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Harvester of Hearts: Motherhood under the Sign of Frankenstein, Rachel Feder
Варианты приобретения
Цена:
100320.00T
Кол-во:
о цене
Наличие:
Невозможна поставка.
в Мои желания
Автор:
Rachel Feder
Название:
Harvester of Hearts: Motherhood under the Sign of Frankenstein
ISBN:
9780810137530
Издательство:
Mare Nostrum (Eurospan)
Классификация:
Литературоведение: Общие вопросы
Литературоведение: с 1800 до 1900 г.
Литературные спутники (справочники), книжные обзоры и руководства
Феминизм и его теория
Гендерные исследования: женщины
ISBN-10: 0810137534
Обложка/Формат: Hardcover
Страницы: 152
Вес: 0.42 кг.
Дата издания: 30.01.2019
Серия: Literature/Literary Studies
Язык: English
Размер: 231 x 158 x 18
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: general,Literary studies: c 1800 to c 1900 ,Literary companions, book reviews & guides,Feminism & feminist theory,Gender studies: women, LITERARY CRITICISM / Women Authors
Подзаголовок: Motherhood under the sign of frankenstein
Рейтинг:
Поставляется из: Англии
Описание: In the period between 1815 and 1820, Mary Shelley wrote her most famous novel, Frankenstein; or, The Modern Prometheus, as well as its companion piece, Mathilda, a tragic incest narrative that was confiscated by her father, William Godwin, and left unpublished until 1959. She also gave birth to four—and lost three—children.In this hybrid text, Rachel Feder interprets Frankenstein and Mathilda within a series of provocative frameworks including Shelley’s experiences of motherhood and maternal loss, twentieth-century feminists’ interests in and attachments to Mary Shelley, and the critic’s own experiences of pregnancy, childbirth, and motherhood. Harvester of Hearts explores how Mary Shelley’s exchanges with her children—in utero, in birth, in life, and in death—infuse her literary creations. Drawing on the archives of feminist scholarship, Feder theorizes “elective affinities,” a term she borrows from Goethe to interrogate how the personal attachments of literary critics shape our sense of literary history. Feder blurs the distinctions between intellectual, bodily, literary, and personal history, reanimating the classical feminist discourse on Frankenstein by stepping into the frame.The result—at once an experimental book of literary criticism, a performative foray into feminist praxis, and a deeply personal lyric essay—not only locates Mary Shelley’s monsters within the folds of maternal identity but also illuminates the connections between the literary and the quotidian.
Дополнительное описание: Literary studies: c 1800 to c 1900|Gender studies: women and girls|Feminism and feminist theory|Literary companions, book reviews and guides|Literary studies: general
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