Year Book, 1938-1939: Sixty Second Season (Classic Reprint), Music Philadelphia Conservatory of
Автор: Tanya Merchant Название: Women Musicians of Uzbekistan: From Courtyard to Conservatory ISBN: 0252081064 ISBN-13(EAN): 9780252081064 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 21730.00 T Наличие на складе: Поставка под заказ. Описание:
Fascinated by women's distinct influence on Uzbekistan's music, Tanya Merchant ventures into Tashkent's post-Soviet music scene to place women musicians within the nation's evolving artistic and political arenas.
Drawing on fieldwork and music study carried out between 2001 and 2014, Merchant challenges the Western idea of Central Asian women as sequestered and oppressed. Instead, she notes, Uzbekistan's women stand at the forefront of four prominent genres: maqom, folk music, Western art music, and popular music. Merchant's recounting of the women's experiences, stories, and memories underscores the complex role that these musicians and vocalists play in educational institutions and concert halls, street kiosks and the culturally essential sphere of wedding music. Throughout the book, Merchant ties nationalism and femininity to performances and reveals how the music of these women is linked to a burgeoning national identity.
Important and revelatory, Women Musicians of Uzbekistan looks into music's part in constructing gendered national identity and the complicated role of femininity in a former Soviet republic's national project.
Hailed the Trumpet Bible for over 150 years, this complete pedagogical method contains hundreds of exercises for brass instruments, beginning with basics and progressing to advanced compositions, including the author's famous arrangement of "The Carnival in Venice."
Sharing the knowledge he acquired from many years of experience as a performer and teacher, Arban discusses every aspect of playing with emphasis on articulation, tonguing, slurs, tone, and range. He offers an appreciation of all the instrument's inherent difficulties as well as instructive points that touch upon all possible musical questions.
Whether you are a beginner or an old master, this unabridged republication of the 1912 edition is an asset to trumpet, French horn, and cornet players.
Joseph Jean-Baptiste Laurent Arban (1825-1889), the first famed virtuoso of the cornet, applied Niccol Paganni's virtuosic technique for the violin to the cornet to prove that the cornet is a true solo instrument. From 1841 to 1845, Arban studied trumpet under Francois Dauvern at the Paris Conservatoire. He was appointed professor of sax horn at the cole Militaire in 1857 and professor of cornet at the Paris Conservatoire in 1869. Arban devoted his life to music working as a conductor, composer, and professor. His legacy endures in the Arban Method, which continues to be widely studied by modern horn players, along with his masterful arrangement of "The Carnival of Venice," which remains a legendary soloist cornet piece.
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