Автор: Greaves, Kerry Название: The Danish Avant-Garde and World War II ISBN: 1032475730 ISBN-13(EAN): 9781032475738 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Нет в наличии.
Автор: Kurczynski, Karen Название: The Cobra Movement in Postwar Europe ISBN: 0367509458 ISBN-13(EAN): 9780367509453 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948-51). Although the name stood for the organizers` home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States.
Автор: Welchman John C. Название: After the Wagnerian Bouillabaisse: Essays on European Avant-Garde Art, XX-XXI ISBN: 3956791010 ISBN-13(EAN): 9783956791017 Издательство: MIT Press Рейтинг: Цена: 36110.00 T Наличие на складе: Невозможна поставка. Описание: Critical analyses of some of the major European artists and movements in the twentieth century, delivered with verve and insight.
The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements in the twentieth century, beginning with important reassessments of Italian Futurism and the unique and disruptively consequential compounding of words and images in Dada and Surrealism. Welchman writes with verve and insight about the production, and circumvention, of affect in the work of Henri Matisse and Fernand L ger; the delirious splits and metaphorical ricochets fired up by Salvador Dal ; and the social and philosophical ideas mobilized by Ren Magritte. The second half of the volume examines mid- and later-twentieth century artists, offering a revisionist assessment of Hans Hartung; a new analysis of major themes and issues in the work of Antoni T pies; a meditation on "whiteness" in the practice and thinking of G nter Brus; and an exploration of exchanges between the US and the UK about sculpture between 1945 and the 1970s. The book concludes with an essay on the relations between writing and seeing in the work of Swiss artist R my Zaugg. The volume is the second in Welchman's series XX-XXI on European art from this and the last century.
Автор: Strozek, Przemyslaw (polish Academy Of Sciences) Название: Picturing the workers` olympics and the spartakiads ISBN: 1032010592 ISBN-13(EAN): 9781032010595 Издательство: Taylor&Francis Рейтинг: Цена: 132710.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Kitnick Alex Название: Distant Early Warning: Marshall McLuhan and the Transformation of the Avant-Garde ISBN: 022675331X ISBN-13(EAN): 9780226753317 Издательство: Wiley Рейтинг: Цена: 64650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Marshall McLuhan (1911-1980) is best known as a media theorist-many consider him the founder of media studies-but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan's work directly influenced the art and artists of his time. Kitnick builds the story of McLuhan's entanglement with artists by carefully drawing out the connections among McLuhan, his theories, and the artists themselves. The story is packed with big names: Marcel Duchamp, Niki de Saint Phalle, Jasper Johns, Andy Warhol, Nam June Paik, and others. Kitnick masterfully weaves this history with McLuhan's own words and his provocative ideas about what art is and what artists should do, revealing McLuhan's influence on the avant-garde through the confluence of art and theory. The illuminating result sheds light on new aspects of McLuhan, showing him not just as a theorist, or an influencer, but as a richly multifaceted figure who, among his many other accolades, affected multiple generations of artists and their works. The book finishes with Kitnick overlaying McLuhan's ethos onto the state of contemporary and post-internet art. This final channeling of McLuhan is a swift and beautiful analysis, with a personal touch, of art's recent transgressions and what its future may hold.
Автор: Iverson Jennifer Название: Electronic Inspirations ISBN: 0190868201 ISBN-13(EAN): 9780190868208 Издательство: Oxford Academ Рейтинг: Цена: 29030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
For a decimated post-war West Germany, the electronic music studio at the WDR radio in Cologne was a beacon of hope. Jennifer Iverson's Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde traces the reclamation and repurposing of wartime machines, spaces, and discourses into the new sounds of the mid-century studio. In the 1950s, when technologies were plentiful and the need for reconstruction was great, West Germany began to rebuild its cultural prestige via aesthetic and technical advances. The studio's composers, collaborating with scientists and technicians, coaxed music from sine-tone oscillators, noise generators, band-pass filters, and magnetic tape. Together, they applied core tenets from information theory and phonetics, reclaiming military communication technologies as well as fascist propaganda broadcasting spaces. The electronic studio nurtured a revolutionary synthesis of science, technology, politics, and aesthetics. Its esoteric sounds transformed mid-century music and continue to reverberate today. Electronic music--echoing both cultural anxiety and promise--is a quintessential Cold War innovation.
Автор: Harri Veivo, Jean-Pierre Montier, Francoise Nicol, David Ayers, Benedikt Hjartarson, Sascha Bru Название: Beyond Given Knowledge: Investigation, Quest and Exploration in Modernism and the Avant-Gardes ISBN: 3110561875 ISBN-13(EAN): 9783110561876 Издательство: Walter de Gruyter Рейтинг: Цена: 107790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europ ischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die K nste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europ ischen Forschungsinstitutionen und in den Lehrpl nen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der franz sischen und deutschen akademischen Welt bleibt der Sammelbegriff "modernism" weniger gel ufig - "die (klassische) Moderne" und "modernit " fungieren hier als nahe liegende quivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und r umliche Ko-Okkurenz k nstlerischer Ausdrucksformen und sthetischer Theorien namhaft gemacht werden kann, die ungef hr zwischen 1850 und 1950 angesiedelt werden kann. Auf hnliche Weise entfaltet die Bezeichnung "Avantgarde" eine Reihe h ufig widerspr chlicher Konnotationen. F r manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der K nste und Literaturen mit den Darstellungs- und Erz hlkonventionen des 19. Jahrhundert: Im fr hen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Str mungen, die als die "heroische" Phase der Avantgarde bezeichnet werden k nnen. F r andere geh rt die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den f nfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus.
Die Buchreihe Studien zur Europ ischen Avantgarde und Moderne m chte der Kompliziertheit der unterschiedlichen europ ischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweij hrlichen Sammlung von Beitr gen in englischer, franz sischer und deutscher Sprache m chte die Reihe nicht nur die franz sisch-, deutsch- und englischsprachigen, sondern auch die nord-, s d-, zentral- und osteurop ischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beitr ge zur Forschung und widmet sich der Erforschung der gesamten europ ischen Avantgarde und Moderne, ihrer Vorl ufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europ ischen Avantgarde und Moderne f rdern die interdisziplin re und intermediale Erforschung experimenteller sthetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenh ngen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beitr ge werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University) und Peter Nicholls (New York University). Redaktionsausschuss: Jan Baetens (Universit t Leuven), Hubert van den Berg (Universit t Groningen), Benedikt Hjartarson (University of Iceland) undTania rum (Universit t Kopenhagen). Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universit t Osnabr ck), Karlheinz Barck (Zentrum f r Literatur- und Kulturforschung Berlin), Henri B har (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), G nter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universit luav di Venezia), Endre Bojt r (Central European University, Budapest), Christina von Braun (Humboldt Universit t zu Berlin), Peter B rger (Universit t Bremen), Matei Calinescu (University of Indiana), Claus Cl ver (University of Indiana), Antoine Compagnon (Coll ge de France), Maria Delaperri re (INALCO, Paris), Pascal Dethurens (Universit de Strasbourg), Eva For
Автор: Kitnick Alex Название: Distant Early Warning: Marshall McLuhan and the Transformation of the Avant-Garde ISBN: 022675345X ISBN-13(EAN): 9780226753454 Издательство: Wiley Рейтинг: Цена: 28510.00 T Наличие на складе: Поставка под заказ. Описание: Marshall McLuhan (1911-1980) is best known as a media theorist--many consider him the founder of media studies--but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan's work directly influenced the art and artists of his time. Kitnick builds the story of McLuhan's entanglement with artists by carefully drawing out the connections among McLuhan, his theories, and the artists themselves. The story is packed with big names: Marcel Duchamp, Niki de Saint Phalle, Jasper Johns, Andy Warhol, Nam June Paik, and others. Kitnick masterfully weaves this history with McLuhan's own words and his provocative ideas about what art is and what artists should do, revealing McLuhan's influence on the avant-garde through the confluence of art and theory. The illuminating result sheds light on new aspects of McLuhan, showing him not just as a theorist, or an influencer, but as a richly multifaceted figure who, among his many other accolades, affected multiple generations of artists and their works. The book finishes with Kitnick overlaying McLuhan's ethos onto the state of contemporary and post-internet art. This final channeling of McLuhan is a swift and beautiful analysis, with a personal touch, of art's recent transgressions and what its future may hold.
Автор: Singletary, Suzanne Название: James McNeill Whistler and France ISBN: 0367200090 ISBN-13(EAN): 9780367200091 Издательство: Taylor&Francis Рейтинг: Цена: 43890.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Inserting Whistler into the dynamics of the French avant-garde reveals the depth and pervasiveness of his presence and the revolutionary nature of his role in shaping modernism.
Автор: V?hringer, Margarethe Название: Avant-Garde and Psychotechnics ISBN: 1032532645 ISBN-13(EAN): 9781032532646 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Hopkins, David Название: Contagion, Hygiene, and the European Avant-Garde ISBN: 1032284994 ISBN-13(EAN): 9781032284996 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Нет в наличии.
Автор: Silverberg Название: The New York School Poets and the Neo-Avant-Garde ISBN: 1138276170 ISBN-13(EAN): 9781138276178 Издательство: Taylor&Francis Рейтинг: Цена: 54090.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: New York City was the site of a remarkable cultural and artistic renaissance during the 1950s and '60s. In the first monograph to treat all five major poets of the New York School-John Ashbery, Barbara Guest, Kenneth Koch, Frank O'Hara, and James Schuyler-Mark Silverberg examines this rich period of cross-fertilization between the arts. Silverberg uses the term 'neo-avant-garde' to describe New York School Poetry, Pop Art, Conceptual Art, Happenings, and other movements intended to revive and revise the achievements of the historical avant-garde, while remaining keenly aware of the new problems facing avant-gardists in the age of late capitalism. Silverberg highlights the family resemblances among the New York School poets, identifying the aesthetic concerns and ideological assumptions they shared with one another and with artists from the visual and performing arts. A unique feature of the book is Silverberg's annotated catalogue of collaborative works by the five poets and other artists. To comprehend the coherence of the New York School, Silverberg demonstrates, one must understand their shared commitment to a reconceptualized idea of the avant-garde specific to the United States in the 1950s and '60s, when the adversary culture of the Beats was being appropriated and repackaged as popular culture. Silverberg's detailed analysis of the strategies the New York School poets used to confront the problem of appropriation tells us much about the politics of taste and gender during the period, and suggests new ways of understanding succeeding generations of artists and poets.
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