Автор: Schoon Tanis Gretchen Название: Making Jesus Attractive ISBN: 1498287824 ISBN-13(EAN): 9781498287821 Издательство: Неизвестно Цена: 41380.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Schoon Christian Название: Zenn Scarlett ISBN: 190884454X ISBN-13(EAN): 9781908844545 Издательство: Неизвестно Рейтинг: Цена: 8440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Meet Zenn Scarlett, trainee healer of alien beasties, whose life is about to get a whole lot more complicated...
Doug Schoon, currently residing in Dana Point, CA, is an internationally-recognized scientist with a Masters Degree in Chemistry from UC-Irvine, as well as an author and educator with over 30 years' experience in the cosmetic beauty and personal care industry. He is a leading industry authority, known for his technical and regulatory work that has helped shape the beauty industry. Schoon has authored several books, video and audio training programs, as well as dozens of magazine articles about salon products, safety, and best practices for salon professionals. In 1986, Schoon founded Chemical Awareness Training Service (CATS) the beauty industry's first safety training company. This was followed by his book, Nail Structure & Product Chemistry, 1st and 2nd Edition, which has become essential reading for na salon pros. Schoon is a chief contributor to Milady's Standard Nail Technology and Standard Cosmetology, as well as several medical reference books such as Baran and Maibach's d104book of Cosmetic Dermatology and Cosmetic Dermatology: A Comprehensive Medical and Surgical d104.
Автор: Schoonover Karl, Galt Rosalind Название: Queer Cinema in the World ISBN: 0822362619 ISBN-13(EAN): 9780822362616 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
