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Valse de l`Opйra Faust. Transcription for Piano by Franz Liszt, Liszt Franz, Gounod Charles


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Автор: Liszt Franz, Gounod Charles
Название:  Valse de l`Opйra Faust. Transcription for Piano by Franz Liszt
ISBN: 9780342721122
Издательство: Franklin Classics
Классификация:
ISBN-10: 0342721127
Обложка/Формат: Paperback
Страницы: 26
Вес: 0.05 кг.
Дата издания: 13.10.2018
Язык: English
Иллюстрации: Illustrations, black and white
Размер: 234 x 156 x 1
Читательская аудитория: General (us: trade)
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Поставляется из: США

Life of Chopin

Автор: Liszt Franz
Название: Life of Chopin
ISBN: 1374865885 ISBN-13(EAN): 9781374865884
Издательство: Неизвестно
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Цена: 37790.00 T
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The Letters of Franz Liszt, Complete

Автор: Liszt Franz
Название: The Letters of Franz Liszt, Complete
ISBN: 1532858884 ISBN-13(EAN): 9781532858888
Издательство: Неизвестно
Цена: 25280.00 T
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The Collected Writings of Franz Liszt: Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers, and

Название: The Collected Writings of Franz Liszt: Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers, and
ISBN: 0810882981 ISBN-13(EAN): 9780810882980
Издательство: Rowman & Littlefield Publishers
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Цена: 133760.00 T
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Описание: In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley's The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven's harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter's incidental music to Goethe's Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber's Euryanthe as offering the most progressive musical characterizations and declamation--even more so than his popular work Der Freisch tz--and on how both works prefigure Wagner's music dramas; awards Mendelssohn, whose genius Liszt ranks only slightly less than Beethoven's, top honors for creating in Midsummer's Night Dream the highest standards of music poetry; suggests how Scribe and Meyerbeer's Robert the Devil paints a mental image of art's eternal flames, where poet and musician share equal space in the development of music tragedy; reveals how the poetic deficiencies in the libretto to Schubert's Alfonso and Estrella are too easily overlooked because of the music's melodic and lyrical supremacy; and offers in contrast Auber's Mute from Portici, a remarkable text by many historically picturesque musical motives that are universal and nationalistic at the same time. Finally Liszt offers an early gender study in music in his essay about Bellini's Montague and Capulet (as well as its impact on nineteenth-century audiences), a look at Boieldieu's White Lady as a sublime depiction of literary music, and Donizetti's Favorite as colored with a special type of imagery, a laterna magica, in Liszt's hand. The beloved soprano Pauline Viardot-Garcia receives special attention in an essay devoted entirely to her, and Liszt proffers a critique of entr'acte music as a pointless tradition that dethrones music and insults the artist and composer by making music a "palate cleanser." This volume includes a detailed discussion about what it meant to be patronized by Liszt and how his support--financial, literary, and musical--helped shape many a music career. It also offers commentary on how gender in opera was sometimes obscured not only for dramatic interest but also as part of the process of outlining a nation's identity, as well as a thorough study of Liszt's concepts of Gestalt theory, the Archetype, and his musical Weltanschauung (his musical "world view"), all revealing his contribution to 19th-century music philosophy as it relates to opera. Finally, a historical review of entr'acte music is presented--how it began and how it developed--to clarify Liszt's stance against it, making this volume a necessary read for music historians, serious musicians, and music connoisseurs alike.

A Life of Hermann Cohen: From Franz Liszt to John of the Cross

Автор: Tierney Timothy
Название: A Life of Hermann Cohen: From Franz Liszt to John of the Cross
ISBN: 150430862X ISBN-13(EAN): 9781504308625
Издательство: Неизвестно
Цена: 21140.00 T
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Lehrbuch Des Deutschen Strafrechts.

Автор: Von Liszt Franz
Название: Lehrbuch Des Deutschen Strafrechts.
ISBN: 128735985X ISBN-13(EAN): 9781287359852
Издательство: Неизвестно
Цена: 26440.00 T
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The Piano Master Classes of Franz Liszt, 1884-1886: Diary Notes of August Gollerich

Автор: Jerger Wilhelm
Название: The Piano Master Classes of Franz Liszt, 1884-1886: Diary Notes of August Gollerich
ISBN: 0253222737 ISBN-13(EAN): 9780253222732
Издательство: Wiley EDC
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Цена: 22870.00 T
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Описание: The diaries of August G?llerich, secretary and student of Franz Liszt, provide a first-hand account of the Master's approach to piano teaching, his preferences and prejudices both musical and social, and his way of encouraging and befriending his students. They contain the mature Liszt's suggestions for interpreting his own works and those of his friend Chopin and of many other composers, offering invaluable advice from the most spectacular pianist of the 19th century. Pianists interested in the history of performance practice and the Romantic era will learn from and take delight in this volume.

Collected Writings of Franz Liszt

Автор: Hall Swadley Janita R
Название: Collected Writings of Franz Liszt
ISBN: 0810882671 ISBN-13(EAN): 9780810882676
Издательство: Rowman & Littlefield Publishers
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Цена: 115450.00 T
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Описание: During his early years, Franz Liszt worked as a traveling piano virtuoso, his adventures highlighted by his entree into the literary world as a correspondent for the most popular French journals of his time. In this second volume of Janita Hall-Swadley s The Collected Writings of Franz Liszt, Liszt s work as a music essayist and journalist is on full display. In his essays, readers will see the influence of the revolutionary theories of Hugues-Felicite Robert de Lamennais, Victor Hugo, and Francois-Rene de Chateaubriand as Liszt boldly calls for social reforms on behalf of musicians and musical institutions, from demands for a repertoire of church music of divine praise to the timely publication of inexpensive music editions.In addition to Liszt s scandalous review of Sigismond Thalberg and the fiery exchange that ensued, the essays include his testimonies to living composers Giacomo Meyerbeer and Robert Schumann and the recently deceased Niccolo Paganini. Alongside the essay, this new translation of Liszt s letters opens a window onto the composer s immersion in the Italian countryside, where he paints a portrait of a rich musical landscape. Liszt regales his correspondents with amusing anecdotes at Sand s Italian country estate in Nohant, describes the beautiful landscape and artistic treasures of Italy from his residence on Lake Como, defends himself from Heinrich Heine s accusations of his ill-seated character, discusses the religious aesthetic of Raphael s painting, and offers his thoughts on the interconnectedness of all the arts. Including two complete facsimile reproductions of the existing manuscripts for De la situation des artistes and Sur Paganini a propos de sa mort, Essays and Letters of a Traveling Bachelor of Music is a must-read for student and scholars of 19th-century classical music.


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