Автор: Perez, Victor Название: The Color Management Handbook for Visual Effects Artists ISBN: 1032383615 ISBN-13(EAN): 9781032383613 Издательство: Taylor&Francis Рейтинг: Цена: 39800.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.
Each chapter begins by focusing upon one or more of three key Deleuzian themes - image, history and thought - before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics - Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks - Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.
Автор: Bingham Adam Название: Contemporary Japanese Cinema Since Hana-Bi ISBN: 0748683739 ISBN-13(EAN): 9780748683734 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Studies the significant developments in Japanese genre filmmaking since the turn of the millennium. This book includes detail the ways in which individual films have both drawn and departed from those films that have comprised the key works and trends in these generic categories. It features developments in filmmaking.
Автор: Vicari Justin Название: Japanese Film and the Floating Mind ISBN: 1476664986 ISBN-13(EAN): 9781476664989 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Japanese film is enduringly fascinating, challenging and rewarding. This book provides a cultural, historical and philosophical study of Japanese film, from the silent era to the present, focusing on its expansive consciousness. The author examines masterpieces by Yasujir? Ozu, Kenji Mizoguchi, Nagisa Oshima and many other directors, discussing their influence on the Japanese culture of esoteric Zen Buddhism and relating them to recent neuroscientific theories of brain trauma.
Автор: Dorman Название: Paradoxical Japaneseness ISBN: 1137551593 ISBN-13(EAN): 9781137551597 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Автор: Kate Taylor-Jones Название: Divine Work, Japanese Colonial Cinema and its Legacy ISBN: 150130612X ISBN-13(EAN): 9781501306129 Издательство: Bloomsbury Academic Рейтинг: Цена: 137280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "The Greater East Asian Film Sphere" (GEAFS) was a term that came into existence around 1941. Linked into the Japanese Imperialist idea of "the Greater East Asian Co-Prosperity Sphere," the GEAFS was part of a pan-Asianist moment that was at the heart of the Japanese theorization (and justification) of their Imperial narrative. Central to Kate Taylor-Jones’ Divine Work: Japanese Colonial Cinema and its Legacy are the key points of defining the GEAFS and analyzing how the GEAFS implemented and theorized its ideas by those in power from the late 1930s to the end of the Pacific War (1945). With discussions of films prior to the Pacific war, (Manchurian Girl (1933) and Karayuki-san (1937), Fisherman's Fire (1939)) to coverage of films made through post-war contexts (City of Sadness (1989) and Dou-san (1994)), Taylor-Jones invites exploration to not only explore the colonial period but also discuss how cinema in the region needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
Автор: Washburn Название: Word and Image in Japanese Cinema ISBN: 0521777410 ISBN-13(EAN): 9780521777414 Издательство: Cambridge Academ Рейтинг: Цена: 48570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Word and Image in Japanese Cinema examines the dynamic between the temporal order of linguistic narrative and the spatiality of visual spectacle, clarifying the cultural imperatives that Japanese cinema reflects. The essays in this volume are also aimed at the understanding and critical reception of Japanese cinema in the West.
Автор: Laura Lee Название: Japanese Cinema Between Frames ISBN: 3319663720 ISBN-13(EAN): 9783319663722 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation`s cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation`s cinema to the global sphere of film history.
Автор: Steven T. Brown Название: Japanese Horror and the Transnational Cinema of Sensations ISBN: 3319706284 ISBN-13(EAN): 9783319706283 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema.
Автор: Department of Japanese Studies, Chinese University Название: East Asian Cinema and Cultural Heritage ISBN: 1349297704 ISBN-13(EAN): 9781349297702 Издательство: Springer Рейтинг: Цена: 71730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How do East Asian cultural heritages in shape film? How are these legacies being revived, or even re-created, by contemporary filmmakers? This collection examines the dynamic interactions between East Asian culture heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.
Название: Historical Dictionary of Japanese Cinema (Jasper Sharp) ISBN: 0810857952 ISBN-13(EAN): 9780810857957 Издательство: NBN International Рейтинг: Цена: 178810.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be ...
Автор: Taylor-Jones Kate Название: Divine Work, Japanese Colonial Cinema and its Legacy ISBN: 1501349678 ISBN-13(EAN): 9781501349676 Издательство: Bloomsbury Academic Рейтинг: Цена: 39060.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan’s territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnational was conveyed cinematically across the occupied lands. Taylor-Jones traces how cinema in the region post-1945 needs to be understood not only in terms of past colonial relationships, but also in relation to how the post-colonial has engaged with shifting political alliances, the opportunities for technological advancement and knowledge, the promise of larger consumer markets, and specific historical conditions of each decade.
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