George Stevens: The Films of a Hollywood Giant, Sinyard Neil
Автор: Northrop Davis Название: Manga and Anime Go to Hollywood ISBN: 1623561442 ISBN-13(EAN): 9781623561444 Издательство: Bloomsbury Academic Рейтинг: Цена: 27450.00 T Наличие на складе: Нет в наличии. Описание: The media industries in the United States and Japan are similar in much the same way different animal species are: while a horse and a kangaroo share maybe 95% of their DNA, they're nonetheless very different animals—and so it is with manga and anime in Japanese and Hollywood animation, movies, and television. Though they share some key common elements, they developed mostly separately while still influencing each other significantly along the way. That confluence is now accelerating into new forms of hybridization that will drive much of future storytelling entertainment. Packed with original interviews with top creators in these fields and illuminating case studies, Manga and Anime Go to Hollywood helps to parse out these these shared and diverging genetic codes, revealing the cross-influences and independent traits of Japanese and American animation. In addition, Manga and Anime Go to Hollywood shows how to use this knowledge creatively to shape the future of global narrative storytelling, including through the educational system. Northrop Davis paints a fascinating picture of the interrelated history of Japanese manga/anime and Hollywood since the Meiji period through to World War II and up to the present day — and even to into the future.
Автор: Dixon Wheeler W. Название: Death of the Moguls: The End of Classical Hollywood ISBN: 0813553776 ISBN-13(EAN): 9780813553771 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27720.00 T Наличие на складе: Нет в наличии. Описание: Death of the Moguls is a detailed assessment of the last days of the ""rulers of film."" Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios' collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn't reign supreme.Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theatres; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative on the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to colour, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Автор: Critchlow Название: When Hollywood Was Right ISBN: 0521199182 ISBN-13(EAN): 9780521199186 Издательство: Cambridge Academ Рейтинг: Цена: 22170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book rediscovers how there once was a Hollywood Right. Using extensive new archival material, Donald Critchlow reveals how Hollywood Republicans remade America by successfully backing such candidates as Richard Nixon, Ronald Reagan and George Murphy. Readers will never think about Hollywood politics again in the same way.
Автор: Shindler Colin Название: Hollywood Goes to War: Films and American Society, 1939-1952 ISBN: 1138971901 ISBN-13(EAN): 9781138971905 Издательство: Taylor&Francis Рейтинг: Цена: 45930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
A historian's view of the relationship between American history and the American film industry, this book is a witty and perceptive account of Hollywood and its films in the years from the outbreak of the Second World War in Europe to the end of the war in Korea, It describes how film makers and their industry were shaped by and responded to the strong political and social stimuli of wartime America.
The author examines the recurring question of whether the movies were a reflection of the society in which they were produced, or whether by virtue of their undeniable propaganda power the films shaped that society. Combining evidence from literary, visual and oral sources, he covers a wide range of movies, emphasising in particular Casablanca, Mrs Miniver, The Best Years of Our Lives and Since You Went Away.
In addition to placing the films in a social and political context, the author shows that Hollywood is a perfect example of the bone-headed way in which people behave when they are dealing with large amounts of money and power. Enjoyably nostalgic, this book will appeal to film enthusiasts as well as those interested in war and its effect on society.
Автор: Decherney Peter Название: Hollywood: A Very Short Introduction ISBN: 0199943540 ISBN-13(EAN): 9780199943548 Издательство: Oxford Academ Рейтинг: Цена: 10550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires.
Автор: Balcerzak Scott Название: Buffoon Men: Classic Hollywood Comedians and Queered Masculinity ISBN: 0814339654 ISBN-13(EAN): 9780814339657 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: He is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas. He argues that contrary to popular notions of Classic Hollywood history, these male comedians rearranged or, at times, rejected heteronormative protocols.
Balcerzak begins by defining the particular buffoonish masculinity portrayed by early film comedians, a gender and genre construct influenced by the cultural anxieties of the 1930s and '40s. In chapter 1, he considers the onscreen pairing of W. C. Fields and Mae West to identify a queered sexuality and drag persona in Fields's performance, while in chapter 2 he examines the two major constructions of Fields's film persona-the confidence man and the husband-to show Fields to be a conflicted and subversive figure. In chapter 3, Balcerzak considers the assimilation and influence of Eddie Cantor as a Jewish celebrity, while he turns to the cross-media influence of Jack Benny's radio persona in chapter 4. In Chapters 5 and 6, he moves beyond the individual performer to examine the complex masculine brotherhood of comedy duos Laurel and Hardy, Abbott and Costello, and Bert Wheeler and Robert Woolsey.
Buffoon Men shows that the complicated history of the male comedian during the early sound era has much to tell us about multimedia comedic stars today. Fans and scholars of film history, gender studies, and broadcast studies will appreciate Balcerzak's thorough exploration of the era's fascinating gender constructs.
Автор: Marcus Название: Schoenberg and Hollywood Modernism ISBN: 1107064996 ISBN-13(EAN): 9781107064997 Издательство: Cambridge Academ Рейтинг: Цена: 115110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. Kenneth H. Marcus shows that, contrary to this perception, Schoenberg was deeply involved in the cultural and intellectual environment in which he found himself, and had multiple connections in Hollywood as well as within academia.
Автор: Dore Page Название: Leslie Stevens Goes to Hollywood: Daystar Productions, Kate Manx and the Making of Private Property ISBN: 1476677484 ISBN-13(EAN): 9781476677484 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 46200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focuses on the origins of Daystar Productions as well as Leslie Stevens` first years in Hollywood when he was married to the actress, Kate Manx. After meeting Manx in 1957, Stevens took her with him to Los Angeles and quickly refashioned her into a dramatic film actress who would star in his disturbing debut film, Private Property.
Автор: Meeuf Russell, Cooper Anna Название: Projecting the World: Representing the "Foreign " in Classical Hollywood ISBN: 0814343066 ISBN-13(EAN): 9780814343067 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analysing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the "foreign," Projecting the World: Representing the "Foreign" in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States’ relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeuf’s collection delves into the intricacies—and sometimes disruptions—of this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world.Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalisation through complex narratives about transnational exchange—a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyse the "foreign" with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywood’s projection of "exoticism" on Argentina, and John Wayne’s film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatised America’s international relationships in complicated ways.A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.
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