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Satire, Arthur Pollard


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Автор: Arthur Pollard
Название:  Satire
ISBN: 9781138231955
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1138231959
Обложка/Формат: Paperback
Страницы: 98
Вес: 0.18 кг.
Дата издания: 22.01.2019
Серия: The critical idiom reissued
Язык: English
Размер: 198 x 129 x 5
Читательская аудитория: Undergraduate
Ключевые слова: Literary studies: general, LITERARY CRITICISM / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
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Поставляется из: Европейский союз
Описание: First published in 1970, this work explores the literary genre of satire.This book presents a comprehensive overview the genre and provides a useful starting point for those wishing to further study satirical literature.

Satire

Автор: Gilmore, John T. (university Of Warwick, Uk)
Название: Satire
ISBN: 0415480825 ISBN-13(EAN): 9780415480826
Издательство: Taylor&Francis
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Цена: 28570.00 T
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Описание: Combining thematic, theoretical and historical approaches, John Gilmore introduces and investigates the tradition of satire from classical models through to the present day.

Medical Analogy in Latin Satire

Автор: S. Kivist?
Название: Medical Analogy in Latin Satire
ISBN: 1349309990 ISBN-13(EAN): 9781349309993
Издательство: Springer
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Цена: 74530.00 T
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Описание: Offering fresh readings of numerous Neo-Latin texts, Medical Analogy in Latin Satire provides an introduction to medical issues in the tradition of Latin satire. The book explores what functions physical diseases and peculiarities had in early modern satires and how satire was considered as a form of healing instruction.

Poe and the Subversion of American Literature: Satire, Fantasy, Critique

Автор: Robert T. Tally, Jr.
Название: Poe and the Subversion of American Literature: Satire, Fantasy, Critique
ISBN: 1501309293 ISBN-13(EAN): 9781501309298
Издательство: Bloomsbury Academic
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Цена: 29560.00 T
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Описание: Choice Outstanding Academic Title 2014 In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe’s satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe’s work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe’s life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poete maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe’s varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.

Satire and Secrecy in English Literature from 1650 to 1750

Автор: M. Rabb
Название: Satire and Secrecy in English Literature from 1650 to 1750
ISBN: 1349539910 ISBN-13(EAN): 9781349539918
Издательство: Springer
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Цена: 65210.00 T
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Описание: This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular culture, and postmodern theories of language as a potentially aggressive, injurious act.

The Difference Satire Makes: Rhetoric and Reading from Jonson to Byron

Автор: Bogel Fredric V.
Название: The Difference Satire Makes: Rhetoric and Reading from Jonson to Byron
ISBN: 0801477859 ISBN-13(EAN): 9780801477850
Издательство: Wiley EDC
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Цена: 40040.00 T
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Описание:

Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.


Satire in Narrative: Petronius, Swift, Gibbon, Melville, & Pynchon

Автор: Palmeri Frank
Название: Satire in Narrative: Petronius, Swift, Gibbon, Melville, & Pynchon
ISBN: 0292741502 ISBN-13(EAN): 9780292741508
Издательство: Wiley EDC
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Цена: 18290.00 T
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Описание:

Virtually all theories of satire define it as a criticism of contemporary society. Some argue that satire criticizes the present in favor of a standard of values that has been superseded, and thus that satire is generally backward-looking and conservative. While this is often true of poetic satire, in this study Frank Palmeri asserts that narrative satire performs a different function, that it parodies both the established view of the world and that of its opponents, offering its own distinctive critical perspective.

This theory of satire builds on the idea of dialogical parody in the work of Russian theorist Mikhail Bakhtin, while revising Bakhtin's estimate of carnival. In Palmeri's view, the carnivalesque offers only an inverted mirror image of authoritative discourse, while parodic narrative satire suggests an alternative to both the official world and its inverted opposite.

Palmeri applies this theory of narrative satire to five works of world literature, each of which has generated sharp controversy about the genre to which it rightly belongs: Petronius' Satyricon, Jonathan Swift's A Tale of a Tub, Edward Gibbon's Decline and Fall of the Roman Empire, Herman Melville's The Confidence-Man, and Thomas Pynchon's The Crying of Lot 49. He analyzes the features that link these works and shows how the changing pairs of alternatives that are parodied in these satires reflect changes in the terms of social and cultural oppositions.

Satire in Narrative will appeal to comparatists, specialists in eighteenth-century and American literature, and others interested in theories of genre and the relations between literary forms and social history.


God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert

Автор: Lindvall Terry
Название: God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert
ISBN: 1479886734 ISBN-13(EAN): 9781479886739
Издательство: Mare Nostrum (Eurospan)
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Цена: 30930.00 T
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Описание: Winner of the 2016 Religious Communication Association Book of the Year Award

In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God's mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.

Poe and the Subversion of American Literature: Satire, Fantasy, Critique

Автор: Robert T. Tally, Jr.
Название: Poe and the Subversion of American Literature: Satire, Fantasy, Critique
ISBN: 1623564271 ISBN-13(EAN): 9781623564278
Издательство: Bloomsbury Academic
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Цена: 137280.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Choice Outstanding Academic Title 2014 In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe’s satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe’s work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe’s life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poete maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe’s varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.

Introduction to satire

Автор: Feinberg, Leonard
Название: Introduction to satire
ISBN: 0979090954 ISBN-13(EAN): 9780979090950
Издательство: Неизвестно
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Цена: 30590.00 T
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Satire

Автор: Ogborn, Jane Buckroyd, Peter
Название: Satire
ISBN: 0521787912 ISBN-13(EAN): 9780521787918
Издательство: Cambridge Education
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Цена: 12990.00 T
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Описание: Critical introductions to a range of literary topics and genres.

Satire and Romanticism

Автор: S. Jones
Название: Satire and Romanticism
ISBN: 1349425826 ISBN-13(EAN): 9781349425822
Издательство: Springer
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Цена: 74530.00 T
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Описание: This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement.

Anatomy of Satire

Автор: Highet Gilbert
Название: Anatomy of Satire
ISBN: 0691619417 ISBN-13(EAN): 9780691619415
Издательство: Wiley
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Цена: 50690.00 T
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Описание: Literary satire assumes three main forms: monologue, parody, and narrative (some fictional, some dramatic). This book by Gilbert Highet is a study of these forms, their meaning, their variation, their powers. Its scope is the range of satirical literature--from ancient Greece to modern America, from Aristophanes to Ionesco, from the parodists of Ho


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