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Embodied Translation: `Lost` legacies of performer training, Rebecca Loukes


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Автор: Rebecca Loukes
Название:  Embodied Translation: `Lost` legacies of performer training
ISBN: 9781138678583
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138678589
Обложка/Формат: Paperback
Страницы: 208
Вес: 0.00 кг.
Дата издания: 30.04.2019
Серия: Arts
Язык: English
Читательская аудитория: College/higher education
Ключевые слова: Performance art, PERFORMING ARTS / Theater / General
Ссылка на Издательство: Link
Поставляется из: Европейский союз

Time and Performer Training

Название: Time and Performer Training
ISBN: 0815396279 ISBN-13(EAN): 9780815396277
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices.

Time and Performer Training

Название: Time and Performer Training
ISBN: 0815396287 ISBN-13(EAN): 9780815396284
Издательство: Taylor&Francis
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Цена: 39800.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices.

Audience as Performer

Автор: Heim
Название: Audience as Performer
ISBN: 1138796913 ISBN-13(EAN): 9781138796911
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание:

'Actors always talk about what the audience does. I don't understand, we are just sitting here.'

Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself.

This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions:

  • If the audience are performers, who are their audiences?
  • How have audiences' roles changed throughout history?
  • How do talkbacks and technology influence the audience's role as critics?
  • What influence does the audience have on the creation of community in theatre?
  • How can the audience function as both consumer and co-creator?

Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences' activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.



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