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Asia-Pacific Film Co-productions: Theory, Industry and Aesthetics, Dal Yong Jin, Wendy Su


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Автор: Dal Yong Jin, Wendy Su
Название:  Asia-Pacific Film Co-productions: Theory, Industry and Aesthetics
ISBN: 9781138325333
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138325333
Обложка/Формат: Hardcover
Страницы: 338
Вес: 0.79 кг.
Дата издания: 21.03.2019
Серия: Routledge studies in media and cultural industries
Язык: English
Иллюстрации: 7 tables, black and white
Размер: 229 x 152 x 21
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Media, information & communication industries, BUSINESS & ECONOMICS / Industries / Media & Communications,PERFORMING ARTS / Film & Video / Direction & Production,SOCIAL SCIENCE / Media Studies
Подзаголовок: Theory, industry and aesthetics
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Поставляется из: Европейский союз
Описание: This book examines cross-regional film collaboration within the Asia-Pacific region. Through a mixed methods approach of political economy and industry, market and textual analysis, the book contributes to the understanding of the global fusion of cultural products and the reconfiguration of geographic, political, economic, and cultural relations. Issues covered include: cultural globalization and Asian regionalization; identity, regionalism, and industry practices and inter-Asian and trans-Pacific co-production practices among the U.S., China, South Korea, Japan, India, Hong Kong, Argentina, Australia, Taiwan, and New Zealand.

Aesthetics of Nostalgia TV

Автор: Bevan Alex
Название: Aesthetics of Nostalgia TV
ISBN: 1501331418 ISBN-13(EAN): 9781501331411
Издательство: Bloomsbury Academic
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Описание: The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America’s perceived decline as a global power. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. She contests theories on nostalgia that see it as stagnating, regressive, or a reversion to outdated gender and racial politics, and the technophobic longing for a bygone era; and, instead, argues nostalgia is an important form of historical memory and vehicle for negotiating periods of historical transition. The book addresses how and why the shows construct the boomer era as a placeholder for gender, racial, technological, and declensionist discourses of the present. The book uses Mad Men (AMC, 2007-2015), Ugly Betty (ABC, 2006-2010), Desperate Housewives (ABC, 2004-2012), and film remakes of 1950s and 60s family sitcoms as primary case studies.


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