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The Life of Catherine of Sienna: By Her Confessor the Blessed Raymond of Capua, Of Capua Raymond


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Цена: 20630.00T
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Автор: Of Capua Raymond
Название:  The Life of Catherine of Sienna: By Her Confessor the Blessed Raymond of Capua
ISBN: 9781494237219
Издательство: Createspace Independent Publishing Platform
Классификация: ISBN-10: 1494237210
Обложка/Формат: Paperback
Страницы: 450
Вес: 0.60 кг.
Дата издания: 21.11.2013
Язык: English
Размер: 22.86 x 15.24 x 2.31 cm
Поставляется из: США

The Gladiators from capua  (The Roman Mysteries)

Автор: Lawrence Caroline
Название: The Gladiators from capua (The Roman Mysteries)
ISBN: 184255123X ISBN-13(EAN): 9781842551233
Издательство: Little Brown
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Цена: 7070.00 T
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Описание: The opening of the Colosseum is full of action and adventure in the eighth exciting Roman Mystery.

Anatole Litvak: The Life and Films

Автор: Capua Michelangelo
Название: Anatole Litvak: The Life and Films
ISBN: 0786494131 ISBN-13(EAN): 9780786494132
Издательство: Turpin
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Цена: 27090.00 T
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Описание: During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur.Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films - along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956) - are considered classics, but none of his pictures gives any clue of Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work.This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as “an adept, adaptable and prolific man; the kind of director that Hollywood likes best”.


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