Mckinney Adrian Willaert and the Theory of Interval Affect 9781138265806

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Автор: Mckinney
Название: Adrian Willaert and the Theory of Interval Affect
ISBN: 9781138265806
Издательство: Taylor&Francis
Классификация:

Теория музыки и музыковедение

Техника / учебники игры на музыкальных инструментов

ISBN-10: 1138265802
Обложка/Формат: Paperback
Страницы: 336
Вес: 0.62 кг.
Дата издания: 11.11.2016
Язык: English
Размер: 235 x 159
Читательская аудитория: General (us: trade)
Ключевые слова: Theory of music & musicology, MUSIC / General
Основная тема: Music Theory
Подзаголовок: The musica nova madrigals and the novel theories of zarlino and vicentino
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining musics expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This theory of interval affect originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaerts music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations major and minor no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of majorness or minorness that could be manipulated for expressive purposes. This book engages with the madrigals of Willaerts landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaerts theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.

Adrian Willaert and the Theory of Interval Affect, Mckinney