Listening To The People`S Voice, Dineen

Автор: Thompson, Emily
Название: The soundscape of modernity: architectural accoustics and the culture of listening in America
ISBN: 0262701065 ISBN-13(EAN): 9780262701068
Издательство: MIT Press
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Цена: 45090.00 T
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Описание: A vibrant history of acoustical technology and aural culture in early-twentieth-century America.

Автор: Deutermann Alison
Название: Listening for Theatrical Form in Early Modern England
ISBN: 1474411266 ISBN-13(EAN): 9781474411264
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
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Описание: This book traces the dialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays .

Автор: Wolvin
Название: Listening and Human Communication in the 21st Century
ISBN: 1405181648 ISBN-13(EAN): 9781405181648
Издательство: Wiley
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Цена: 44300.00 T
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Описание: Bringing together top listening scholars from various scholarly disciplines and applied, real world perspectives, Listening and Human Communication in the 21st Century offers a state-of-the-art overview of what we know and think about listening behavior in the 21st century.

Автор: Mcrae, Christine
Название: Performative listening
ISBN: 1433126621 ISBN-13(EAN): 9781433126628
Издательство: Peter Lang
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Цена: 44750.00 T
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Описание: Performative Listening: Hearing Others in Qualitative Research offers an alternative theory of listening – as a performative act, or as a relational stance and performance in which listeners ethically engage in an act of learning from others across difference. This theory emerges from an interdisciplinary approach to performance studies, communication, musicology, and critical pedagogy in order to present a nuanced theory of listening as performance that is always linked to questions of context, individual experiences, and cultural expectations. Working from examples of the music and autobiography of Miles Davis, this book offers a clear and practical guide for applying performative listening in the contexts of qualitative, narrative, and arts-based approaches to research and inquiry. By emphasizing the embodied, relational, and creative functions of the highly contextual and cultural performance of listening, Performative Listening presents a theory and method that can be used to rethink the ways scholars and students engage with others in a wide variety of qualitative research and educational contexts.

Автор: Mcrae, Christine
Название: Performative listening
ISBN: 143312663X ISBN-13(EAN): 9781433126635
Издательство: Peter Lang
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Цена: 161590.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Performative Listening: Hearing Others in Qualitative Research offers an alternative theory of listening – as a performative act, or as a relational stance and performance in which listeners ethically engage in an act of learning from others across difference. This theory emerges from an interdisciplinary approach to performance studies, communication, musicology, and critical pedagogy in order to present a nuanced theory of listening as performance that is always linked to questions of context, individual experiences, and cultural expectations. Working from examples of the music and autobiography of Miles Davis, this book offers a clear and practical guide for applying performative listening in the contexts of qualitative, narrative, and arts-based approaches to research and inquiry. By emphasizing the embodied, relational, and creative functions of the highly contextual and cultural performance of listening, Performative Listening presents a theory and method that can be used to rethink the ways scholars and students engage with others in a wide variety of qualitative research and educational contexts.

Автор: Deutermann Allison
Название: Listening for Theatrical Form in Early Modern England
ISBN: 1474426085 ISBN-13(EAN): 9781474426084
Издательство: Bloomsbury Academic
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Цена: 26390.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book traces the dialectical development of auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays .

Автор: Gibson
Название: Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
ISBN: 1409444392 ISBN-13(EAN): 9781409444398
Издательство: Taylor&Francis
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Цена: 168430.00 T
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Описание: Presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century.

Автор: Kramer Lawrence
Название: The Hum of the World: A Philosophy of Listening
ISBN: 0520303490 ISBN-13(EAN): 9780520303492
Издательство: Wiley
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Цена: 26400.00 T
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Описание: The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer's poetic book roves freely over music, media, language, philosophy, and science from the ancient world to the present, along the way revealing how life is apprehended through sounds ranging from pandemonium to the faint background hum of the world. This warm meditation on auditory culture uncovers the knowledge and pleasure waiting when we learn that the world is alive with sound.

Автор: Peter R. Schmidt, Alice B. Kehoe
Название: Archaeologies of Listening
ISBN: 0813056241 ISBN-13(EAN): 9780813056241
Издательство: Mare Nostrum (Eurospan)
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Цена: 83600.00 T
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Описание: Archaeologists tend to rely on scientific methods to reconstruct past histories, an approach that can alienate local indigenous populations and limit the potential of archaeological research. Essays in this volume argue that listening to and learning from local and descendant communities is vital for interpreting the histories and heritage values of archaeological sites. Case studies from around the world demonstrate how a humanistic perspective with people-centric practice decolonizes the discipline by unlocking an intellectual space and collaborative role for indigenous people. These examples show how listening to oral traditions has opened up broader understandings of ancient rituals in Tanzania, earth mounds in Northern Australia, heritage meanings near the Sigirya World Heritage Site in Sri Lanka, political/religious divisions in Northern Ireland, and the bitter legacy of nineteenth-century grave excavations in British Columbia.The value of cultural apprenticeship to those who have long-term relationships with the landscape is nearly forgotten today, contributors argue. This volume points the way to a reawakening of the core principles of anthropology in archaeology and heritage studies.

Автор: Van Maas Sander
Название: Thresholds of Listening: Sound, Technics, Space
ISBN: 0823264378 ISBN-13(EAN): 9780823264377
Издательство: Mare Nostrum (Eurospan)
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Цена: 104500.00 T
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Описание:

Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics.
The contributors to this volume show that the exteriorization of listening— brought into relief by recent historical studies of technologies of listening—involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening’s finitude— defined in some of the essays as its death or deadliness—should be considered as a heuristic instrument rather than as a mere descriptor.
Listening emerges where it appears to end or to run up against thresholds and limits—or when it takes unexpected turns. Listening’s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality.