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An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino, Ian Fleishman


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Автор: Ian Fleishman
Название:  An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino
ISBN: 9780810136809
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 0810136805
Обложка/Формат: Hardcover
Страницы: 280
Вес: 0.57 кг.
Дата издания: 30.06.2018
Серия: Arts
Язык: English
Размер: 231 x 155 x 25
Читательская аудитория: Professional and scholarly
Ключевые слова: Films, cinema,Literary theory,Literary studies: general,Literary companions, book reviews & guides, ART / Film & Video,LITERARY CRITICISM / European / General
Подзаголовок: The narrative wound from baudelaire to tarantino
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Поставляется из: Англии
Описание: An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino.Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all).With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.
Дополнительное описание: Films, cinema|Literary theory|Literary companions, book reviews and guides|Literary studies: general


Baudelaire in China: A Study in Literary Reception

Автор: Bien Gloria
Название: Baudelaire in China: A Study in Literary Reception
ISBN: 1611495644 ISBN-13(EAN): 9781611495645
Издательство: Rowman & Littlefield Publishers
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Цена: 67590.00 T
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Описание: Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.

A Poetics of Art Criticism: The Case of Baudelaire

Автор: Timothy Raser
Название: A Poetics of Art Criticism: The Case of Baudelaire
ISBN: 0807892386 ISBN-13(EAN): 9780807892381
Издательство: Mare Nostrum (Eurospan)
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Цена: 33270.00 T
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Описание: Raser questions criticism`s predilection for a scientific discourse, arguing that aesthetic categories are better indicators of a text`s literary qualities. Although aesthetics has claimed subjective pleasure as its sole criterion since the time of Kant, aesthetic judgments tend always to ground themselves in logic or reference.

Formal Revolution in the Work of Baudelaire and Flaubert

Автор: Mills Kathryn Oliver
Название: Formal Revolution in the Work of Baudelaire and Flaubert
ISBN: 1611494923 ISBN-13(EAN): 9781611494921
Издательство: Rowman & Littlefield Publishers
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Цена: 61950.00 T
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Описание: In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author's broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer's corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally "come to terms with" the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry--as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire--was crucial to their mission of "painting modern life." This work concludes that experimentation with literary form represents these two seminal writers' major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.

The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy

Автор: Joseph Acquisto
Название: The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy
ISBN: 1501326457 ISBN-13(EAN): 9781501326455
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: Joseph Acquisto examines literary writers and critical theorists who employ theological frameworks, but who divorce that framework from questions of belief and thereby remove the doctrine of salvation from their considerations. Acquisto claims that Baudelaire inaugurates a new kind of amodern modernity by canceling the notion of salvation in his writing while also refusing to embrace any of its secular equivalents, such as historical progress or redemption through art. Through a series of “interhistorical” readings that put literary and critical writers from the last 150 years in dialogue, Acquisto shows how these authors struggle to articulate both the metaphysical and esthetic consequences of attempting to move beyond a logic of salvation. Putting these writers into dialogue with Baudelaire highlights the way both literary and critical approaches attempt to articulate a third option between theism and atheism that also steers clear of political utopianism and Nietzschean estheticism. In the concluding section, Acquisto expands metaphysical and esthetic concerns to account also for the ethics inherent in the refusal of the logic of salvation, an ethics which emerges from, rather than seeking to redeem or cancel, a certain kind of nihilism.


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