The Achievement of Hans Urs Von Balthasar: An Introduction to His Trilogy, Levering Matthew
Автор: Carpenter Anne M. Название: Theo-Poetics: Hans Urs Von Balthasar and Thet Risk of Art and Being ISBN: 0268023786 ISBN-13(EAN): 9780268023782 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 26750.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other.
Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.
Автор: Gawronski Raymond Название: Word and Silence: Hans Urs Von Balthasar and the Spiritual Encounter Between East and West ISBN: 1621381110 ISBN-13(EAN): 9781621381112 Издательство: Неизвестно Цена: 46590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Asked about the dialogue between Asian and Christian mysticisms, Hans Urs von Balthasar wrote: "The dialogue is possible. The question is: 'does selflessness mean emptiness, or (trinitarian) love.'" Word and Silence is an ascent to the fullness of the Christian vision, from the depths of natural and Christian wisdom and under the guidance of this great master of contemplative theology of our time. It offers an overview of the human condition, and then broadens to explore the fullness of God's revelation, which overflows the deepest longings of the human heart, fully embracing the human as human, and leading it into the heart of God.
"What one of the greatest theologians of our century--Hans Urs von Balthasar--says about what the world's religions mean for one another as pluralism intensifies their interaction--no other study comes close to the depth with which Word and Silence addresses that subject."--Huston Smith, author of The World's Religions
"In this luminous book, Father Raymond Gawronski demonstrates the fruitfulness of Balthasar's distinctive Christology, Mariology, and nuptial mysticism for a genuine Catholic theology of world religions; and in the process, he sheds much-needed light upon the mysteries of sexuality and gender, the spirituality of obedience, and the beauty of holiness."--Carol Zaleski, Professor of World Religions, Smith College; co-author of Prayer: A History
"The Epistle to the Hebrews tells us that while 'in many and various ways God spoke of old to our fathers, ' in 'these days he has spoken to us by a Son.' Meanwhile, at the heart of that word, spoken in and through the Son, sits the 'wordless word' of Christ's death and descent into hell. This paradox--that in revealing himself to us in both word and deed God makes His final word a wordless deed--lies at the center of this spellbinding and beautifully written book. As Raymond Gawronski succinctly puts it, 'The Word weds silence, as it were.' This book is no less relevant now than when it was first published in 1995. Indeed, not only is this one of the best books on Balthasar to date, it should also be required reading for anyone interested in the important dialogue between Christianity and the East."--Rodney Howsare, Professor of Theology, DeSales University; author of Balthasar: A Guide for the Perplexed
A native of New York, Fr. Gawronski entered the Maryland Province of the Society of Jesus in 1977, after studies in East Asian culture, and then graduate study in comparative religion with Huston Smith at Syracuse University. His doctoral studies were undertaken in Rome, and included work in Eastern Christian spirituality, which led in turn to a lifelong commitment to the theology of Hans Urs von Balthasar. He was professor of theology at Marquette University for thirteen years, during which time he helped design the Spirituality Year program for the St. John Vianney Seminary in Denver, where he then served as professor and spiritual director for eight years. He has published and lectured widely on issues of culture and spirituality, and has for years served as an active retreat master, annually leading the full Spiritual Exercises of St. Ignatius. He is currently professor of dogmatic theology at St. Patrick's Seminary in Menlo Park, California, where he also gives spiritual direction.
Numerous contemporary theologians depict divine glory as overwhelming to or competitive with human agency. In effect, this makes humanity a threat to God's glory, and causes God's glory to remain opaque to human enquiry and foreign to human life.
Karl Barth and Hans Urs von Balthasar have avoided this tendency, instead depicting God's glory as enabling people to participate in glorifying God. Nevertheless both accounts fall short of their initial promise by giving one-dimensional accounts of human obedience to God within largely conventional divine command accounts of ethics. The form of human obedience they present as compatible with divine glory does not actively overwhelm the human, but rather brackets out her agency as inappropriate in the face of divine revelation or command. And so, ironically, on these accounts God's glory remains opaque to human enquiry and foreign to human life.
This study builds a case for seeing divine glory as intrinsically relational, creating a sociality which allows for a human agency transfigured by God's glory. Moving beyond Barth and von Balthasar, this work turns to theological exegesis of Scripture to construct an alternative account of divine glory. This glory is worked out in the act of glorifying: first in God, then in divine glorifying of humans, creating a responsive human glorifying of God; and finally in processes of honouring or glorifying among humans. Divine glory is shown to be consistent with a responsive and creative human obedience to God, and shown to constitute human agency which is creaturely and dependent yet not overwhelmed.
In Hans Urs von Balthasar and the Critical Appropriation of Russian Religious Thought, Jennifer Newsome Martin offers the first systematic treatment and evaluation of the Swiss Catholic theologian’s complex relation to modern speculative Russian religious philosophy. Her constructive analysis proceeds through Balthasar’s critical reception of Vladimir Soloviev, Nicholai Berdyaev, and Sergei Bulgakov with respect to theological aesthetics, myth, eschatology, and Trinitarian discourse and examines how Balthasar adjudicates both the possibilities and the limits of theological appropriation, especially considering the degree to which these Russian thinkers have been influenced by German Idealism and Romanticism.
Martin argues that Balthasar’s creative reception and modulation of the thought of these Russian philosophers is indicative of a broad speculative tendency in his work that deserves further attention. In this respect, Martin consciously challenges the prevailing view of Balthasar as a fundamentally conservative or nostalgic thinker. In her discussion of the relation between tradition and theological speculation, Martin also draws upon the understudied relation between Balthasar and F. W. J. Schelling, especially as Schelling's form of Idealism was passed down through the Russian thinkers. In doing so, she persuasively recasts Balthasar as an ecumenical, creatively anti-nostalgic theologian hospitable to the richness of contributions from extra-magisterial and non-Catholic sources.
Автор: Paul Silas Peterson Название: The Early Hans Urs von Balthasar: Historical Contexts and Intellectual Formation ISBN: 3110374307 ISBN-13(EAN): 9783110374308 Издательство: Walter de Gruyter Рейтинг: Цена: 123910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: although Hans Urs von Balthasar’s earliest publication is from 1925, and although he was a mature forty years old in 1945, there is a deficiency in the secondary literature regarding his early literature, its historical backgrounds and non-theological sources. In this study Balthasar is presented in relation to the various contexts in which he was both drawing upon and responding to from the 1920s to the 1940s. The major contexts analyzed here are the broad central European Germanophone cultural context, the Germanophone Catholic cultural context, the German studies context, the French Catholic renewal literature and theology of the early 20th-century, the popular journal Stimmen der Zeit, Neo-Scholasticism, early 20th-century French Catholic culture, Swiss fascism, National Socialist literature, the Renouveau Catholique, the George-Kreis and many others. Balthasar’s early anti-Semitism and some of the problematic aspects of his early work are also addressed in this study. His understanding of the modern age, his relationships with some key intellectual figures and his later reflections on his early work are also introduced. The book offers a comprehensive study of Balthasar’s early intellectual development.
Автор: Long D. Stephen Название: Saving Karl Barth: Hans Urs Von Balthasar`s Preoccupation ISBN: 1451470142 ISBN-13(EAN): 9781451470147 Издательство: Неизвестно Рейтинг: Цена: 48810.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Challenging recent rejections of Hans Urs von Balthasars groundbreaking study of Karl Barths theology, Stephen Long argues that these interpreters are impatient with the nuances of Balthasars reading and fail to appreciate the longstanding theological friendship between the two. Long offers a substantial defense of Balthasars theological preoccupation with Barths thought and explores the friendship that developed between Balthasar and Barth.Re-evaluating Balthasars theological work on Barth, Saving Karl Barth provides a critical new reading of Balthasars original volume and a wider account of the systematic engagement Balthasar carried on throughout his career.
Автор: Denny Christopher D. Название: A Generous Symphony: Hans Urs Von Balthasar`s Literary Revelations ISBN: 1451487959 ISBN-13(EAN): 9781451487954 Издательство: Неизвестно Рейтинг: Цена: 71350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Hans Urs von Balthasar, one of the preeminent theologians of Roman Catholic theology in the modern era, constructed a theological world suffused by the literary, a vision carried across over 16 volumes of his magnum opus. A Generous Symphony offers a balanced appraisal of Balthasars literary achievement and explicates Balthasars literary criticism as a distinctive theology of revelation, which offers possibilities for understanding how divine presence may be manifested outside the canonical boundaries of Christian tradition.
The structure of A Generous Symphony is a chronological presentation of the Balthasarian canon of imaginative literature, which allows readers to see how social and historical interests guide Balthasars readings in the pre-Christian, medieval, and modern eras. While other books have examined the systematic theology of Balthasar, this book will examine the important question of how students of literature, like Balthasar, can be transformed into theologians by attending to the implicit presence of Christ in what Gerard Manley Hopkins poem "As kingfishers catch fire . . ." called "the ten thousand places." Balthasars deep investment in the uniqueness of Christian revelation is underlined, while, at the same time, his aesthetic sympathies cause him to invest literature with quasi-sacramental status.
Numerous contemporary theologians depict divine glory as overwhelming to or competitive with human agency. In effect, this makes humanity a threat to God's glory, and causes God's glory to remain opaque to human enquiry and foreign to human life.
Karl Barth and Hans Urs von Balthasar have avoided this tendency, instead depicting God's glory as enabling people to participate in glorifying God. Nevertheless both accounts fall short of their initial promise by giving one-dimensional accounts of human obedience to God within largely conventional divine command accounts of ethics. The form of human obedience they present as compatible with divine glory does not actively overwhelm the human, but rather brackets out her agency as inappropriate in the face of divine revelation or command. And so, ironically, on these accounts God's glory remains opaque to human enquiry and foreign to human life.
This study builds a case for seeing divine glory as intrinsically relational, creating a sociality which allows for a human agency transfigured by God's glory. Moving beyond Barth and von Balthasar, this work turns to theological exegesis of Scripture to construct an alternative account of divine glory. This glory is worked out in the act of glorifying: first in God, then in divine glorifying of humans, creating a responsive human glorifying of God; and finally in processes of honouring or glorifying among humans. Divine glory is shown to be consistent with a responsive and creative human obedience to God, and shown to constitute human agency which is creaturely and dependent yet not overwhelmed.
What do the saints have to do with truth? Saints and their concern for holiness are often relegated to the realm of spirituality or kitsch, while the search for truth is reserved for the intellectual elite. Truth and spirituality appear to be utterly separate categories.
Hans Urs von Balthasar (19051988) set out to reunite truth and holiness by returning the saints to their proper place at the heart of philosophy, theology, and metaphysics. Love Itself Is Understanding is one of the first systematic treatments of Balthasars theology of the saints. Matthew Rothaus Moser presents Balthasar as an alternative to Idealist philosophy, a thinker who develops a religious metaphysics in which the saints practices of prayer and contemplation are the chief mode of knowing that the truth of Being is divine love. Love Itself Is Understanding casts new light on dominant themes in Balthasars thought and invites a renewed vision of the theological and metaphysical significance of the spiritual practices of prayer, obedience, and charity.
Автор: Kevin Taylor Название: Hans Urs von Balthasar and the Question of Tragedy in the Novels of Thomas Hardy ISBN: 056721625X ISBN-13(EAN): 9780567216250 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
Автор: Pitstick Alyssa Lyra Название: Christ`s Descent Into Hell: J: John Paul II, Joseph Ratzinger, and Hans Urs Von Balthasar on the Theology of Holy Saturday ISBN: 080286905X ISBN-13(EAN): 9780802869050 Издательство: Неизвестно Рейтинг: Цена: 19770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Pope John Paul II and Joseph Ratzinger (now Pope Emeritus Benedict XVI) both held Hans Urs von Balthasar in high regard. Many assume that their praise of Balthasar implies approval of his theology of Holy Saturday, but this book by Lyra Pitstick shows that conclusion to be far from accurate. Pitstick looks at what John Paul II, Joseph Ratzinger, and Hans Urs von Balthasar have said regarding the creedal affirmation that Christ descended into hell, and she shows that there are radical differences in their conclusions. She then addresses some important questions that follow from these differences: If they disagree, who is right? If John Paul II and Benedict XVI have lauded someone with whom they disagreed, are there implications for papal infallibility? Finally, whose theology best expresses the Catholic doctrine of Christ s descent into hell and how can we know? This careful, concise exploration of what three of the twentieth century s most famous Catholic theologians had to say about Christ s descent into hell provides an accessible take on a difficult point of theological debate. "
Автор: Kevin Taylor Название: Hans Urs von Balthasar and the Question of Tragedy in the Novels of Thomas Hardy ISBN: 0567662594 ISBN-13(EAN): 9780567662590 Издательство: Bloomsbury Academic Рейтинг: Цена: 40120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.
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