Garrett Stewart Cinesthesia: Museum Cinema and the Curated Screen 9781927852095

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Автор: Garrett Stewart
Название: Cinesthesia: Museum Cinema and the Curated Screen
ISBN: 9781927852095
Издательство: Mare Nostrum (Eurospan)
Классификация:

Кино, кинематография

Теория и критика кино

Литературоведение: Общие вопросы

Музееведение и изучение наследия

Философия: Логика

ISBN-10: 1927852099
Обложка/Формат: Paperback
Страницы: 99
Вес: 0.00 кг.
Дата издания: 28.02.2020
Серия: Kino-agora
Язык: English
Размер: H 229 X W 152
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: general,Philosophy: aesthetics,Films, cinema,Film theory & criticism,Museology & heritage studies, PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Aesthetics,LITERARY CRITICISM / Semiotics & Theory,ART / Film & Video,A
Подзаголовок: Museum cinema and the curated screen
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Поставляется из: Англии
Описание: Discourses of cinephilia old and new have displayed a certain anxiety about opening film up and out to the unprogrammed zones of the museum, a space too dispersed and variable for the invested look. The museumised 'movie', with a spectator who is ambulatory rather than passive, demands a form of attention quite different from the theatrically-projected film or the mobilised platform. Breaking with the modes of intimacy and absorption associated with these more common movie-viewing experiences, galleries have gone public with the extracted, looped or otherwise installed moving image, in everything from its fetishized 35mm form through to the latest participatory virtual reality. When kinetic imaging enters the museum, it becomes one among the 'media' in a new way: a time-based artefact under figurative 'reframing' among other modes of picture making, its material parameters investigated as objet rather than dispositif . Garrett Stewart explores the reciprocal redefinition of both moving images and wall art initiated by this museal estrangement of the 'motion picture'. As the title suggests as well, this often entails a dimension of strained synesthesia in the disjunctures of non-synchronised recording. Altogether, curation re-frames both the audiovisual pace and plasticity of the seventh art in the rear-view mirror of media archaeology.

Cinesthesia: Museum Cinema and the Curated Screen, Garrett Stewart