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On Cinema, Rocha Glauber


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в Мои желания

Автор: Rocha Glauber
Название:  On Cinema
ISBN: 9781780767031
Издательство: Bloomsbury Academic
Классификация:




ISBN-10: 178076703X
Обложка/Формат: Hardcover
Страницы: 320
Вес: 0.50 кг.
Дата издания: 27.12.2018
Серия: Tauris world cinema
Язык: English
Иллюстрации: 36 integrated b/w
Размер: 223 x 143 x 23
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Film theory & criticism,Individual film directors, film-makers,Popular culture,Cinema industry, PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Individual Director
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Поставляется из: Англии
Описание: Glauber Rocha is known as the visionary Brazilian director of landmark films, Black God, White Devil, Entranced Earth and Antonio das Mortes. Hitherto virtually unknown outside Brazil is that he was also a brilliant film critic and innovative thinker on world cinema. On Cinema brings together for the first time in the English language a comprehensive selection of Rochas film writings, revealing for the first time to English-speaking readers the full critical power, inventiveness and vision of a great filmmaker. Rochas writings, endowed with critical verve and humour, give insights into key moments of film history, as well as the politics of world cinema. Here he fearlessly confronts the film establishment and debates with a host of sacred filmmakers of the world pantheon. Included is Rochas early criticism of Brazilian films, landmark manifestoes such as An Aesthetics of Hunger and An Aesthetics of Dreams, articles about the development of Cinema Novo, and his international film criticism, including pieces on Charlie Chaplin, Orson Welles, James Dean, David Lean, John Huston, Stanley Kubrick, John Ford, Jean-Luc Godard, Pier Paolo Pasolini, Federico Fellini, Luis Bunuel, Luchino Visconti and Roberto Rossellini. The publication of On Cinema, edited by film scholar Ismail Xavier and in expert translation, is an international publishing event.

Wkw: The Cinema of Wong Kar Wai

Автор: Wong Kar-Wai, Powers John
Название: Wkw: The Cinema of Wong Kar Wai
ISBN: 0847846172 ISBN-13(EAN): 9780847846177
Издательство: Rizzoli
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Цена: 52250.00 T
Наличие на складе: Есть
Описание: The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films.

Horror Cinema (Bibliotheca Universalis)

Название: Horror Cinema (Bibliotheca Universalis)
ISBN: 3836561859 ISBN-13(EAN): 9783836561853
Издательство: Taschen
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Цена: 17710.00 T
Наличие на складе: Ожидается поступление.
Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.

Elizabeth Taylor: A Private Life for Public Consumption

Автор: Ellis Cashmore
Название: Elizabeth Taylor: A Private Life for Public Consumption
ISBN: 1628920696 ISBN-13(EAN): 9781628920697
Издательство: Bloomsbury Academic
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Цена: 19950.00 T
Наличие на складе: Есть
Описание: The first volume to examine the iconic Elizabeth Taylor in this light, Elizabeth Taylor: A Private Life for Public Consumption paints Taylor as the seminal representation of “celebrity.” A figure of enormous charisma and cultural sway, she intrigued a global audience with her marriages and extra-marital improprieties, as well as her extravagant jewelry, her never-ending illnesses, her dependency on alcohol, and her perplexing friendship with Michael Jackson. Despite her continued world-renown, however, most people would be hard-pressed to name even three of her films, though she made over seventy. Ellis Cashmore traces our modern, hyperactive celebrity culture back to a single instant in Taylor’s life: the publicizing of her scandalous affair with Richard Burton by photographer Marcelo Geppetti in 1962, which announced the arrival of a new generation of predatory photojournalists and, along with them, a strange conflation between the public and private lives of celebrities. Taylor’s life and public reception, Cashmore reveals, epitomizes the modern phenomenon of “celebrity.”

Euro Gothic: Classics of Continental Horror Cinema

Автор: Rigby Jonathan
Название: Euro Gothic: Classics of Continental Horror Cinema
ISBN: 0957648154 ISBN-13(EAN): 9780957648159
Издательство: Titan books ltd.
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Цена: 25840.00 T
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Описание: Jonathan Rigby brings his incisive scrutiny to bear on more than 100 Continental horror films, ranging from the early years of the 20th century to the video revolution of the 1980s.

The Cinema of Michael Haneke: Europe Utopia

Автор: McCann Ben, Sorfa David
Название: The Cinema of Michael Haneke: Europe Utopia
ISBN: 1906660298 ISBN-13(EAN): 9781906660291
Издательство: Wiley
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Цена: 23230.00 T
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Описание: Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations--bourgeois alienation, modes and critiques of spectatorship, the role of the media--and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.

The Cinema of Sergei Parajanov

Автор: Steffen James
Название: The Cinema of Sergei Parajanov
ISBN: 0299296547 ISBN-13(EAN): 9780299296544
Издательство: Mare Nostrum (Eurospan)
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Цена: 31410.00 T
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Описание: Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Parajanov succeeded in creating a small but marvellous body of work whose style embraces such diverse influences as folk art, medieval miniature painting, early cinema, Russian and European art films, surrealism, and Armenian, Georgian, and Ukrainian cultural motifs.The Cinema of Sergei Parajanov is the first English-language book on the director's films and the most comprehensive study of his work. James Steffen provides a detailed overview of Parajanov's artistic career: his identity as an Armenian in Georgia and its impact on his aesthetics; his early films in Ukraine; his international breakthrough in 1964 with Shadows of Forgotten Ancestors; his challenging 1969 masterpiece, The Color of Pomegranates, which was re-edited against his wishes; his unrealised projects in the 1970s; and his eventual return to international prominence in the mid-to-late 1980s with The Legend of the Surami Fortress and Ashik-Kerib. Steffen also provides a rare, behind-the-scenes view of the Soviet film censorship process and tells the dramatic story of Parajanov's conflicts with the authorities, culminating in his 1973–77 arrest and imprisonment on charges related to homosexuality.Ultimately, the figure of Parajanov offers a fascinating case study in the complicated dynamics of power, nationality, politics, ethnicity, sexuality, and culture in the republics of the former Soviet Union.A Mellon Slavic Studies Initiative Book.

Slow Movies: Countering the Cinema of Action

Автор: Jaffe Ira
Название: Slow Movies: Countering the Cinema of Action
ISBN: 0231169795 ISBN-13(EAN): 9780231169790
Издательство: Wiley
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Цена: 26400.00 T
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Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.

Jean-Luc Godard, Cinema Historian

Автор: Witt Michael
Название: Jean-Luc Godard, Cinema Historian
ISBN: 0253007283 ISBN-13(EAN): 9780253007285
Издательство: Wiley EDC
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Цена: 34310.00 T
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Описание: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cin?ma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

Cinema of nanni moretti

Автор: Mazierska, Ewa Rascaroli, Laura
Название: Cinema of nanni moretti
ISBN: 1903364779 ISBN-13(EAN): 9781903364772
Издательство: Wiley
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Цена: 19000.00 T
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Описание: The first English-language study of one of Europe`s most important, award-winning directors.

The Cinema of Lars Von Trier : Authenticity and Artifice

Автор: Bainbridge, Caroline
Название: The Cinema of Lars Von Trier : Authenticity and Artifice
ISBN: 1905674430 ISBN-13(EAN): 9781905674435
Издательство: Wiley
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Цена: 23230.00 T
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Описание:

Introduce young readers to high-frequency words and phrases with First Wave. The 96 titles across three sets feature consistent structure to support your students as they move from simple captions to more complex sentences.

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Samples

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What is cinema?

Автор: Bazin, Andre
Название: What is cinema?
ISBN: 0520242270 ISBN-13(EAN): 9780520242272
Издательство: Wiley
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Цена: 26400.00 T
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Описание: Andr Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cin ma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the prot g of Fran ois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

Anatole Litvak: The Life and Films

Автор: Capua Michelangelo
Название: Anatole Litvak: The Life and Films
ISBN: 0786494131 ISBN-13(EAN): 9780786494132
Издательство: Turpin
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Цена: 27090.00 T
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Описание: During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur.Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films - along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956) - are considered classics, but none of his pictures gives any clue of Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work.This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as “an adept, adaptable and prolific man; the kind of director that Hollywood likes best”.


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