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European Performative Theatre: The issues, problems, and techniques of crucial masterpieces, Annamaria Cascetta


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Автор: Annamaria Cascetta
Название:  European Performative Theatre: The issues, problems, and techniques of crucial masterpieces
ISBN: 9780367137267
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0367137267
Обложка/Формат: Hardcover
Страницы: 316
Вес: 0.73 кг.
Дата издания: 02.07.2019
Язык: English
Иллюстрации: 44 halftones, black and white; 44 illustrations, black and white
Размер: 162 x 240 x 22
Читательская аудитория: Undergraduate
Ключевые слова: Performance art, PERFORMING ARTS / General,PERFORMING ARTS / Theater / General,PERFORMING ARTS / Theater / Direction & Production
Подзаголовок: The issues, problems and techniques of crucial masterpieces
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Поставляется из: Европейский союз
Описание: Performative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century.

Destruction in the Performative

Название: Destruction in the Performative
ISBN: 9042034572 ISBN-13(EAN): 9789042034570
Издательство: Brill
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Описание: Cultural transformation tends to be described in one of two ways: either with reference to what comes about, is created or emerges in the process of change or with reference to what is destroyed or obscured in that process. Within a performative paradigm, that is, from a perspective which focuses on the manner in which social and cultural reality is constituted or brought about by human activity, theorists have, in recent years, tended to underline the productive aspects of transformation by emphasising the creative thrust of performative processes and events. In so doing, this perspective has tended to overlook the extent to which a certain destructive element may in fact be inherent to such performative processes. Drawing upon a range of historical and contemporary constellations of socio-cultural change and a variety of different types of events and activities, the articles in this volume describe different forms of destruction and their respective role in processes of transformation.Their shared aim is to explore the manner in which destructivity, such as the destabilisation and destruction of orders, subjects and bodies, can be grasped by concepts of performativity. In other words, to what extent may a certain destructive dynamic be inscribed within this very notion?


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