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African American Cinema through Black Lives Consciousness, Mark A. Reid


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Автор: Mark A. Reid
Название:  African American Cinema through Black Lives Consciousness
ISBN: 9780814345498
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0814345492
Обложка/Формат: Hardcover
Страницы: 312
Вес: 0.60 кг.
Дата издания: 30.10.2018
Язык: English
Иллюстрации: 34 black & white images; 34 black & white images
Размер: 229 x 152 x 19
Читательская аудитория: General (us: trade)
Ключевые слова: Film theory & criticism,Ethnic studies
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Поставляется из: Англии
Описание: Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post–World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a Black Lives Consciousness, which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.The volume includes essays such as Gerald R. Butters’s, Blaxploitation Film, which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Florys African-American Film Noir explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyds essay, Whos that Nigga on that Nag: Django Unchained and the Return of the Blaxploitation Hero, argues that the film provides cultural and historical insight, signifi es on blackface stereotypes and chastises Hollywood cinemas misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality.The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.
Дополнительное описание: Film history, theory or criticism|Ethnic studies


African American Cinema through Black Lives Consciousness

Автор: Mark A. Reid
Название: African American Cinema through Black Lives Consciousness
ISBN: 0814345484 ISBN-13(EAN): 9780814345481
Издательство: Mare Nostrum (Eurospan)
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Цена: 25070.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Employs an interdisciplinary critical approach to discuss a selected group of black-oriented films.African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post–World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a ""Black Lives Consciousness,"" which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.The volume includes essays such as Gerald R. Butters’s, ""Blaxploitation Film,"" which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's ""African-American Film Noir"" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, ""Who's that Nigga on that Nag"": Django Unchained and the Return of the Blaxploitation Hero"", argues that the film provides cultural and historical insight, ""signifi es"" on blackface stereotypes and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality.The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.

Stay Woke: A People`s Guide to Making All Black Lives Matter

Автор: Bunyasi Tehama Lopez, Smith Candice Watts
Название: Stay Woke: A People`s Guide to Making All Black Lives Matter
ISBN: 1479874922 ISBN-13(EAN): 9781479874927
Издательство: Mare Nostrum (Eurospan)
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Цена: 74410.00 T
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Описание:

The essential guide to understanding how racism works and how racial inequality shapes black lives, ultimately offering a road-map for resistance for racial justice advocates and antiracists
When #BlackLivesMatter went viral in 2013, it shed a light on the urgent, daily struggles of black Americans to combat racial injustice. The message resonated with millions across the country. Yet many of our political, social, and economic institutions are still embedded with racist policies and practices that devalue black lives. Stay Woke directly addresses these stark injustices and builds on the lessons of racial inequality and intersectionality the Black Lives Matter movement has challenged its fellow citizens to learn.
In this essential primer, Tehama Lopez Bunyasi and Candis Watts Smith inspire readers to address the pressing issues of racial inequality, and provide a basic toolkit that will equip readers to become knowledgeable participants in public debate, activism, and politics.
This book offers a clear vision of a racially just society, and shows just how far we still need to go to achieve this reality. From activists to students to the average citizen, Stay Woke empowers all readers to work toward a better future for black Americans.


Slave Sites on Display: Reflecting Slavery`s Legacy Through Contemporary  "flash " Moments

Автор: Woodard Helena
Название: Slave Sites on Display: Reflecting Slavery`s Legacy Through Contemporary "flash " Moments
ISBN: 1496824172 ISBN-13(EAN): 9781496824172
Издательство: Mare Nostrum (Eurospan)
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Цена: 29260.00 T
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Описание: At Senegal’s House of Slaves, Barack Obama’s presidential visit renewed debate about authenticity, belonging, and the myth of return—not only for the president, but also for the slave fort itself. At the African Burial Ground National Monument in New York, up to ten thousand slave decedents lie buried beneath the area around Wall Street, which some of them helped to build and maintain. Their likely descendants, whose activism produced the monument located at that burial site, now occupy its margins. The Bench by the Road slave memorial at Sullivan’s Isle near Charleston reflects the region’s centrality in slavery’s legacy, a legacy made explicit when the murder of nine black parishioners by a white supremacist led to the removal of the Confederate flag from the state’s capitol grounds. Helena Woodard considers whether the historical slave sites that have been commemorated in the global community represent significant progress for the black community or are simply an unforgiving mirror of the present.In Slave Sites on Display: Reflecting Slavery’s Legacy through Contemporary "Flash" Moments, Woodard examines how select modern-day slave sites can be understood as contemporary "flash" moments: specific circumstances and/or seminal events that bind the past to the present. Woodard exposes the complex connections between these slave sites and the impact of race and slavery today. Though they differ from one another, all of these sites are displayed as slave memorials or monuments and function as high-profile tourist attractions. They interpret a story about the history of Atlantic slavery relative to the lived experiences of the diaspora slave descendants that organize and visit the sites.

Film Blackness: American Cinema and the Idea of Black Film

Автор: Gillespie Michael Boyce
Название: Film Blackness: American Cinema and the Idea of Black Film
ISBN: 0822362260 ISBN-13(EAN): 9780822362265
Издательство: Mare Nostrum (Eurospan)
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Цена: 22530.00 T
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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003

Автор: Roland Leander Williams Jr.
Название: Black Male Frames: African Americans in a Century of Hollywood Cinema, 1903-2003
ISBN: 0815630050 ISBN-13(EAN): 9780815630050
Издательство: Mare Nostrum (Eurospan)
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Цена: 17550.00 T
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Описание: Charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel". Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters.

New African Cinema

Автор: Valerie K. Orlando
Название: New African Cinema
ISBN: 0813579562 ISBN-13(EAN): 9780813579566
Издательство: Mare Nostrum (Eurospan)
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Цена: 20860.00 T
Наличие на складе: Невозможна поставка.
Описание: New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Val rie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films.

Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Semb ne's Ceddo (Senegal, 1977), Sarah Maldoror's Sambizanga (Angola, 1972), Assia Djebar's La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Z z Gamboa's The Hero (Angola, 2004) and Abderrahmane Sissako's Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

New African Cinema

Автор: Valerie K. Orlando
Название: New African Cinema
ISBN: 0813589959 ISBN-13(EAN): 9780813589954
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 60150.00 T
Наличие на складе: Невозможна поставка.
Описание: New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Val rie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films.

Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Semb ne's Ceddo (Senegal, 1977), Sarah Maldoror's Sambizanga (Angola, 1972), Assia Djebar's La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Z z Gamboa's The Hero (Angola, 2004) and Abderrahmane Sissako's Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

Film Blackness: American Cinema and the Idea of Black Film

Автор: Michael Boyce Gillespie
Название: Film Blackness: American Cinema and the Idea of Black Film
ISBN: 0822362058 ISBN-13(EAN): 9780822362050
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 86070.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Beneath the Surface: A Transnational History of Skin Lighteners

Автор: Thomas Lynn M.
Название: Beneath the Surface: A Transnational History of Skin Lighteners
ISBN: 1478006420 ISBN-13(EAN): 9781478006428
Издательство: Mare Nostrum (Eurospan)
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Цена: 41800.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Road through midnight

Автор: Ingram, Jessica
Название: Road through midnight
ISBN: 1469654237 ISBN-13(EAN): 9781469654232
Издательство: Mare Nostrum (Eurospan)
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Цена: 31350.00 T
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Описание: At first glance, Jessica Ingram's landscape photographs could have been made nearly anywhere in the American South: a fenced-in backyard, a dirt road lined by overgrowth, a field grooved with muddy tire prints. These seemingly ordinary places, however, were the sites of pivotal events during the civil rights era, though often there is not a plaque with dates and names to mark their importance. Many of these places are where the bodies of African Americans-activists, mill workers, store owners, sharecroppers, children and teenagers-were murdered or found, victims of racist violence. These images are interspersed with oral histories from victims' families and investigative journalists, as well as pages from newspapers and FBI files and other ephemera.

With Road Through Midnight, the result of nearly a decade of research and fieldwork, Ingram unlocks powerful and complex histories to reframe these commonplace landscapes as sites of both remembrance and resistance and transform the way we regard both what has happened and what's happening now-as the fight for civil rights goes on and memorialization has become the literal subject of contested cultural and societal ground.

Автор: Rudyard Alcocer, Kristen Block, Dawn Duke
Название: Celluloid Chains: Slavery in the Americas through Film
ISBN: 1621905489 ISBN-13(EAN): 9781621905486
Издательство: Mare Nostrum (Eurospan)
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Цена: 41760.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Featuring a variety of disciplinary perspectives and analytical approaches, Celluloid Chains is the most comprehensive volume to date on films about slavery. This collection examines works from not only the United States but elsewhere in the Americas, and it attests to slavery’s continuing importance as a source of immense fascination for filmmakers and their audiences.Each of the book’s fifteen original essays focuses on a particular film that directly treats the enslavement of Africans and their descendants in the New World. Beginning with an essay on the Cuban film El otro Francisco (1975), Sergio Giral’s reworking of a nineteenth-century abolitionist novel, the book proceeds to examine such works as the landmark miniseries Roots (1977), which sparked intense controversy over its authenticity; Werner Herzog’s Cobra Verde (1987), which raises questions about what constitutes a slavery film; Guy Deslauriers’s Passage du milieu (1999), a documentary-style reconstruction of what Africans experienced during the Middle Passage; and Steve McQueen’s Oscar-winning 12 Years a Slave (2013), which embodies the tensions between faithfully adapting a nineteenth-century slave narrative and bending it for modern purposes.Films about slavery have shown a special power to portray the worst and best of humanity, and Celluloid Chains is an essential guide to this important genre.

Film History Through Trade Journal Art, 1916-1920

Автор: Jeff Codori
Название: Film History Through Trade Journal Art, 1916-1920
ISBN: 1476676178 ISBN-13(EAN): 9781476676173
Издательство: Mare Nostrum (Eurospan)
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Цена: 76690.00 T
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Описание: The reporting of the trade journals, as they witnessed the evolution of the film industry from its infancy towards the future, is the basis of this history. Pulled from the pages of the journals themselves, the observations of the trade press writers are accompanied by cleaned and restored adverts used in the battle among the young film companies.


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