13(EAN): 9781399507820
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 105600.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

How did ideas about the poet’s art surface in early modern texts? By looking into the intersections between poetry, poetics and other discourses – logic, rhetoric, natural philosophy, medicine, mythography or religion – the essays in this volume unearth notions that remained largely unwritten in the official literary criticism of the period. Focusing on questions of poetry’s origins and style, and exploring individual responses to issues of authenticity, career design, difficulty, or inspiration, this collection revisits and renews the critical lexicons that connect poetic theory and practice in early modern English texts and their European contexts. Reading canonical poets and critics – Sidney, Spenser, Marlowe, Shakespeare, Puttenham, Dryden – alongside less studied figures such as Henry Constable, Barnabe Barnes, Thomas Lodge, Aemilia Lanyer, Fulke Greville or George Chapman, this book extends the coordinates for a dialogue between literary practice and the Renaissance theories from which they stemmed and which they helped to outgrow.


Narrative and Its Nonevents: The Unwritten Plots That Shaped Victorian Realism

Автор: Carra Glatt
Название: Narrative and Its Nonevents: The Unwritten Plots That Shaped Victorian Realism
ISBN: 0813948703 ISBN-13(EAN): 9780813948706
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 79420.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is about what does not happen in the Victorian novel. The description may sound absurd, yet consideration of alternatives to a given state of affairs is crucial to our understanding of a novel. Plot emerges out of the gradual elimination of possibilities, from the revelation, on the first page of a work, that we are in nineteenth-century London and not sixteenth-century Paris, to the final disclosure that Pip returns home too late to marry Biddy but is now free to pursue his lost love Estella.

Through careful examination of the plots of such classics as Charles Dickens’s Great Expectations, Charlotte Bront?’s Villette, Wilkie Collins’s The Moonstone, Jane Austen’s Pride and Prejudice, Henry James’s The Ambassadors, Elizabeth Gaskell’s Mary Barton, and others, Glatt argues for the central role of these "unwritten plots" in Victorian narrative construction. Abandoning the allegorical mode—in which characters are bound by fixed identities to reach a predetermined conclusion—and turning away from classical and historical plots with outcomes already known to audiences, the realist novel of the Victorian era was designed to simulate the openness and uncertainty of ordinary human experience. We are invested in these stories of David Copperfield or Elizabeth Bennet or Lucy Snowe in part because we cannot be entirely sure how those stories will end. As Glatt demonstrates, the Victorian novel is characterized by a proliferation of possibilities.

Virginia Woolf`s Unwritten Histories

Автор: Besnault, Anne
Название: Virginia Woolf`s Unwritten Histories
ISBN: 1032113715 ISBN-13(EAN): 9781032113715
Издательство: Taylor&Francis
Рейтинг:
Цена: 40820.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.

Narrative and Its Nonevents: The Unwritten Plots That Shaped Victorian Realism

Автор: Carra Glatt
Название: Narrative and Its Nonevents: The Unwritten Plots That Shaped Victorian Realism
ISBN: 081394886X ISBN-13(EAN): 9780813948867
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 33020.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is about what does not happen in the Victorian novel. The description may sound absurd, yet consideration of alternatives to a given state of affairs is crucial to our understanding of a novel. Plot emerges out of the gradual elimination of possibilities, from the revelation, on the first page of a work, that we are in nineteenth-century London and not sixteenth-century Paris, to the final disclosure that Pip returns home too late to marry Biddy but is now free to pursue his lost love Estella.

Through careful examination of the plots of such classics as Charles Dickens’s Great Expectations, Charlotte Bront?’s Villette, Wilkie Collins’s The Moonstone, Jane Austen’s Pride and Prejudice, Henry James’s The Ambassadors, Elizabeth Gaskell’s Mary Barton, and others, Glatt argues for the central role of these "unwritten plots" in Victorian narrative construction. Abandoning the allegorical mode—in which characters are bound by fixed identities to reach a predetermined conclusion—and turning away from classical and historical plots with outcomes already known to audiences, the realist novel of the Victorian era was designed to simulate the openness and uncertainty of ordinary human experience. We are invested in these stories of David Copperfield or Elizabeth Bennet or Lucy Snowe in part because we cannot be entirely sure how those stories will end. As Glatt demonstrates, the Victorian novel is characterized by a proliferation of possibilities.


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