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The Book of Acrostics, Lambremont Sr John


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Автор: Lambremont Sr John
Название:  The Book of Acrostics
ISBN: 9781925536522
Классификация:
ISBN-10: 1925536521
Обложка/Формат: Paperback
Страницы: 170
Вес: 0.26 кг.
Дата издания: 18.10.2018
Язык: English
Размер: 229 x 152 x 10
Поставляется из: США
Описание: 112 acrostics from John Lambremont, Sr. The authors skill is paramount. It is not easy to create a puzzle with its answer embedded therein. Clever, yes, but more. There is a reason many have relied on this form of writing; beginning with the Bible, telling those who venture to know, there is more here than meets the eye; found in Medieval literature, the work of Edgar Allan Poe, Lewis Carroll, if you did not know, tells us Alices real name at the end in this way, if you can find your way Through the Looking-Glass. Within these pages, A Small Gift telling of love, up and down the page. A Big Pioneer hinting with Train colored blue made you a new sensation-its all there-for us to find. Howard Richard Debs, finalist and recipient of the 28th annual 2015 Anna Davidson Rosenberg Poetry Awards, and author of Gallery: A Collection of Pictures and Words, a 2017 Best Book Awards and 2018 Book Excellence Awards recipient.

A Cloud of Ink: Reminiscences

Автор: Lambremont Comtesse de
Название: A Cloud of Ink: Reminiscences
ISBN: 1543966756 ISBN-13(EAN): 9781543966756
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Цена: 32190.00 T
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Описание: A Cloud of Ink, written in the present tense and first person, is a wryly elegiac fragment of a memoir of a younger version of the author, Anna, a hermetic, self-styled "femme fatale" inclined to the perspective of Radical Traditionalism. G., the object of her dedicated affection, is a Modern Guy (his band) and the picture of a troubled young man with the promise of genius--a mathematical prodigy, a successful song writer and Parisian rock star who has, in a philosophic turn, eschewed the impositions of early fame to study film at UCLA while, on the side, ghost-writing a well financed biography of Picasso under the ruse of doing "research". His employer is a rising, enigmatic phenomenon in the worlds of American society, politics, and publishing, who has recognized in G.'s talents and childhood familiarity with Picasso's family the elements of a valuable resource. G., on the other hand, invites speculation as to whether his own dark psychological struggles have crept into his narrative of Picasso's life when he confesses to having embedded "monstrous fabulations" into the work. The two inhabit a world where anguish and ecstasy coexist like a narcotic obsession, where the full intensity of destructive and dangerous beauty blossoms into a sorrow bordering on plaintive horror. The story constitutes a probing, poetically rendered passage through the looking-glass surface of privileged, somewhat languorous lives ravished by emotional and sexual passions--against a background of Project MKUltra drugs and New Wave in the mid-1980s--into a complex psychological chess match in which the prize slowly morphs into a question of mortal survival.In the form of a conversation between Anna, once creative director for Filmways, and G., screenwriter and budding director, during a walk around Lake Hollywood, an appendix contains an exegesis of a controversial film directed by a close friend of the author's. This is Performance, listed among the greatest English films ever made, written and co-directed by Donald Cammell. While its marketing appeal initially centred on starring Mick Jagger in his first screen role, it has long since been eclipsed by a faithful audience's fascination with its mysterious complexity, driving fans to view it myriad times in attempting to unravel its secrets. After more than fifty years of mystifying viewers, the close analysis presented in A Cloud of Ink at last severs the Gordian knot.Echoing the phraseology of Timothy Leary, an authorial crony, A Cloud of Ink might aptly be described as a hedonic neurocrat's navigational disaster, located at the crossroads of nonfiction and hermetic philosophy. It condenses certain esoteric, philosophical, psychological, and even (for the initiate) alchemical observations regarding the nature of substance abuse and its subtle effects, distilled in a narrative delivered with such intensity as to leave an indelible impression. Yet perceptive readers will neither depend upon a familiarity with the threads of pop culture, nor even the esoteric traditions invoked, to appreciate the dreamlike stories within stories, full of enigma and contradiction, which trace an elliptical course through the pages of the book. A final deliverance, a catharsis of sorts, is the closing note of the memoir. As literature may be a sword that paradoxically ministers to the wounds it inflicts, so the healing enchantress of art finds a home in this tragedy of both ancient and modern dimensions.


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