Music, Ideology and Production Conditions in European Cinema of the Cold War Era, Michael Baumgartner, Ewelina Boczkowska
Автор: Hexel Vasco Название: Film and Media Creators` Guide to Music ISBN: 1138055735 ISBN-13(EAN): 9781138055735 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Film and Media Creators` Guide to Music bridges the gap between musical professionals and the creators of film and other media projects. For students and professionals working across film and media, this book is the essential guide to using music creatively and effectively.
Автор: Michael Baumgartner, Ewelina Boczkowska Название: Music, Memory, Nostalgia and Trauma in European Cinema after the Second World War ISBN: 1138238015 ISBN-13(EAN): 9781138238015 Издательство: Taylor&Francis Рейтинг: Цена: 168430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past.
Автор: Zagorski-Thomas Название: The Musicology of Record Production ISBN: 1107428343 ISBN-13(EAN): 9781107428348 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas sets out a framework for the study of recorded music and record production using current ideas from psychology and sociology.
Автор: Hexel Название: The Film and Media Creators` Guide to Music ISBN: 1138055727 ISBN-13(EAN): 9781138055728 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Film and Media Creators` Guide to Music bridges the gap between musical professionals and the creators of film and other media projects. For students and professionals working across film and media, this book is the essential guide to using music creatively and effectively.
Popular music has long been used to entertain, provoke, challenge and liberate but also to oppress and control. Can popular music be political? What types of popular music work best with politics? How can songs, videos, concerts or any other musical commodity convey ideas about power, politics and identity?
Using Multimodal Critical Discourse Studies (MCDS), this book reveals the deeply political role played by popular music. Lyndon Way demonstrates how MCDS can provide important and timely insights on the political nature of popular music, due to its focus on how communication takes place, as well as its interest in discourse and how ideologies are naturalised and legitimised.
The book considers the example of contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party, in power since 2002. It looks at how the authorities seek to harness and control popular music and considers a wide range of popular music genres including rock, rap, protest and folk music. It shows how official promotional videos, protest cut-and-paste offerings, party-political election songs, live music events and internet discussions about popular music emerge as sites of power and resistance in certain venues and particularly across social media. Throughout the book, Lyndon Way shows that popular music is also deeply political.
Автор: Bohlman Название: Central European Folk Music ISBN: 1138970018 ISBN-13(EAN): 9781138970014 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Lyndon C. S. Way Название: Popular Music and Multimodal Critical Discourse Studies: Ideology, Control and resistance in Turkey since 2002 ISBN: 1350016446 ISBN-13(EAN): 9781350016446 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Popular music has long been used to entertain, provoke, to challenge and liberate but also to oppress and control. This book shows how an innovative set of methods from Multimodal Critical Discourse Studies (MCDS) can be used to reveal the deeply political role played by some popular music. It is set in and around contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party in power since 2002. Deeper questions can be asked as to the extent popular music can articulate clear and more complex ideas about society, identities and events. The book takes up these kinds of questions which are commonly asked across the field of popular music studies and demonstrates how MCDS can provide an important and timely step forward due to its attention to the details of how communication takes place, its interest in discourse and how ideologies are naturalised and legitimized. This book is a part of the ongoing multimodal turn in critical discourse studies. There has also been an increase in interest specifically in popular music in CDS, stemming from the work of Van Leeuwen and Machin. This work shows the potential of studying the details of the lyrics of popular music, visuals associated with songs (as seen in pop videos) and musical sounds. It places these kinds of observations with the specific context of Erdogan’s Turkey, looking at how the authorities seek to harness and control popular music and how a wide range of popular music genres such as rock, rap, protest and folk music expressed in official promotional videos, protest cut-and-paste videos, party-political election songs, live music events and internet discussions about popular music emerge as sites of power and resistance in certain venues and particularly across social media.
Название: Musical identities and european perspective ISBN: 3631672314 ISBN-13(EAN): 9783631672310 Издательство: Peter Lang Рейтинг: Цена: 78710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This book focuses on the relationship between identity and music in Europe from different angles. It takes two basic categories into account: identities in music and music in identities. The authors provide studies on identity construction in different historical and geographical contexts. They also evaluate the discourse of popular music in Europe and analyze various topics related to complex and changing concepts of identity, whether it is about an individual composer, issues of style or musical work itself.
Автор: Halfyard JanetK Название: Music of Fantasy Cinema ISBN: 1781791007 ISBN-13(EAN): 9781781791004 Издательство: Неизвестно Рейтинг: Цена: 27580.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume explores the way in which music and sound articulate the fantastic in cinema and contribute to the creation of fantasy narratives.
Автор: Morris Название: Modernism and the Cult of Mountains: Music, Opera, Cinema ISBN: 1138279269 ISBN-13(EAN): 9781138279261 Издательство: Taylor&Francis Рейтинг: Цена: 50010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new 'cult of mountains' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing models of subjectivity based on renewed wholeness and an aggressive attitude to physical and mental health. The arts were critical to this project, none more so than music, which occupied a similar space in Austro-German culture: autonomous, pure, sublime. In Modernism and the Cult of Mountains opera serves as a nexus, shedding light on the circulation of contesting ideas about politics, nature, technology and aesthetics. Morris investigates operatic representations of the high mountains in German modernism, showing how the liminal quality of the landscape forms the backdrop for opera's reflexive engagement with the identity and limits of its constituent media, not least music. This operatic reflexivity, in which the very question of music's identity is repeatedly restaged, invites consideration of musical encounters with mountains in other genres, and Morris shows how these issues resonate in Strauss's Alpine Symphony and in the Bergfilm (mountain film). By using music and the ideology of mountains to illuminate aspects of each other, Morris makes an original and valuable contribution to the critical study of modernism.
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