Galt Horse Show: Dickson Park, Friday and Saturday, June 6th and 7th, 1902 (Classic Reprint), Show Galt Horse
Автор: Galt John Название: Annals of the Parish and the Ayrshire Legatees V1 (1895) ISBN: 1164183389 ISBN-13(EAN): 9781164183389 Издательство: Неизвестно Цена: 40400.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Schoonover Karl, Galt Rosalind Название: Queer Cinema in the World ISBN: 0822362619 ISBN-13(EAN): 9780822362616 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
Автор: Schoonover, Karl Galt, Rosalind Название: Queer cinema in the world ISBN: 0822362465 ISBN-13(EAN): 9780822362463 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 96100.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
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