Автор: Walker Название: Engagements with Shakespearean Drama ISBN: 0815392745 ISBN-13(EAN): 9780815392743 Издательство: Taylor&Francis Рейтинг: Цена: 32650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rather than treating the plays as objects to be studied, described and interpreted, Engagements with Shakespeare examines precisely what about Shakespeare`s plays is so special - why they continue to be discussed and performed all around the world.
Автор: Crystal David Название: Oxford Dictionary of Original Shakespearean Pronunciation ISBN: 0199668426 ISBN-13(EAN): 9780199668427 Издательство: Oxford Academ Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation.
Автор: Farah Karim-Cooper Название: Cosmetics in Shakespearean and Renaissance Drama ISBN: 147445271X ISBN-13(EAN): 9781474452717 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Revised and updated critical survey of the field of cosmetics and adornment studies
This revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.
Key Features
Offers a new analysis of the construction of whiteness as a racial signifier
Provides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's time
Includes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition
Автор: Farah Karim-Cooper Название: Cosmetics in Shakespearean and Renaissance Drama ISBN: 1474452728 ISBN-13(EAN): 9781474452724 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Revised and updated critical survey of the field of cosmetics and adornment studies
This revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.
Key Features
Offers a new analysis of the construction of whiteness as a racial signifier
Provides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's time
Includes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition
Автор: McEachern Название: The Cambridge Companion to Shakespearean Tragedy ISBN: 1107643325 ISBN-13(EAN): 9781107643321 Издательство: Cambridge Academ Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This updated Companion has been fully revised to reflect the most up-to-date scholarship. With an extensively overhauled bibliography, it also includes four new chapters by leading scholars, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare`s tragedies in performance, and Shakespeare and religion.
Автор: Farah Karim-Cooper Название: The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment ISBN: 1474234267 ISBN-13(EAN): 9781474234269 Издательство: Bloomsbury Academic Рейтинг: Цена: 29560.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare’s time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor’s body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.
Автор: Zamir Tzachi Название: Double Vision: Moral Philosophy and Shakespearean Drama ISBN: 0691155453 ISBN-13(EAN): 9780691155456 Издательство: Wiley Рейтинг: Цена: 31680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In this book, the author argues that there are more things in "Hamlet" than are dreamt of - or at least conceded - by philosophers. He suggests that certain important philosophical insights can be gained only through literature.
Автор: Sarah Dustagheer, Gillian Woods Название: Stage Directions and Shakespearean Theatre ISBN: 147425747X ISBN-13(EAN): 9781474257473 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Stage directions offer a unique glimpse of what actually happened in the early modern playhouse. They constitute first-hand evidence of the movements, gestures, and spectacles that took place on the stage, as well as the shape and use of it. Stage Directions and Shakespearean Theatre illustrates the creative possibilities of these understudied but crucial parts of play-texts. It brings together the most recent and innovative research from a range of established and emerging scholars. Essays illuminate the function of stage directions on both the stage and the page, considering issues such as the playwrights’ shaping of space, the actor’s body, the audience’s gaze and the reader’s imagination. In asking how stage directions impact on the dialogue they frame, this collection provides new insights into a range of Renaissance plays.
First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure -- the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession -- the dominant motif.
In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama - circulating throughout the dramatic texts, traversing 'masculine' and 'feminine' sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Автор: Gillian Woods, Sarah Dustagheer Название: Stage Directions and Shakespearean Theatre ISBN: 1350118818 ISBN-13(EAN): 9781350118812 Издательство: Bloomsbury Academic Рейтинг: Цена: 35890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays?
Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.
Автор: Harry Newman Название: Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama ISBN: 1472465326 ISBN-13(EAN): 9781472465320 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Impressive Shakespeare reassesses Shakespeare`s relationship with "print culture" in light of his plays` engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing.
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