Название: Unheeded Hinterland ISBN: 1138100099 ISBN-13(EAN): 9781138100091 Издательство: Taylor&Francis Рейтинг: Цена: 163330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Thisbook presents a comprehensive account of the debates on sovereignty, self-determination and nationalist upsurges in India's Northeast, especially Assam. At a deeper level, it analyses how multi-ethnic societies engage with the nation state. Based on the framework of international relations and geo-politics, the volume locates internal tensions and contradictions among different ethnic groups, alongside the complex interrelationships between the centre and the region. It also proposes a new structure of 'Common Ethnic House' to resolve persistent inter-ethnic tensions among different communities and the impasse between the Northeast and the centre.
This book will interest scholars and researchers of politics and international relations, sociology and social anthropology, area studies, peace and conflict studies, especially those concerned with South Asia and Northeast India.
Название: Unheeded hinterland ISBN: 1138488755 ISBN-13(EAN): 9781138488755 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Thisbook presents a comprehensive account of the debates on sovereignty, self-determination and nationalist upsurges in India's Northeast, especially Assam. At a deeper level, it analyses how multi-ethnic societies engage with the nation state. Based on the framework of international relations and geo-politics, the volume locates internal tensions and contradictions among different ethnic groups, alongside the complex interrelationships between the centre and the region. It also proposes a new structure of 'Common Ethnic House' to resolve persistent inter-ethnic tensions among different communities and the impasse between the Northeast and the centre.
This book will interest scholars and researchers of politics and international relations, sociology and social anthropology, area studies, peace and conflict studies, especially those concerned with South Asia and Northeast India.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
Muslim communities have become increasingly salient in the social, cultural, and political landscape in Canada largely due to the aftermath of 9/11 and the racial politics of the ongoing “war on terror” that have cast Muslims as the new “enemy within.” Featuring some of Canada’s top Muslim Studies scholars, Islam in the Hinterlands examines how gender, public policy, media, and education shape the Muslim experience in Canada. A timely volume addressing some of the most hotly contested issues in recent cultural history, it is essential reading for academics as well as general readers interested in Islamic studies, multiculturalism, and social justice.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
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