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Jordan Wolfson: Ecce Homo / Le Poseur, , Moshayedi Aram
Варианты приобретения
Цена:
63220.00T
Кол-во:
о цене
Наличие:
Невозможна поставка.
в Мои желания
Автор:
, Moshayedi Aram
Название:
Jordan Wolfson: Ecce Homo / Le Poseur
ISBN:
9783863354145
Издательство:
Walther Konig Verlag
Классификация:
Монографии о художниках, по искусству
ISBN-10: 3863354141
Обложка/Формат: Hardcover
Страницы: 136
Вес: 1.25 кг.
Дата издания: 30.06.2014
Язык: English
Иллюстрации: 90 colour illustrations
Размер: 336 x 244 x 21
Читательская аудитория: General (us: trade)
Подзаголовок: Ecce homo / le poseur
Рейтинг:
Поставляется из: США
Описание: This book, which sold out almost immediately upon publication, is a reprint of the catalogue produced on the occasion of Wolfsons 2012-2013 exhibitions at REDCAT (Roy and Edna Disney/CalArts Theater) in Los Angeles and the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent. Entitled Ecce Homo/le Poseur, the S.M.A.K. presentation marked the most comprehensive survey of Wolfsons work to date. The volumes eponymous title effectively expresses the artists interest in the ego and its image as well as destabilizing differences between life and imitation, reality and imagination. Anchored by full-scale color plates of Wolfsons three animations--video stills, details, and installation views of the ambitiously conceived Con Leche (2009), Animation, masks (2011), and Raspberry Poser (2012)--the book provides a critical framework for the artists vast and varied practice. Images are given context by illuminating scholarship by Esther Leslie and Linda Norden, and a conversation between Aram Moshayedi and Wolfson brings their analyses to ground. Also included is a letter personally addressed to the artist by Philippe Van Cauteren. In Wolfsons words, his work is about reaching a place of displacement and control within the space of viewing; this text exists as an embodiment of that ever-evolving vision, which considers the developments of digital and analogue animation as essential to the histories of modernism and modernity, and posits them as responsible for shaping and relaying the concerns of sculptural and pictorial modes of representation, and defining our relationship to both images and objects.
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