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A Rhetorical Crime: Genocide in the Geopolitical Discourse of the Cold War, Anton Weiss-Wendt


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Автор: Anton Weiss-Wendt
Название:  A Rhetorical Crime: Genocide in the Geopolitical Discourse of the Cold War
ISBN: 9780813594668
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 0813594669
Обложка/Формат: Hardcover
Страницы: 246
Вес: 0.50 кг.
Дата издания: 30.03.2018
Серия: Genocide, political violence, human rights
Язык: English
Размер: 241 x 197 x 21
Читательская аудитория: Professional and scholarly
Ключевые слова: Historiography,European history,20th century history: c 1900 to c 2000,Violence in society,Human rights,War crimes, HISTORY / Europe / Russia & the Former Soviet Union,HISTORY / Historiography,HISTORY / Modern / 20th Century,POLITICAL SCIENCE / Genocide & War Crimes,POLITICAL SCIENCE / Human Rights,SOCIAL SCIENCE / Violence in Society
Подзаголовок: Genocide in the geopolitical discourse of the cold war
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Поставляется из: Англии
Описание: The Genocide Convention was drafted by the United Nations in the late 1940s, as a response to the horrors of the Second World War. But was the Genocide Convention truly effective at achieving its humanitarian aims, or did it merely exacerbate the divisive rhetoric of Cold War geopolitics? A Rhetorical Crime shows how genocide morphed from a legal concept into a political discourse used in propaganda battles between the United States and the Soviet Union. Over the course of the Cold War era, nearly eighty countries were accused of genocide, and yet there were few real-time interventions to stop the atrocities committed by genocidal regimes like the Cambodian Khmer Rouge.  Renowned genocide scholar Anton Weiss-Wendt employs a unique comparative approach, analyzing the statements of Soviet and American politicians, historians, and legal scholars in order to deduce why their moral posturing far exceeded their humanitarian action.    
Дополнительное описание: Violence and abuse in society|Historiography|General and world history|European history|History|Politics and government|War crimes|Human rights, civil rights


Ekphrasis, Imagination and Persuasion in Ancient Rhetorical

Автор: Webb Ruth
Название: Ekphrasis, Imagination and Persuasion in Ancient Rhetorical
ISBN: 1138247812 ISBN-13(EAN): 9781138247819
Издательство: Taylor&Francis
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Цена: 58170.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a study of ekphrasis, the art of making listeners and readers 'see' in their imagination through words alone, as taught in ancient rhetorical schools and as used by Greek writers of the Imperial period (2nd-6th centuries CE). The author places the practice of ekphrasis within its cultural context, emphasizing the importance of the visual imagination in ancient responses to rhetoric, poetry and historiography. By linking the theoretical writings on ekphrasis with ancient theories of imagination, emotion and language, she brings out the persuasive and emotive function of vivid language in the literature of the period. This study also addresses the contrast between the ancient and the modern definitions of the term ekphrasis, underlining the different concepts of language, literature and reader response that distinguish the ancient from the modern approach. In order to explain the ancient understanding of ekphrasis and its place within the larger system of rhetorical training, the study includes a full analysis of the ancient technical sources (rhetorical handbooks, commentaries) which aims to make these accessible to non-specialists. The concluding chapter moves away from rhetorical theory to consider the problems and challenges involved in 'turning listeners into spectators' with a particular focus on the role of ekphrasis within ancient fiction. Attention is also paid to texts that lie at the intersection of the modern and ancient definitions of ekphrasis, such as Philostratos' Imagines and the many ekphraseis of buildings and monuments to be found in Late Antique literature.

Britain and the Cold War: 1945 as Geopolitical Transition

Автор: Peter J. Taylor
Название: Britain and the Cold War: 1945 as Geopolitical Transition
ISBN: 1474291805 ISBN-13(EAN): 9781474291804
Издательство: Bloomsbury Academic
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Цена: 95040.00 T
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Описание: In 1945 Britain emerged from the Second World War exhausted and debilitated, but still a major global power, with enormous strategic commitments, imperial responsibilities and a sense of historical destiny as a major economic and political influence. This book charts how this role and self-image changed and how abruptly in 1945 the United States assumed Britain’s mantle of world leader. Taylor provides an alternative interpretation of how the Cold War arose, and how the reordering of the global economic, political and strategic system in the post-war world came about. It is essential reading for political geographers, historians, international relations experts and political scientists.

Violence Without God: The Rhetorical Despair of Twentieth-Century Writers

Автор: Joyce Wexler
Название: Violence Without God: The Rhetorical Despair of Twentieth-Century Writers
ISBN: 1501325299 ISBN-13(EAN): 9781501325298
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.

Violence Without God: The Rhetorical Despair of Twentieth-Century Writers

Автор: Joyce Wexler
Название: Violence Without God: The Rhetorical Despair of Twentieth-Century Writers
ISBN: 1501325280 ISBN-13(EAN): 9781501325281
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.


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