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Miriam Cahn: I as Human, Dziewanska Marta, Buhler Kathleen


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Цена: 32190.00T
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в Мои желания

Автор: Dziewanska Marta, Buhler Kathleen
Название:  Miriam Cahn: I as Human
ISBN: 9788364177552
Издательство: Museum of Modern Art in Warsaw
Классификация:



ISBN-10: 8364177559
Обложка/Формат: Paperback
Страницы: 250
Вес: 0.27 кг.
Дата издания: 15.03.2019
Язык: English
Размер: 199 x 153 x 12
Читательская аудитория: Professional & vocational
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Поставляется из: США
Описание: A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images, sculptures, and performance art. Cahns diverse body of work is disturbing and dreamlike, filled with striking human figures pulsing with an energy both passionate and violent. These pieces, along with Cahns reflections on artistic expression, have always responded to her contemporary moment. In the 1980s, her work addressed the feminist, peace, and environmental movements, while the work she produced in the 1990s and early 2000s contains allusions to the war in the former Yugoslavia, the conflict in the Middle East, and the September 11 terrorist attacks. Her recent production tackles ever-evolving political conflicts, engaging with the European refugee crisis and the #metoo movement.

Miriam Cahn: I as Human examines different facets of the artists prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen B hler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .


Post-post-soviet? - art, politics and society in russia at the turn of the decade

Автор: Dziewanska, Marta Degot, Ekaterina Budratskis, Ilya
Название: Post-post-soviet? - art, politics and society in russia at the turn of the decade
ISBN: 8393381843 ISBN-13(EAN): 9788393381845
Издательство: Неизвестно
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Цена: 30970.00 T
Наличие на складе: Невозможна поставка.
Описание: By placing emerging artists in their political and social contexts, this collection attempts to confront the new activist scene that has arisen in the Russian art world during the past few years. It brings to light the important work of Russian artists today and to explicate the political environment that has given rise to such work.


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