Explores the racialization of immigrants from post-Soviet states and the nuances of citizenship for this new diaspora.
Mapping representations of post-1980s immigration from the former Soviet Union to the United States in interviews, reality TV shows, fiction, and memoirs, Claudia Sadowski-Smith shows how this nationally and ethnically diverse group is associated with idealized accounts of the assimilation and upward mobility of early twentieth-century arrivals from Europe. As it traces the contributions of historical Eastern European migration to the emergence of a white racial identity that continues to provide privileges to many post-Soviet migrants, the book places the post-USSR diaspora into larger discussions about the racialization of contemporary US immigrants under neoliberal conditions.
The New Immigrant Whiteness argues that legal status on arrival--as participants in refugee, marriage, labor, and adoptive migration-- impacts post-Soviet immigrants' encounters with growing socioeconomic inequalities and tightened immigration restrictions, as well as their attempts to construct transnational identities. The book examines how their perceived whiteness exposes post-Soviet family migrants to heightened expectations of assimilation, explores undocumented migration from the former Soviet Union, analyzes post-USSR immigrants' attitudes toward anti-immigration laws that target Latina/os, and considers similarities between post-Soviet and Asian immigrants in their association with notions of upward immigrant mobility. A compelling and timely volume, The New Immigrant Whiteness offers a fresh perspective on race and immigration in the United States today.
Автор: Higginbotham Anastasia Название: Not My Idea: A Book about Whiteness ISBN: 1948340003 ISBN-13(EAN): 9781948340007 Издательство: Неизвестно Цена: 17430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: People of color are eager for white people to deal with their racial ignorance. White people are desperate for an affirmative role in racial justice. Not My Idea: A Book About Whiteness helps with conversations the nation is, just now, finally starting to have.
Автор: Demirturk, E. Lale Название: Twenty-first century african american novel and the critique of whiteness in everyday life ISBN: 1498534821 ISBN-13(EAN): 9781498534826 Издательство: Bloomsbury Рейтинг: Цена: 103950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines the post-9/11 African American novels, developing a new critical discourse on everyday discursive practices of whiteness. The critique of everyday life in the racial context of post-9/11 American society is important in considering diverse forms of the lived experiences and subjectivities of black people in the novels. They help us see that African American representations of the city have political significance in that the "neo-urban novel" explores the possibility of a black dialogic communication to build a transformative social change. Since the real power of Whiteness lies in its discursive power, the book reveals the urgency to understand not only how whiteness works in everyday life in American society. But it also explores how to cultivate new possibilities of configuring and performing Blackness differently, as a response to the post-9/11 configurations of the culture of fear, to produce new ways of interactional social relations that can eventually open up the space of critical awareness for white people to work against rather than reinforce discursive practices of White supremacy in everyday life. This book explores how the multiple subjectivities and transformative acts of blackness can offer ways of subverting the discursive power of the white embodied practices. What defines post-9/11 America as a nation that is consumed by the fear of racialized terrorists is its roots in the fear of ('uncontrollable') Blackness as excess and ominous threat in the domestic terrain through which the ideology of White supremacy has constructed for governing through Whiteness. African-American urban novels published in the twenty-first century respond to the discursive power of normative Whiteness that regulates black bodies, selves and lives. This book demonstrates how black people contest white dominant social spaces as sites of black criminality and exclusion in an attempt to re-signify them as the sites of black transformative change through personal and grassroots activism through their performativity of Blackness as an agential identity formation in their interpersonal urban social encounters with white people. Hence, the vulnerable spaces of Whiteness in interracial urban encounters, as it pervasively addresses those moments of transformative change, enacted by Black characters, in the face of the discursive practices of whiteness in the everyday life. These novels celebrate multifarious representations of black individuals, who are capable of using their agency to subvert White discursive power, in finding ways in their personal and grassroots activism to transform the culture of fear that locates Blackness as such in an attempt to make a difference in the American society at large.
When Roya, an Iranian American high school student, is asked to identify her race, she feels anxiety and doubt. According to the federal government, she and others from the Middle East are white. Indeed, a historical myth circulates even in immigrant families like Roya's, proclaiming Iranians to be the "original" white race. But based on the treatment Roya and her family receive in American schools, airports, workplaces, and neighborhoods--interactions characterized by intolerance or hate--Roya is increasingly certain that she is not white. In The Limits of Whiteness, Neda Maghbouleh offers a groundbreaking, timely look at how Iranians and other Middle Eastern Americans move across the color line.
By shadowing Roya and more than 80 other young people, Maghbouleh documents Iranian Americans' shifting racial status. Drawing on never-before-analyzed historical and legal evidence, she captures the unique experience of an immigrant group trapped between legal racial invisibility and everyday racial hyper-visibility. Her findings are essential for understanding the unprecedented challenge Middle Easterners now face under "extreme vetting" and potential reclassification out of the "white" box. Maghbouleh tells for the first time the compelling, often heartbreaking story of how a white American immigrant group can become brown and what such a transformation says about race in America.
Автор: Loukson Ives S. Название: Post-Apartheid Criticism: Perceptions of Whiteness, Homosexuality, and Democracy in South Africa ISBN: 3837649199 ISBN-13(EAN): 9783837649192 Издательство: Gazelle Book Services Рейтинг: Цена: 80070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: South Africas post-apartheid narrative is one of democracy and equality - but its flaws run deep, argues Ives S. Loukson. Disclosing prejudices about whiteness, homosexuality and democracy in the "staged society", he claims the concept of relation as an adequate framework for the embodiment of "profane democracy" understood in Agambian terms. Its fluidity is equated to openness and transparency that are relevant dimensions for profane democracy. A demonstration of literary criticism practiced as a fecund interdisciplinary activity, Louksons study lays the foundation for post-apartheid criticism different from post-colonial criticism.
Название: Buddhism and Whiteness ISBN: 1498581021 ISBN-13(EAN): 9781498581028 Издательство: Bloomsbury Рейтинг: Цена: 107910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this unprecedented book, contributors use Buddhist philosophical and contemplative traditions, both ancient and modern, and deploy critical philosophy of race, and critical whiteness studies, to address the proverbial elephant in the room - whiteness.
Автор: Borsheim-Black Carlin, Sarigianides Sophia Tatiana Название: Letting Go of Literary Whiteness: Antiracist Literature Instruction for White Students ISBN: 0807763055 ISBN-13(EAN): 9780807763056 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27550.00 T Наличие на складе: Нет в наличии. Описание: Rooted in examples from their own and others' classrooms, the authors offer discipline-specific practices for implementing antiracist literature instruction in White-dominant schools. Each chapter explores a key dimension of antiracist literature teaching and learning, including designing literature-based units that emphasize racial literacy, selecting literature that highlights voices of color, analyzing Whiteness in canonical literature, examining texts through a critical race lens, managing challenges of race talk, and designing formative assessments for racial literacy and identity growth.Book Features: Specific classroom scenarios and transcripts of race-related challenges that teachers will recognize to help situate suggested strategies Sample racial literacy objectives, questions, and assessments to guide unit instruction. A literature-based unit that addresses societal racism in A Raisin in the Sun. Assignments for exploring Whiteness in the teaching of The Adventures of Huckleberry Finn. Questions teachers can use to examine To Kill a Mockingbird through a critical race lens. Techniques for managing difficult moments in whole group discussions. Collaborative glossary and exploratory essay assignments to build understanding of race-based concepts and racial identity development.
Автор: Kendra Marston Название: Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood ISBN: 1474430309 ISBN-13(EAN): 9781474430302 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Нет в наличии. Описание: Addresses postfeminist media culture's emphasis on socioeconomic privilege
In the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the 'melancholic white woman' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. This figure may be idealised or scapegoated within these films, yet strategic performances of gendered melancholia may produce benefits for white female directors and stars disadvantaged within a patriarchal industry. Examining film genres including the tourist romance, the fantasy film and the psychological thriller, the book also contains case studies of films like The Virgin Suicides, Blue Jasmine, Gone Girl and The Girl on the Train.
Case studies include:
Gone Girl (David Fincher 2014)
The Girl on the Train (Tate Taylor 2016)
The Virgin Suicides (Sofia Coppola 1999)
Marie Antoinette (Sofia Coppola 2006)
Lost in Translation (Sofia Coppola 2003)
Blue Jasmine (Woody Allen 2013)
Black Swan (Darren Aronofsky 2010)
Pirates of the Caribbean (Gore Verbinski 2003, 2006, 2007)
Alice in Wonderland (Tim Burton 2010)
Alice Through the Looking Glass (James Bobin 2016)
Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and suffering
At the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people--such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent--proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right--particularly in the mobilization, representation, and sustenance of structural white supremacy on television. Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis. Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption--and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen.
Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and suffering
At the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people--such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent--proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right--particularly in the mobilization, representation, and sustenance of structural white supremacy on television. Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis. Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption--and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen.
Автор: James Jeff Название: Giving Up Whiteness: One Man`s Journey ISBN: 1506464025 ISBN-13(EAN): 9781506464022 Издательство: Неизвестно Рейтинг: Цена: 16890.00 T Наличие на складе: Невозможна поставка. Описание: "
It's one thing to know about white privilege. It's another to try to give it up.
Jeff James was one of the good white guys--or so he thought. But when he asked an African American friend how he could help fight the rising tide of racism, he had to think again. ""Simple,"" she shot back, ""get rid of whiteness.""
Thus began his journey to discover, name, and dismantle the racial category that had defined and advantaged him for a lifetime. In Giving Up Whiteness, James leads readers on an intimate, humble, and disorienting investigation of what it means to be white in twenty-first-century America. He shares his discoveries on just how deeply the forces of race have shaped his own and other white people's choices about where to live, what causes to care about, who to marry, and what church to join. With a blend of honest storytelling and incisive critique, James guides readers through the questions he encountered: How and why were race and, specifically, whiteness invented? What privileges and protections accrue to people categorized as white--and why has it been so difficult to expand them to everyone? How has the white Christian church bolstered white supremacy? Is it even possible to give up whiteness as an identity, and if so, what would that look like?
The things we can't see yield the most power, so it's time to take a hard look at whiteness. Ultimately, James writes, well-meaning white people have a lot of work to do, and it's past time to get started.
"
Автор: Jennings Willie James Название: After Whiteness: An Education in Belonging ISBN: 080287844X ISBN-13(EAN): 9780802878441 Издательство: Неизвестно Рейтинг: Цена: 21140.00 T Наличие на складе: Невозможна поставка. Описание:
On forming people who form communion
Theological education has always been about formation: first of people, then of communities, then of the world. If we continue to promote whiteness and its related ideas of masculinity and individualism in our educational work, it will remain diseased and thwart our efforts to heal the church and the world. But if theological education aims to form people who can gather others together through border-crossing pluralism and God-drenched communion, we can begin to cultivate the radical belonging that is at the heart of God's transformative work.
In this inaugural volume of the Theological Education between the Times series, Willie James Jennings shares the insights gained from his extensive experience in theological education, most notably as the dean of a major university's divinity school--where he remains one of the only African Americans to have ever served in that role. He reflects on the distortions hidden in plain sight within the world of education but holds onto abundant hope for what theological education can be and how it can position itself at the front of a massive cultural shift away from white, Western cultural hegemony. This must happen through the formation of what Jennings calls erotic souls within ourselves--erotic in the sense that denotes the power and energy of authentic connection with God and our fellow human beings.
After Whiteness is for anyone who has ever questioned why theological education still matters. It is a call for Christian intellectuals to exchange isolation for intimacy and embrace their place in the crowd--just like the crowd that followed Jesus and experienced his miracles. It is part memoir, part decolonial analysis, and part poetry--a multimodal discourse that deliberately transgresses boundaries, as Jennings hopes theological education will do, too.
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