O`Flynn The Irishness of Irish Music 9781138265233

Варианты приобретения

Цена: 58170.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: 189 шт.
При оформлении заказа до: 2025-08-18
Ориентировочная дата поставки: конец Сентября - начало Октября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: O`Flynn
Название: The Irishness of Irish Music
ISBN: 9781138265233
Издательство: Taylor&Francis
Классификация:

Музыка

Рок и поп-музыка

ISBN-10: 1138265233
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.47 кг.
Дата издания: 15.11.2016
Серия: Ashgate popular and folk music series
Язык: English
Размер: 234 x 156
Читательская аудитория: General (us: trade)
Ключевые слова: Rock & Pop music, MUSIC / General
Основная тема: Popular Music
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consumption, OFlynn goes on to argue that the relationship between Irish identity and Irish music emerges as a contested site of meaning. His analysis exposes the negotiation and articulation of civic, ethnic and economic ideas within a shifting hegemony of national musical culture, and finds inconsistencies between and among symbolic constructions of Irish music and observed patterns in the domestic field. More specifically, OFlynn illustrates how settings, genres, social groups and values can influence individual identifications or negations of Irishness in music. While the apprehension of intra-musical elements leads to perceptions of music that sounds Irish, style and authenticity emerge as critical articulatory principles in the identification of music that feels Irish. The celebratory and homogenizing discourse associated with the international success of some Irish musical forms is not reflected in the opinions of the people interviewed by OFlynn; at the same time, an insider/outsider dialectic of national identity is found in various forms of discourse about Irish music. Performers and composers discussed include Bill Whelan (Riverdance), Sinead OConnor, The Corrs, Altan, U2, Martin Hayes, Dolores Keane and Gerald Barry.

The Irishness of Irish Music, O`Flynn